{"title":"afrocentric","description":"","products":[{"product_id":"mseleku-bheki","title":"Mseleku, Bheki -  Beyond The Stars 2x LP","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eBheki Mseleku - \u003cmeta charset=\"utf-8\"\u003eBeyond The Stars.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eLondon: Tapestry Works, 2021. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 sided 2xLP. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 500. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSealed and new. \u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eAn electrifying, previously unreleased studio album from the late South African genius of jazz, recorded in 2003 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- The first new material by the artist to have emerged in nearly two decades \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Liner notes by Blue Note recording artist Nduduzo Makhathini, and by music educator and poet Eugene Skeef, producer of the original session \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Photographs by Siphiwe Mhlambi, Rashid Lombard and Cedric Nunn \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Fully licensed, 180g 3-sided double-vinyl edition of 500 copies, presented as the first release on Tapestry Works, plus digital release \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘A divine summary of his life story’ – Nduduzo Makhathini \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelf-taught multi-instrumentalist and composer Bhekumuzi Hyacinth Mseleku (1955-2008), known as Bheki Mseleku, is widely considered to have been the most richly gifted South African jazz musician of his generation. Born in Durban, he moved to Johannesburg in the mid-1970s and played with groups including Spirits Rejoice, The Drive and Philip Tabane’s Malombo. In 1980, he left apartheid South Africa for exile in Europe, travelling with his close friend Eugene Skeef. (A percussionist, educator, poet and former close comrade\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e of Steve Biko, Skeef originally produced the Beyond The Stars session, and contributes liner notes to this release.) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBheki spent six difficult years in Stockholm before moving to London. After a triumphant debut at Ronnie Scott’s, in 1992 he would release his now classic debut album Celebration for World Circuit, before signing with Verve. He would go on to achieve worldwide recognition, recording and touring with jazz luminaries including Elvin Jones, Pharoah Sanders, Joe Henderson and Abbey Lincoln. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout his life, Bheki struggled with both his physical and mental health. He was, as Eugene Skeef puts it, ‘a conduit for the healing energy of music to flow into the world’, a gift that came at a cost. At the start of the new century, Bheki returned to live in South Africa, but just a few years later he found himself in compound difficulties: life at home had proved too hard, and he was not well. He had also lost his imported Steinway upright piano in an unwise business deal and had not been able to play. In 2003, Skeef helped him return to London, where they hoped to realign his health and rekindle his career. Through his work with the London Philharmonic Orchestra, Skeef arranged for Bheki to have access to the Steinway concert grand pianos held at Henry Wood Hall. After Bheki had spent a few weeks recuperating, Skeef booked a studio session at Gateway Studios. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeyond The Stars was the result: a stunning, solo piano suite which condenses Mseleku’s visionary overstanding of South African music into a flowing, pulsing statement in six parts. With jazzwise echoes of marabi, amahubo, maskanda and Nguni song forms binding it to the deep music of Mseleku’s Zulu heritage, Beyond The Stars provides what Blue Note recording artist Nduduzo Makhathini describes in his liner notes as ‘a divine summary’ of Bheki’s life story: ‘a sonic pilgrimage from the beautiful and organic landscapes of Durban, to the vibrant energy of London and ultimately toward the inner dimensions of one’s being.’ \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut releasing the album proved impossible at the time, and so the session has remained unheard. Bheki sadly passed on in 2008, without having released a new album for five years; almost two decades have now passed since any new music by him has emerged. Working with Eugene Skeef, Tapestry Works is proud to break the silence with a first issue for Bheki Mseleku’s visionary masterpiece, Beyond The Stars.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":39992727732403,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_47902.jpg?v=1623945080"},{"product_id":"pendleton-adam","title":"Pendleton, Adam - Pasts, Futures, and Aftermaths: Revisiting the Black Dada Reader","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePasts, Futures, and Aftermaths: Revisiting the Black Dada Reader \u003cbr data-mce-fragment=\"1\"\u003eBy Adam Pendleton\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e448 pages.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 2011, artist Adam Pendleton assembled \u003cem data-mce-fragment=\"1\"\u003eBlack Dada Reader\u003c\/em\u003e, a compendium of texts, documents and positions that elucidated a practice and ethos of “Black Dada.” Resembling a school course reader, the book was a spiral-bound series of photocopies and collages, originally intended only for personal reference, and eventually distributed informally to friends and colleagues. The contents—an unlikely mix of Hugo Ball, W.E.B. Du Bois, Adrian Piper, Gertrude Stein, Sun Ra, Stokely Carmichael, Gilles Deleuze—formed a kind of experimental canon, realized through what Pendleton calls “radical juxtaposition.” In 2017, Koenig Books published the \u003cem data-mce-fragment=\"1\"\u003eReader\u003c\/em\u003e in a hardcover edition, with newly commissioned essays and additional writings by the artist.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA decade later, Pendleton has composed another reader, building upon the constellation of writers, artists, filmmakers, philosophers and critics that emerged in the first volume, and sketching out new potential forms and vectors for Black Dada. Along with new source texts—from Toni Cade Bambara to Piet Mondrian to Clarice Lispector to Achille Mbembe—Pendleton has included conversations with some of the figures whose writing and work were featured in the earlier Reader: Thomas Hirschhorn, Ishmael Houston-Jones, Joan Jonas, Lorraine O’Grady, and Joan Retallack.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntroduction by Adam Pendleton. Interviews with Thomas Hirschhorn, Ishmael Houston-Jones, Joan Jonas, Lorraine O’Grady, and Joan Retallack.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSource texts by Sara Ahmed, Mikhail Bakhtin, Toni Cade Bambara, Amiri Baraka, Augusto de Campos, Hardoldo de Campos, and Décio Pignatari, Angela Davis, Gilles Deleuze, Julius Eastman, Adrienne Edwards, Clarice Lispector, Achille Mbembe, Philippe-Alain Michaud, Charles Mingus, Piet Mondrian, Leslie Scalapino, Leonard Schwartz and Michael Hardt, Juliana Spahr, Cecil Taylor, and Malcolm X.\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":40641674215603,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/60EC5CA9-2AA3-45D0-9DB3-4E48D01C9502.jpg?v=1632575634"},{"product_id":"hammons-david-basketball-kool-aid","title":"Hammons, David - Basketball \u0026 Kool-Aid","description":"\u003cdiv style=\"text-align: left;\"\u003eDavid Hammons.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eBasketball \u0026amp; Kool-Aid.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Nahmad Contemporary, 2021.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHardcover. \u003cbr\u003e128 pages. \u003cbr\u003e10 1\/2” x 12 1\/4”. \u003cbr\u003e\u003cbr\u003eNear fine,\u003cbr\u003elight corner bumping. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eText by Ayanna Dozier \u0026amp; Alex Kitnick. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42163089801441,"sku":"","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5534.jpg?v=1716403810"},{"product_id":"madhubuti-haki-r-rise-vision-coming-lp","title":"Madhubuti, Haki R. \u0026 Nation Afrikan Liberation Art Ensemble - Rise Vision Coming LP","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eHaki R. Madhubuti. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRise Vision Coming.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eLife Goes On Records, 2022.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLP.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eNew. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eLife Goes On Records present a reissue of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHaki R. Madhubuti\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eRise Vision Comin\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e, originally released in 1976. A breathtaking self-conscious free-jazz masterwork, \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eRise Vision Comin\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e summarizes more than 30 years of musical and theoretical\/political expression from renowned activist\/scholar\/free-jazz pioneer Haki R. Standing on the verge of spiritual jazz aesthetic, his music remains timeless and unforgettable after its longstanding creation. The first album by the group \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNATION Afrikan Liberation Art Ensemble\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eRise Vision Comin\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e was released in 1976, and features among others \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWallace Roney\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on trumpet, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eClarence Seay\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on bass, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAgyei Akoto\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on saxophone who also served as creative director. It features nine tracks with the title track, \"Rise, Vision, Comin\" a great example of the adhesive comradery between instrumentation and Madhubuti's spoken-word.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42616382423265,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/157FE5DD-E491-4AD6-B04F-30158D1B0A22.jpg?v=1648395011"},{"product_id":"black-phoenix-third-world-perspectives-on-contemporary-art-and-culture","title":"Black Phoenix: Third World Perspectives on Contemporary Art and Culture","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRasheed Araaen \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u0026amp; Mahmood Jamal (\u003c\/span\u003eEditors).\u003cbr\u003eBlack Phoenix: \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThird World Perspectives \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eon Contemporary Art and Culture.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003ePrimary Information, 2022. \u003cbr\u003eSoftcover.\u003cbr\u003e108 pages.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eNew \u0026amp; Sealed.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003ePublished in three issues between 1978 and 1979, \u003cem\u003eBlack Phoenix: Journal of Contemporary Art \u0026amp; Culture in the Third World\u003c\/em\u003e (the subtitle was changed to \u003cem\u003eThird World Perspectives on Contemporary Art and Culture\u003c\/em\u003e for its second and third issues) stands as a key document of its time. More than a decade after ’60s liberation movements and the historic Bandung and Tricontinental Conferences that called for social and political alignment and solidarity to dismantle Western imperialism and (neo)colonialism, \u003cem\u003eBlack Phoenix\u003c\/em\u003e issued a rallying call for the formation of a Third World, liberatory arts and culture movement on the eve of Margaret Thatcher’s election in 1979.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eBased in the UK, and both international and national in scope, Black Phoenix positioned diasporic and colonial histories at the center of an evolving anti-racist and anti-imperialist consciousness in late 1970s Britain—one that would yield complex and nuanced discourses on race, class and postcolonial theory in England in the decade that followed.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eA precursor to the British Black Arts Movement that formed in 1982 (which encompassed such cultural practitioners as the Black Audio Film Collective and cultural studies theorist Stuart Hall), Black Phoenix proposed a horizon for Blackness beyond racial binaries, across the Third World and the colonized of the interior in the West. This single-volume facsimile reprint gathers all three issues of the journal, which include contributions by art critics, scholars, artists, poets and writers, including editors Rasheed Araaen and Mahmood Jamal, Guy Brett, Kenneth Coutts-Smith, Ariel Dorfman, Eduardo Galeano, N. Kilele, Babatunde Lawal, David Medalla, Ayyub Malik, Susil Sirivardana and Chris Wanjala. - Artbook\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42803984793825,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/2FDF2AC4-0FA3-4B2B-A7AA-EA98E89F5BAA.jpg?v=1652320346"},{"product_id":"hijrah-truly-free-time-2xlp","title":"Hijrah - Truly Free \/ Time 2xLP","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eHijrah. \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"trackTitle\" style=\"text-align: left;\"\u003eTruly Free \/ Time.\u003cbr\u003e\u003cbr\u003eKey System Recordings, 2023. \u003cbr\u003e2xLP.\u003cbr\u003e\u003cbr\u003eNew, sealed. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eOakland CA, 1981: Hijrah, a vocal group formed from a small Sunni Muslim community in East Oakland, independently releases an album called Truly Free. Locally successful but without distribution it quickly goes out of print, falling into obscurity. Now rare, prized and sought-after for its beautiful combination of multipart harmonies, soul-jazz backing and uplifting spiritual message, we are proud to present this first-ever reissue, licensed directly from the group, and coupled with their 1985 follow-up Time - a funky and eclectic update of the Hijrah sound which sadly never saw the light of day. Mastered by Jessica Thompson, with exhaustive historical listening notes by John Morrison, pressed at Gotta Groove in Ohio and limited to 500 copies, Truly Free \/ Time is a revelation.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43823230550241,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/a1150157236_10_1100x_jpg.webp?v=1680065576"},{"product_id":"hammons-david-curator-clark-ed-whitney-stanley-thomasos-denyse-quiet-as-its-kept-pictoribus-atque-poetis-quidlibet-audendi-semper-fuit-aequa-potestas-signed","title":"Hammons, David (Curator); Clark, Ed; Whitney, Stanley; Thomasos, Denyse - Quiet As Its Kept: Pictoribus atque poetis \/ quidlibet audendi semper fuit aequa potestas (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eDavid Hammons (Curator).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEd Clark, Stanley Whitney, Denyse Thomasos.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eGeoffrey Jacques (Essay). \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHaf-Fa-Rool (Afterword).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eQuiet As Its Kept: Pictoribus atque poetis \/ quidlibet audendi semper fuit aequa potestas.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eChristine König Galerie, 2002. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e76 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThree color plates. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEnglish\/German. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003cbr\u003eWear to top \u0026amp; bottom near spine.\u003cbr\u003eLight corner wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSigned by Ed Clark. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eA unique exhibition curated by the artist David Hammons, \u003cem data-mce-fragment=\"1\"\u003e\u003cbr\u003eQuiet as it's Kept,\u003c\/em\u003e an exhibition featuring three painters based in New York, seeks to challenge the comforting discourse surrounding the presumed transnational identity of abstract painting.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003ePainters ED CLARK, STANLEY WHITNEY, and DENYSE THOMASOS are all abstract artists who are also African Americans. Each one works in New York City. While none of this seems remarkable in itself, this exhibition seeks to challenge the commonplace identification the art public often makes between black artists and what might be called facile narratives surrounding \"African American art.\"\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eSuch narratives often fail to take into account, suggests curator Hammons, the fact that there might be a unique \"and hitherto little examined\" approach to abstract painting that derives from the African American experience. Each of the artists in \u003cem data-mce-fragment=\"1\"\u003eQuiet as it's Kept\u003c\/em\u003e has spent his or her career attempting to evade the gaze of those who would police the definitions of \"black\" art.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eClark's luminous canvases live in an environment of absolute freedom. The paintings are often created using a push broom, and carry within them not only an intimation of a reversal of status embodied in that tool, but the paintings also suggest an obscure sense of unrestricted play. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eWhitney creates paintings in which color, randomness, and architecture are all constituent elements. The apparently random patterning of color in his canvases recall those patterns that can sometimes be seen in the cloth and quilt making artists of the African American south. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eOn the other hand, Thomasos is concerned with the abstract patterns that draw their dynamism from those structures that have hitherto been considered as signs of restriction, such as jails and slave transport vessels.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\"The identity of black culture,\" writes New York independent critic Geoffrey Jacques, who contributed an essay to the exhibition's catalogue, \"is deeply rooted in experiment practice.\" That aspect of black identity, which is widely recognized in music and is beginning to be recognized in literature, has rarely been recognized in the visual arts. With this exhibition, curator Hammons seeks to sharpen a discourse that will focus attention on the experimental nature of African American visual culture as well.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43859845677281,"sku":"","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_96722.jpg?v=1682990432"},{"product_id":"hassan-yusuf-6six-poems-1","title":"Hassan, Yusuf - 6Six Poems","description":"\u003cdiv style=\"text-align: left;\"\u003eYusuf Hassan. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e6Six Poems. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eJamaica, New York: Black Mass Publishing, 2022 (?).\u003cbr\u003eSoftcover. \u003cbr\u003e12 pages, with content on rectos. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eVisual Poems.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e“Named after Amiri Baraka’s 1966 play \u003c\/span\u003e\u003ci\u003eA Black Mass\u003c\/i\u003e\u003cspan\u003e, this independent publishing venture was founded by Yusuf Hassan in 2018 with \u003c\/span\u003e\u003ci\u003eProject BlackMass\u003c\/i\u003e\u003cspan\u003e, a spiral-bound publication with contributions from artists Arthur Jafa, Devin B. Johnson, Jacob Mason-Macklin, Frida Orupabo, Kwamé Sorrell, and others. Hassan and Sorrell, who continue as BlackMass’s publishers today, have produced dozens of zines both separately and together…”–\u003c\/span\u003e\u003ci\u003eCopy Machine Manifestos, Artists Who Make Zines\u003c\/i\u003e\u003cspan\u003e (2023).\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44144592945377,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2641.jpg?v=1697835691"},{"product_id":"hassan-yusuf-subject-matter-poster","title":"Hassan, Yusuf - Subject Matter poster","description":"\u003cdiv style=\"text-align: left;\"\u003eYusuf Hassan. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSubject Matter poster. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eJamaica, New York: Black Mass Publishing, 2022 (?).\u003cbr\u003eUnbound single sheet.  \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003ePoster with text on verso. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e“Named after Amiri Baraka’s 1966 play \u003c\/span\u003e\u003ci\u003eA Black Mass\u003c\/i\u003e\u003cspan\u003e, this independent publishing venture was founded by Yusuf Hassan in 2018 with \u003c\/span\u003e\u003ci\u003eProject BlackMass\u003c\/i\u003e\u003cspan\u003e, a spiral-bound publication with contributions from artists Arthur Jafa, Devin B. Johnson, Jacob Mason-Macklin, Frida Orupabo, Kwamé Sorrell, and others. Hassan and Sorrell, who continue as BlackMass’s publishers today, have produced dozens of zines both separately and together…”–\u003c\/span\u003e\u003ci\u003eCopy Machine Manifestos, Artists Who Make Zines\u003c\/i\u003e\u003cspan\u003e (2023).\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44144603791585,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2639.jpg?v=1697835743"},{"product_id":"hassan-yusuf-memory-2","title":"Hassan, Yusuf - Memory. 1","description":"\u003cdiv style=\"text-align: left;\"\u003eYusuf Hassan. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMemory. 1. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eJamaica, New York: Black Mass Publishing, 2022. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eUnbound single 4 page folded sheet in envelope. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eA research publication by Yusuf Hassan is a new edition of publications that largely focus on typography, architecture, objects , sound and furniture. \u003cbr\u003eProject on going.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e“Named after Amiri Baraka’s 1966 play \u003c\/span\u003e\u003ci\u003eA Black Mass\u003c\/i\u003e\u003cspan\u003e, this independent publishing venture was founded by Yusuf Hassan in 2018 with \u003c\/span\u003e\u003ci\u003eProject BlackMass\u003c\/i\u003e\u003cspan\u003e, a spiral-bound publication with contributions from artists Arthur Jafa, Devin B. Johnson, Jacob Mason-Macklin, Frida Orupabo, Kwamé Sorrell, and others. Hassan and Sorrell, who continue as BlackMass’s publishers today, have produced dozens of zines both separately and together…”–\u003c\/span\u003e\u003ci\u003eCopy Machine Manifestos, Artists Who Make Zines\u003c\/i\u003e\u003cspan\u003e (2023).\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44144619356385,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2638.jpg?v=1697836435"},{"product_id":"mealy-rosemari-lift-these-shadows-from-our-eyes","title":"Mealy, Rosemari - Lift These Shadows from Our Eyes","description":"\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eRosemari Mealy. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eLift These Shadows from Our Eyes. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cbr\u003eCambridge: West End Press, 1979. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eStaple-bound softcover. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e16 pages. \u003cbr\u003eSecond edition, first published 1978. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good, \u003cbr\u003eLight edgeware and toning.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003ePreface by Henry Amana.\u003cbr\u003e\u003cbr\u003e\"My grandma had a heart attack when I was arrested for jumping in a \u003cbr\u003e'For White Only \u003cem\u003ePublic\u003c\/em\u003e Swimming Pool'\u003cbr\u003eMama tried to pawn a gold star so she could buy food\u003cbr\u003eFunny how communists have something to eat, and we fight them\u003cbr\u003eover there and the war on poverty over here--\"\u003cbr\u003e\u003cbr\u003eRosemari Mealy appears in an issue of Heresies magazine. \u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44265462300897,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_3200.jpg?v=1700973908"},{"product_id":"cooper-jerome-the-unpredictability-of-predictability-lp","title":"Cooper, Jerome - The Unpredictability of Predictability LP","description":"\u003cdiv style=\"text-align: left;\"\u003eJerome Cooper.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe Unpredictability of Predictability\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eAbout Time Records, 1979. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eUnsealed (because shrink-wrap was falling apart) unplayed original copies of this phenomenal Jerome Cooper solo LP The Unpredictability of Predictability. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eStraight to youtube for a taste. \u003cbr\u003e\u003cbr\u003eFunky, gorgeous and all played \u003cbr\u003eentirely by one man. \u003cbr\u003e\u003cbr\u003eSome copies may have a slight warp that does not affect play \u003cbr\u003eand minor corner wear from storage.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44342650601697,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/988AFBBB-E0DF-46A5-8A58-383BB0A10878_b377668e-5acf-4392-b214-dbef082779f9.jpg?v=1703817037"},{"product_id":"barboza-anthony-introspect-the-photography-of-anthony-barboza","title":"Barboza, Anthony - Introspect: The Photography of Anthony Barboza","description":"\u003cp style=\"text-align: left;\"\u003eAnthony Barboza.\u003cbr\u003eIntrospect: The Photography of Anthony Barboza.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNew York: The Studio Museum in Harlem, 1982.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStaple-bound softcover.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e32 pages. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eNear fine, but for light edge wear. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eText by Terrie S. Rouse, C. Daniel Dawson, Deborah Willis-Thomas and Anthony Barboza.\u003cbr\u003e\u003cbr\u003e17 black and white illustrations. \u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45415352008929,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_6408.jpg?v=1719885082"},{"product_id":"various-signs-taken-for-wonders-jack-shaman-gallery-poster-exhibition-invitation","title":"Various - Signs Taken for Wonders Jack Shaman Gallery Exhibition Invitation","description":"\u003cdiv style=\"text-align: left;\"\u003eVarious.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSigns Taken for Wonders Jack Shaman Gallery Poster Exhibition Invitation.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Jack Shainman Gallery, 2009. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eExhibition invitation.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eOpen: 10 1\/2 x 17\". \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery Good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eTwo vertical folds and tape for mailing.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSurface tears and creasing.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eExhibition invitation for group show\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003efeaturing \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eKader Attia,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eJn. Ulrick Désert,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eJulien Friedler, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eJeffrey Gibson, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eXaviera Simmons,\u003cbr\u003eand\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCarrie Mae Weems, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCurated by Isolde Brielmaier.\u003cbr\u003ePresented in collaboration with the Spirit of Boz Collective.  \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45418621698273,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_6403.jpg?v=1719885651"},{"product_id":"moore-carman-soul-musings-cd","title":"Moore, Carman - Soul Musings 2xCD","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCarman Moore. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoul Musings. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eNew York: Reading Group, 2024.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e2xCD.\u003cbr\u003eEdition of 200.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNew and unplayed. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eReading Group is thrilled to present our second collaboration with the magisterial composer Carman Moore. Following the 2020 release of his gorgeous chamber soundtrack to the film \"Personal Problems\" (1980), \"Soul Musings\" is a double-CD representing Carman's innerly composerly life of the last several decades. Consisting mostly of sketched ideas, meditations, and improvisations on synthesizer or piano, this record is both an intimate portrait of the artist at home as well as spiritual gift. Disc 1, \"Soul Musings,\" spans a broad range of sonic palettes and moods from the celebratory to the mournful, with a deep inquisitive presence of mind at work throughout. Disc 2, \"Afro-Latin Meditations,\" builds from the New York-inspired musical environments Moore developed in \"Personal Problems,\" a heartfelt dedication to the city where he has been composing and listening for more than 50 years.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIntroduction to the album by Carman Moore:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSOUL MUSINGS is a series of mainly-meditative excitements I've improvised both at piano and at my Ensoniq keyboard over several years. Many are short pieces that started out with grander intentions—as would-be orchestral or choral or even solo vocal songs lacking lyrics. Some were taken from a work that will someday be released as the album \"Love Notes to Central Park.\" Some are plucked from the earlier meditative album \"Meditations and Dances to the Millennium.\" Some were get-well improvs for special friends in need. Most were simply deep-night or mid-day answers to the call of the Tao. Especially for AFRO-LATIN MEDITATIONS, so many were called forth from the Hispanic\/Latino sound, rhythm and heart of New York City living. And some others come from time spent living and creating the forest-oriented children's opera RASUR in Costa Rica in 2002. In any event I love all these works and hope they will function as mental and spiritual transportation for YOU its listeners.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed and performed by Carman Moore in New York City, 2002-2023. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45804012994785,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/rg27460.jpg?v=1728418850"},{"product_id":"simpson-lorna-call-waiting-1998-art-gallery-of-ontario-exhibition-invitation","title":"Simpson, Lorna - Call Waiting 1998 Art Gallery of Ontario exhibition invitation","description":"\u003cdiv style=\"text-align: left;\"\u003eLorna Simpson.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCall Waiting 1998 Art Gallery of Ontario exhibition invitation.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eToronto: Art Gallery of Ontario, 1998.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eExhibition invitation.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003cbr\u003eLight creasing at edges. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eInvitation for Lorna Simpson's 1998 exhibition at the Art Gallery of Ontario \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46113177960673,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_9365.jpg?v=1738198254"},{"product_id":"artist-and-influence-volume-xvi-1997","title":"Artist and Influence - Volume XVI (1997)","description":"\u003cp style=\"text-align: left;\"\u003eJames V. Hatch \/ Leo Hamalian \/ Judy Blum (Editors). \u003cbr\u003eArtist and Influence: Volume XVI.\u003cbr\u003e\u003cbr\u003eNew York:  Hatch-Billops Collection, Inc, 1997.\u003cbr\u003eSoftcover. \u003cbr\u003e180 pages. \u003cbr\u003e\u003cbr\u003eVery good. \u003cbr\u003eUnobtrusive creasing and edge wear to covers. Inside clean \u0026amp; unmarked. \u003cbr\u003e\u003cbr\u003eInterviews with Luis R. Cancel, David Driskell, Elton Clay Fax, Dion Thomas Hatch, Katerina Jarboro, Salem Mekuria, Roy Meriwether, Lewis Michaux, Thomas D. Pawley III, Jack White, and Jack Whitten. \u003cbr\u003e\u003cbr\u003ePoetry by James V. Hatch, Krysia Jopek, Glenngo Allen King, Barbara Lekatsas, Stuart Miller, Suzanne Noguere, Thomas D. Pawley III, Vera Turner, Victoria Sullivan, and Afaa M. Weaver. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003ci\u003eArtist and Influence\u003c\/i\u003e\u003cspan\u003e is an annual journal published by the Hatch-Billops Collection in New York. Among other materials, Hatch-Billops houses an archival collection of oral histories of African American and some Asian and Hispanic artists from all fields of the performing, graphic, and spatial arts. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInterviews with Black and Asian filmmakers, actors, musicians, sculptors, photographers, animators, choreographers, singers, and painters, provide new information about the role of minority groups in the development of the American arts. Many of the figures whose words are transcribed were elderly when they were interviewed. Their perceptions shed new light on movements such as the Harlem Renaissance, the role of Black musicians during the Depression, or the resistance of Hollywood filmmakers during the 1930s and 40s to using Black actors and actresses.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46674946916577,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2368.heic?v=1759638929"},{"product_id":"artist-and-influence-volume-xvii-1998","title":"Artist and Influence - Volume XVII (1998)","description":"\u003cp style=\"text-align: left;\"\u003eJames V. Hatch \/ Leo Hamalian \/ Judy Blum (Editors). \u003cbr\u003eArtist and Influence: Volume XVII.\u003cbr\u003e\u003cbr\u003eNew York:  Hatch-Billops Collection, Inc, 1998.\u003cbr\u003eSoftcover. \u003cbr\u003e199 pages. \u003cbr\u003e\u003cbr\u003eVery good. \u003cbr\u003eUnobtrusive creasing and edge wear to covers. Inside clean \u0026amp; unmarked. \u003cbr\u003e\u003cbr\u003eInterviews with Douglas Q. Barnett, Romare Bearden, Betty Blayton, Nanette Carter, Gylbert Coker, Floyd Coleman, Farid Ferhelst, Mable Haddock, Ruth Jett, Louis Massiah, Otto Neals, Michelle Parkinson, Allan Siegal, Richard Wesley, Bob West, and Joseph G. \"Tex\" Gathings.  \u003cbr\u003e\u003cbr\u003ePoetry by Doris Abramson, Robert Ghiradella, Gail Goldsmith, James V. Hatch, Glenngo Allen King, Stuart Miller, Suzanne Noguere, Victoria Sullivan, Lundeana M. Thomas PH.D, and Edmond D. Ward. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003ci\u003eArtist and Influence\u003c\/i\u003e\u003cspan\u003e is an annual journal published by the Hatch-Billops Collection in New York. Among other materials, Hatch-Billops houses an archival collection of oral histories of African American and some Asian and Hispanic artists from all fields of the performing, graphic, and spatial arts. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInterviews with Black and Asian filmmakers, actors, musicians, sculptors, photographers, animators, choreographers, singers, and painters, provide new information about the role of minority groups in the development of the American arts. Many of the figures whose words are transcribed were elderly when they were interviewed. Their perceptions shed new light on movements such as the Harlem Renaissance, the role of Black musicians during the Depression, or the resistance of Hollywood filmmakers during the 1930s and 40s to using Black actors and actresses.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46674969526497,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2369.heic?v=1759638984"},{"product_id":"artist-and-influence-volume-xxix-2010","title":"Artist and Influence - Volume XXIX (2010)","description":"\u003cp style=\"text-align: left;\"\u003eJames V. Hatch \/ Judy Blum (Editors). \u003cbr\u003eArtist and Influence: Volume XXIX.\u003cbr\u003e\u003cbr\u003eNew York:  Hatch-Billops Collection, Inc, 2010.\u003cbr\u003eSoftcover. \u003cbr\u003e252 pages. \u003cbr\u003e\u003cbr\u003eVery good. \u003cbr\u003eUnobtrusive crease to back bottom right and light edge wear to covers. Inside clean \u0026amp; unmarked. \u003cbr\u003e\u003cbr\u003eInterviews with Jim Alexander, Jules Allen, Horace Brockington, William H. Burgess III, \u003cbr\u003eNathaniel Bustion, Patti Yvonne Carpenter, Eric Coleman, Bob Franklin, Gail Hansberry, Sigrun Mueller, Sara Penn (of Knobkerry), Noriko Sengoku, Valerie Smith, Ed Spriggs, Irving Vincent, Tom Wirth, and David D. Wright. \u003cbr\u003e\u003cbr\u003ePoetry by Kitty Chow, Winifred Eileen Derryck, Gail Goldsmith, James V. Hatch, d.j. houston, Cliff Joseph, Glenngo King, Pamela L. La Bonne, Erik La Prade, Victoria Sullivan, and Afaa M. Weaver.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eEllen Simon: An Appreciation.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003ci\u003eArtist and Influence\u003c\/i\u003e\u003cspan\u003e is an annual journal published by the Hatch-Billops Collection in New York. Among other materials, Hatch-Billops houses an archival collection of oral histories of African American and some Asian and Hispanic artists from all fields of the performing, graphic, and spatial arts. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInterviews with Black and Asian filmmakers, actors, musicians, sculptors, photographers, animators, choreographers, singers, and painters, provide new information about the role of minority groups in the development of the American arts. Many of the figures whose words are transcribed were elderly when they were interviewed. Their perceptions shed new light on movements such as the Harlem Renaissance, the role of Black musicians during the Depression, or the resistance of Hollywood filmmakers during the 1930s and 40s to using Black actors and actresses.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46675129303265,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_6788.jpg?v=1722296693"},{"product_id":"aidoo-ama-ata-an-angry-letter-in-january-signed","title":"Aidoo, Ama Ata - An Angry Letter in January (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eAma Ata Aidoo.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eAn Angry Letter in January.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003eAarhus, Denmark: \u003c\/span\u003eDangaroo Press, 1992.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e120 pages\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eVery good. \u003cbr\u003eMinor edgewear. \u003cbr\u003e\u003cbr\u003eInscribed inside front cover by author. \u003cbr\u003e\u003cbr\u003e1992 book of poetry by celebrated Ghanian author. Scarce signed. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\u003cspan\u003eAma Ata Aidoo was a \u003c\/span\u003eGhanaian\u003cspan\u003e author, poet, playwright, politician, and academic. \u003c\/span\u003e\u003csup id=\"cite_ref-Britannica_3-0\" class=\"reference\"\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-4\" class=\"reference\"\u003e\u003c\/sup\u003e\u003cspan\u003eShe was a \u003c\/span\u003eSecretary for Education\u003cspan\u003e in \u003c\/span\u003eGhana\u003cspan\u003e from 1982 to 1983 under \u003c\/span\u003eJerry Rawlings\u003cspan\u003e's \u003c\/span\u003ePNDC\u003cspan\u003e administration. Her first play, \u003c\/span\u003e\u003ci\u003eThe Dilemma of a Ghost\u003c\/i\u003e\u003cspan\u003e, was published in 1965, making Aidoo the first published female African dramatist.\u003c\/span\u003e\u003csup id=\"cite_ref-Horne_5-0\" class=\"reference\"\u003e\u003cspan class=\"cite-bracket\"\u003e[\u003c\/span\u003e4\u003cspan class=\"cite-bracket\"\u003e]\u003c\/span\u003e\u003c\/sup\u003e\u003cspan\u003e As a novelist, she won the \u003c\/span\u003eCommonwealth Writers' Prize\u003cspan\u003e in 1992 with the novel \u003c\/span\u003e\u003ci\u003eChanges\u003c\/i\u003e\u003cspan\u003e. In 2000, she established the \u003c\/span\u003eMbaasem Foundation\u003cspan\u003e in \u003c\/span\u003eAccra\u003cspan\u003e to promote and support the work of African women writers. \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46675141591265,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_0844.jpg?v=1752802661"},{"product_id":"walker-kara-certain-types","title":"Walker, Kara - Certain Types","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv id=\":1rs\" class=\"Am aiL Al editable LW-avf tS-tW tS-tY\" aria-label=\"Message Body\" role=\"textbox\" aria-multiline=\"true\" spellcheck=\"false\" aria-owns=\":2po\" aria-controls=\":2po\" aria-expanded=\"false\" tabindex=\"1\"\u003eKara Walker.\u003cbr\u003eCertain Types.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNew York: Sikkema Jenkins \u0026amp; Co., 2011.\u003c\/span\u003e\u003cbr\u003eBlank envelope with seven index cards.\u003cbr\u003e\u003cbr\u003eNear fine.\u003cbr\u003eEnvelope has slight creasing.\u003cbr\u003e\u003cbr\u003eThese index cards form an unbound artists' book with the kind of upsetting, yet thought provoking texts that one can expect to find in Kara Walker's work. Issued as a handout accompanying the exhibition \"Fall Frum Grace, Miss Pipi's Blue Tale\", 21 April - 25 June 2011, at Sikkema Jenkins \u0026amp; Co., New York.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46805629796577,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1638.heic?v=1756182108"},{"product_id":"lorde-audre-the-first-cities-1968","title":"Lorde, Audre - The First Cities (1968)","description":"\u003cdiv style=\"text-align: left;\"\u003eAudre Lorde.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe First Cities. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNew York: The Poets Press, Inc., 1968. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e32 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFirst edition.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eVery good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSlight edgewear. Bottom right corner unobtrusive bump with creasing. Spot of soiling to front cover. Inside clean and unmarked. Stapled binding is tight and secure. \u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003eAudre Lorde's scarce first book. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIntroduction by friend, publisher and poet Diane Di Prima.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46806012330209,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1643.heic?v=1756182169"},{"product_id":"parker-pat-jonestown-other-madness","title":"Parker, Pat - Jonestown \u0026 Other Madness","description":"\u003cdiv style=\"text-align: left;\"\u003ePat Parker. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eJonestown \u0026amp; Other Madness.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eIthaca: Firebrand Books, 1985.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e75 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNear fine. \u003cbr\u003eSlight edgewear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e1985 first edition. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eAfrican American feminist lesbian poet Pat Parker (1944–1989) published her first book of poetry, Child of Myself, in 1972. In 1978 Parker became director of Oakland's Feminist Women's Health Center and in 1980 she founded the Black Women's Revolutionary Council, a group of revolutionary feminists intended to educate people about the effects of racism, classism, and sexism. Her other works included Womanslaughter (1978), Movement in Black: The Collected Poetry of Pat Parker, 1961–1978 (1978), and Jonestown and Other Madness (1985). The title poem from Jonestown and Other Madness alludes to the mass murder-suicide that took place at the People Temple Agricultural Project in Guyana in 1978 at the behest of charismatic cult leader Jim Jones. About 70 percent of the number of victims in Jonestown were Black.\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eISBN 10: 0932379001\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":47197798138081,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2366.heic?v=1759638020"},{"product_id":"higgins-jr-chester-drums-of-life-a-photographic-essay-on-the-black-man-in-america","title":"Higgins, Jr., Chester - Drums of Life: A Photographic Essay on the Black Man in America","description":"\u003cdiv style=\"text-align: left;\"\u003eChester Higgins, Jr (Photographs).\u003cbr\u003eOrde Coombs (Text). \u003cbr\u003eDrums of Life: A Photographic Essay on the Black Man in America. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eGarden City: Anchor Books, 1974. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e131 pages. \u003cbr\u003eFirst Edition. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery Good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEdgewear and creasing to covers. \u003cbr\u003e\u003cbr\u003eFirst edition of 1974 photobook by Chester Higgins, Jr.\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cbr\u003eISBN: 0385071345\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":47229161767137,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2342.heic?v=1759637668"},{"product_id":"wilmer-valerie-the-face-of-black-music-photographs-by","title":"Wilmer, Valerie - The Face of Black Music: Photographs by","description":"\u003cdiv style=\"text-align: left;\"\u003eValerie Wilmer. \u003cbr\u003eThe Face of Black Music: Photographs by. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNew York: Da Capo Press, 1976. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery Good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eLight edgewear. \u003cbr\u003e\u003cbr\u003eIntroduction by Archie Shepp\u003cbr\u003e\u003cbr\u003e1989 third printing of photographs of musicians, primarily Jazz, interspersed with excerpts from interviews by the author of \u003cem\u003eAs Serious As Your Life: Black Music and the Free Jazz Revolution, 1957–1977.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cbr\u003eISBN: 030680039X\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":47229163897057,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2341.heic?v=1759637535"},{"product_id":"hammons-david-selected-works","title":"Hammons, David - Selected Works","description":"\u003cdiv style=\"text-align: left;\"\u003eDavid Hammons.\u003cbr\u003eEssay by Franklin Sirmans. \u003cbr\u003eSelected Works.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Zwirner \u0026amp; Wirth, 2006.\u003cbr\u003eSoftcover. \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e8 1\/4” x 10 1\/2”.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eNear fine,\u003cbr\u003e\u003c\/span\u003ebut for minor wear at corners. \u003cbr\u003e\u003cbr\u003eEssay titled: \"Searching for Mr. Hammons\".This catalog is published on the occasion of the exhibition at Zwirner \u0026amp; Wirth \"David Hammons: Selected Works\" February 21-April 1, 2006.\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":47264636698849,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8315.jpg?v=1677297902"},{"product_id":"frequency-the-studio-museum-in-harlem-2005-group-show-exhibition-catalog","title":"Frequency - The Studio Museum in Harlem 2005 group show exhibition catalog","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv aria-expanded=\"false\" aria-controls=\":1ij\" aria-owns=\":1ij\" spellcheck=\"false\" aria-multiline=\"true\" role=\"textbox\" aria-label=\"Message Body\" class=\"Am aiL Al editable LW-avf tS-tW tS-tY\" id=\":1bz\" tabindex=\"1\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThelma Golden \u0026amp; Christine Y. Kim (Curators).\u003cspan class=\"gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eFrequency.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: The Studio Museum in Harlem, 2005. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003cspan class=\"gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e119 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEnglish.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003cbr\u003eEdge wear.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eTexts by Thelma Golden, Franklin Sirmans, and Malik Gaines. Introductory dialogue between Golden and Christine Y. Kim.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNow considered canonical exhibitions within contemporary art history, the Studio Museum’s “F” shows, inaugurated with \u003cem\u003eFreestyle\u003c\/em\u003e in 2001, have been widely recognized for their role in advancing innovative and groundbreaking dialogues around art and uplifting the work of emerging artists of African descent.  \u003cbr\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW90931112 BCX0\"\u003e\u003cspan class=\"NormalTextRun CommentStart CommentHighlightPipeRestRefresh CommentHighlightRest SCXW90931112 BCX0\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW73777786 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW73777786 BCX0\"\u003e\u003cbr\u003eNearly five years later after the Museum's groundbreaking exhibition \u003cem\u003eFreestyle\u003c\/em\u003e (2001) ,\u003cem\u003e Frequency \u003c\/em\u003econtinued the tradition of identifying emerging artists and exploring the concept of \"post-Black\" with a new group of artists. \u003cbr\u003e\u003cbr\u003eCo-curated by Thelma Golden and former Associate Curator Christine Y. Kim, this exhibition featured \u003cspan class=\"NormalTextRun CommentHighlightPipeRestRefresh SCXW90931112 BCX0\"\u003eartists \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW90931112 BCX0\"\u003eNick Cave, Isaac Diggs, Leslie Hewitt, Rodney McMillian, Wardell Milan\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW90931112 BCX0\"\u003e, Adam Pendleton, Robert \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW90931112 BCX0\"\u003ePruitt, Xaviera Simmons, Hank Willis Thomas, Mickalene Thomas, Michael Paul Britto, Nyame O. Brown, Jonathan Calm, Zoë Charlton, Mike Cloud, Kianga Ford, Rashawn Griffin, Wayne Hodge, Sedrick E. Huckaby, Kalup Linzy, Nzuji De Magalhães, Lester Julian Merriweather, Wardel Milan II, Demetrius Oliver, Xiomara De Oliver, Karyn Olivier, Jefferson Pinder, Michael Queenland, Marc Andre Robinson, Kwabena Slaughter, Shinique Amie Smith, Jeff Sonhouse, Jina Valentine, William Villalongo, Robert Visani, and Paula Wilson. \u003cspan class=\"TextRun SCXW77435884 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW77435884 BCX0\"\u003eSelect contributors include Naomi Beckwith, Romi Crawford, Malik Gaines, Sandra \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW77435884 BCX0\"\u003eJackson-Dumont, Tumelo \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW77435884 BCX0\"\u003eMosaka\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW77435884 BCX0\"\u003e, Franklin Sirmans, Zoé Whitley, and more.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW77435884 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW90931112 BCX0\"\u003e\u003cspan class=\"NormalTextRun CommentStart CommentHighlightPipeRestRefresh CommentHighlightRest SCXW90931112 BCX0\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW73777786 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW73777786 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW90931112 BCX0\"\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW77435884 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW90931112 BCX0\"\u003e\u003cspan class=\"NormalTextRun CommentStart CommentHighlightPipeRestRefresh CommentHighlightRest SCXW90931112 BCX0\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW73777786 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW73777786 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW90931112 BCX0\"\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW77435884 BCX0\"\u003e\u003cspan\u003eISBN: 0942949307, 9780942949308\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":47265288913121,"sku":null,"price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2650.heic?v=1760632819"},{"product_id":"harris-lyle-ashton-the-good-life-1994-jack-tilton-gallery-exhibition-invitation","title":"Harris, Lyle Ashton - The Good Life 1994 Jack Tilton Gallery Exhibition Invitation","description":"\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv\u003eLyle Ashton Harris. \u003cbr\u003eThe Good Life 1994 Jack Tilton Gallery Exhibition Invitation.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eNew York: Jack Tilton Gallery, 1994.\u003c\/div\u003e\n\u003cdiv\u003ePostcard.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eVery good. \u003cbr\u003eMinor edge wear and chipping. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cbr\u003eInvitation to Lyle Ashton Harris' 1994 exhibiton The Good Life at Jack Tilton Gallery. \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":47563484266721,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_3333.heic?v=1764652847"},{"product_id":"whitney-stanley-dance-the-orange-exhibition-catalog","title":"Whitney, Stanley - Dance The Orange exhibition catalog","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan\u003eStanley Whitney.\u003cbr\u003e\u003c\/span\u003eDance The Orange.\u003c\/p\u003e\n\u003cp\u003eNew York: Studio Museum of Harlem, 2015.\u003cbr\u003eSoftcover.\u003cbr\u003e81 pages.\u003c\/p\u003e\n\u003cp\u003eVery good. \u003cbr\u003eLight edge wear.\u003cbr\u003eNo internal marks.\u003cbr\u003e\u003cbr\u003eUncommon beautiful exhibition catalog with a white embossed cover. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eForeword by Thelma Golden, acknowledgements and an essay by Lauren Haynes, another essay by Robert Storr, and the text of a conversation between Lowery Stokes Sims and Stanley Whitney. Includes numerous color illustrations, a checklist, biographical information and list of previous exhibitions. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":47874219966689,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_4305.heic?v=1770348245"},{"product_id":"hammons-david-etc-lava-onetwentyeight-gallery-group-exhibition-invitation-1988","title":"Hammons, David; etc - Lava: Onetwentyeight Gallery group exhibition invitation (1988)","description":"\u003cdiv style=\"text-align: left;\"\u003eLava.\u003cbr\u003eOnetwentyeight Gallery group exhibition invitation.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\u003cspan\u003eNew York: Onetwentyeight Gallery, 1988. \u003cbr\u003e\u003c\/span\u003ePostcard\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNear fine. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003eUncommon exhibition invitation for a group show entitled Lava curated by Christopher Moorez that took place at \u003cspan\u003eOnetwentyeight Gallery in 1988. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eFeaturing:\u003cbr\u003e\u003cbr\u003eDavid Hammons, Maren Hassinger, Candida Alvarez, Fred Brathwaite (Fab 5 Freddy), John Chandler, Christopher Moorez, Lorenzo Pace, Tim Rollins \u0026amp; K.O.S., musicians Juma Santos and Snuky Tate, Andres Serrano, and Daniel Tisdale. \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":47920208806113,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_3325.heic?v=1770169203"},{"product_id":"gunn-bill-rhinestone-sharecropping","title":"Gunn, Bill - Rhinestone Sharecropping","description":"\u003cdiv style=\"text-align: left;\"\u003eBill Gunn. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eRhinestone Sharecropping.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York \/ Berkeley, I. Reed Books, 1981.\u003cbr\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e194 pages. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNear Fine, but for slight unobtrusive edge wear. \u003cbr\u003e\u003cbr\u003eFirst edition of scarce out of print Bill Gun novel published by Ishmael Reed. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003e\"Bill Gunn (1934-1989): actor (\u003c\/span\u003e\u003cem\u003eLosing Ground\u003c\/em\u003e\u003cspan\u003e), screenwriter for film (\u003c\/span\u003e\u003cem\u003eThe Landlord\u003c\/em\u003e\u003cspan\u003e), and television (Emmy-award winning\u003c\/span\u003e\u003cem\u003e Johnnas\u003c\/em\u003e\u003cspan\u003e), novelist (\u003c\/span\u003e\u003cem\u003eAll the Rest Have Died\u003c\/em\u003e\u003cspan\u003e), playwright (\u003c\/span\u003e\u003cem\u003eThe Forbidden City\u003c\/em\u003e\u003cspan\u003e, staged at the Public Theater) , and filmmaker, including the masterpieces \u003c\/span\u003e\u003cem\u003eGanja and Hess\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003ePersonal Problems\u003c\/em\u003e\u003cspan\u003e, and the still to be released \u003c\/span\u003e\u003cem\u003eStop\u003c\/em\u003e\u003cspan\u003e.\"\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp class=\"\" style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/www.criterion.com\/current\/posts\/7073-the-black-artist-hollywood-couldn-t-buy?utm_campaign=current-newsletter\u0026amp;utm_content=aug-30-2020\u0026amp;utm_medium=email\u0026amp;utm_source=braze\"\u003eRead Ishmael Reed on Bill Gunn\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/www.villagevoice.com\/2015\/12\/29\/in-two-urgent-reprints-bill-gunn-fights-for-his-singularity\/\" target=\"_blank\"\u003eRead Melissa Anderson in \u003cem\u003eThe Village Voice \u003c\/em\u003eon Bill Gunn’s \u003cem\u003eRhinestone Sharecropping \u003c\/em\u003eand \u003cem\u003eBlack Picture Show\u003c\/em\u003e here\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":48244498104545,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5375.jpg?v=1777092048"},{"product_id":"syms-martine-shame-space-1","title":"Syms, Martine - Shame Space","description":"\u003cdiv style=\"text-align: left;\"\u003eMartine Syms. \u003cbr\u003eShame Space. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Primary Information, 2020.\u003cbr\u003eSoftcover. \u003cbr\u003e240 pages.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. Clean, but for chipping to top spine.\u003c\/div\u003e\n\u003cdiv class=\"BodyA\" style=\"text-align: left;\"\u003e\n\u003ci\u003e\u003cspan lang=\"DE\"\u003e\u003cbr\u003eShame Space \u003c\/span\u003e\u003c\/i\u003eis an artist book that explores the possibilities of narrative and identity. The book collects a selection of journal writings by Syms from 2015-2017 in which she attempts to capture her shadow self alongside a selection of image stills from the recent video project \u003ci\u003eUgly Plymouths \u003c\/i\u003e(2020). The diaristic commentary in \u003ci\u003eShame Space\u003c\/i\u003e is gathered into fifteen chapters that stage narrative as a process of being in the making.\u003c\/div\u003e\n\u003cdiv class=\"BodyA\" style=\"text-align: left;\"\u003e\n\u003cbr\u003eText entries in \u003ci\u003eShame Space \u003c\/i\u003ehave formed the voiceover of Mythiccbeing (pronounced ‘my thick being’\u003cspan lang=\"DE\"\u003e), a \u003c\/span\u003e“black, upwardly mobile, violent, solipsistic, sociopathic, gender-neutral femme” digital avatar who has iterated across several of Syms’s recent exhibitions. In the artist’s dense, multi-channel media installations, Mythiccbeing manifests variously in video, in pre-programmed audio recordings of the artist’s voice, and as an interactive chatbot, which responds to the viewer’s communications with images, messages, and animations.\u003c\/div\u003e\n\u003cdiv class=\"BodyA\" style=\"text-align: left;\"\u003e\n\u003ci\u003e\u003cspan lang=\"DE\"\u003e\u003cbr\u003eShame Space\u003c\/span\u003e\u003c\/i\u003e’\u003cspan lang=\"DE\"\u003es\u003c\/span\u003e design mimics the bible form, with its A5 size, embossed leather-textured cover, and gold edge painting. Translating Syms’s ongoing research and interest in new media technologies to the page, the book’s still images were coded using a programming script, such that the design, like the chatbot’s SMS responses, is an exercise in machine automation. \u003ci\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"BodyA\" style=\"text-align: left;\"\u003e\n\u003cbr\u003eMartine Syms is an artist who has earned wide recognition for a practice that combines conceptual grit, humor, and social commentary. She has shown extensively including solo exhibitions at the Museum of Modern Art, the Art Institute of Chicago, and ICA London. She is in a band called Aunt Sister and hosts CCartalkLA, a monthly radio show on NTS. She also runs Dominica, a publishing imprint for artists’ books.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":48244501283041,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5374_360fe7ad-e294-4c63-816c-fa5eb28db30a.jpg?v=1777092153"},{"product_id":"olugebefola-ademola-black-family-postcard","title":"Olugebefola, Ademola - Black Family postcard","description":"\u003cp style=\"text-align: left;\"\u003eAdemola Olugebefola.\u003cbr\u003eBlack Family postcard.\u003cbr\u003e\u003cbr\u003eNew York: \u003cspan\u003eNyumba Ya Sanaa Gallery\u003c\/span\u003e, Undated (Late sixties).\u003cbr\u003ePostcard. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eVery good. \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eMinor edgewear. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eAn offset-printed postcard featuring Ademola Olugebefola's painting \"Black Family\" which is now owned by The Studio Museum and titled on their website \"Family\". The Nyumba Ya Sanaa Gallery, which published this postcard, \u003c\/span\u003ewas organized by the Harlem Black Arts collective Weusi in the late 1960s. \u003cbr\u003e\u003cbr\u003e\"We were the first to exhibit Faith Ringgold in Harlem, at the Nyumba Ya Sanaa Gallery, which served as a tremendous showcase for many people. Before AfriCOBRA (African Commune of Bad Relevant Artists) was even formed, we showed Frank Smith and James Phillips, who later became an AfriCOBRA member. We were pioneers, not only in that this was the first major gallery, but that we were kind of an incubator. People such as Olatunji, Amiri Baraka, and Larry Neal, all of them flowed through the Nyumba Ya Sanaa Gallery. The Weusi artists, in a sense, looked at ourselves as the visual component of the Black Revolution or Evolutionary Movement.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003e- https:\/\/nereview.com\/article\/doing-it-his-way-ademola-olugebefolas-long-and-varied-career-in-the-arts\/\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/span\u003eAdemola Olugebefola was born Bedwick Lyola Thomas on October 2, 1941 in Charlotte Amalie, St. Thomas, U.S. Virgin Islands and migrated to New York City with his family at the age of four. Artist, designer, educator and businessman, Ademola's career has spanned more than fifty years. Introduced to the arts at an early age, Ademola is one of the most respected and inventive catalysts of the Black Arts Movement of the 1960s and 1970s. Primarily a visual artist, he has worked in all areas of the arts. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":48248066638049,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5514_2c8682cf-28b7-43d7-ad99-57fadfe8605b.jpg?v=1777324325"},{"product_id":"witte-hans-ifa-and-esu-iconography-of-order-and-disorder","title":"Witte, Hans - Ifa and Esu: Iconography of Order and Disorder","description":"\u003cdiv style=\"text-align: left;\"\u003eHans Witte. \u003cbr\u003eIfa and Esu: Iconography of Order and Disorder. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eHolland: Kunsthandel Luttik, 1984.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eSoftcover.\u003cbr\u003e123 pages. \u003cbr\u003e\u003cbr\u003eVery good. \u003cbr\u003eMinor edgewear. \u003cbr\u003e\u003cbr\u003eA scarce exhibition catalog examining religious iconography in the objects of the Ifa and Esu spiritual traditions of the Yoruba peoples. With 78 high-quality \u003c\/span\u003e\u003cspan\u003eblack and white photographic plates. Essay by Hans Witte. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":48373322645729,"sku":null,"price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5885.jpg?v=1778909763"},{"product_id":"hassan-yusuf-anthony-braxton-and-rammellzee-gothic-futurism-the-anti-bodies","title":"Hassan, Yusuf - Anthony Braxton and Rammellzee, Gothic Futurism the Anti Bodies","description":"\u003cdiv style=\"text-align: left;\"\u003eYusuf Hassan. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eAnthony Braxton and Rammellzee, Gothic Futurism the Anti Bodies. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eJamaica, New York: Black Mass Publishing, 2025.\u003cbr\u003eStaple-bound softcover with plastic transparent covers. \u003cbr\u003e8 pages.\u003cbr\u003eEdition of 25. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eNew. \u003cbr\u003e\u003cbr\u003eAn artists' book by Yusuf Hassan published in an edition of 25 placing the artist Rammellzee in conversation with composer and musician Anthony Braxton. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e“Named after Amiri Baraka’s 1966 play \u003c\/span\u003e\u003ci\u003eA Black Mass\u003c\/i\u003e\u003cspan\u003e, this independent publishing venture was founded by Yusuf Hassan in 2018 with \u003c\/span\u003e\u003ci\u003eProject BlackMass\u003c\/i\u003e\u003cspan\u003e, a spiral-bound publication with contributions from artists Arthur Jafa, Devin B. Johnson, Jacob Mason-Macklin, Frida Orupabo, Kwamé Sorrell, and others. 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When the visuals start, we see a figure, filmed in a blur of low-light slow motion, kicking a metal can through the nighttime streets of New York City. As he moves down the street, the kicking takes on a pattern; from noise to a kind of music. And then the video loops and we go back into the dark. But the noises have changed. No longer such a mystery, they now testify to the presence of a person and a place. No longer noise, they are now signals in the dark, reminding us of what just was, and presaging what will soon be again.\" Published by BlackMass and edited by Kwamé Sorrell. - Publisher\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eEdited by former BlackMass Publishers collaborator Kwamé Sorrell.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e“Named after Amiri Baraka’s 1966 play \u003c\/span\u003e\u003ci\u003eA Black Mass\u003c\/i\u003e\u003cspan\u003e, this independent publishing venture was founded by Yusuf Hassan in 2018 with \u003c\/span\u003e\u003ci\u003eProject BlackMass\u003c\/i\u003e\u003cspan\u003e, a spiral-bound publication with contributions from artists Arthur Jafa, Devin B. Johnson, Jacob Mason-Macklin, Frida Orupabo, Kwamé Sorrell, and others. Hassan and Sorrell, who continue as BlackMass’s publishers today, have produced dozens of zines both separately and together…”–\u003c\/span\u003e\u003ci\u003eCopy Machine Manifestos, Artists Who Make Zines\u003c\/i\u003e\u003cspan\u003e (2023).\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":48467829752033,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_6305.jpg?v=1781211043"},{"product_id":"hammons-david-four-works-by-second-edition","title":"Hammons, David - Four Works by (Second Edition)","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003eKwamé Sorrell (Editor)\u003c\/span\u003e. \u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eFour Works by David Hammons (Second Edition). \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eJamaica, New York: BlackMass Publishing, 2022.\u003cbr\u003eUnbound.\u003cbr\u003e12 pages including covers. \u003cbr\u003eEdition of 8. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003eFour Works by David Hammons + 1 photograph. \u003cspan\u003eA laid-in original, unique digital C-print of the Hammons' work \u003cem\u003eLady With Bones\u003c\/em\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by former BlackMass Publishers collaborator Kwamé Sorrell.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e“Named after Amiri Baraka’s 1966 play \u003c\/span\u003e\u003ci\u003eA Black Mass\u003c\/i\u003e\u003cspan\u003e, this independent publishing venture was founded by Yusuf Hassan in 2018 with \u003c\/span\u003e\u003ci\u003eProject BlackMass\u003c\/i\u003e\u003cspan\u003e, a spiral-bound publication with contributions from artists Arthur Jafa, Devin B. Johnson, Jacob Mason-Macklin, Frida Orupabo, Kwamé Sorrell, and others. Hassan and Sorrell, who continue as BlackMass’s publishers today, have produced dozens of zines both separately and together…”–\u003c\/span\u003e\u003ci\u003eCopy Machine Manifestos, Artists Who Make Zines\u003c\/i\u003e\u003cspan\u003e (2023).\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":48469340029153,"sku":null,"price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_6303.jpg?v=1781210514"},{"product_id":"hammons-david-fifteen-works-by","title":"Hammons, David - Fifteen Works by","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003eKwamé Sorrell (Editor)\u003c\/span\u003e. \u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eFifteen Works by David Hammons.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eJamaica, New York: BlackMass Publishing, 2021\/2022 (likely).\u003cbr\u003eStaple-bound softcover.\u003cbr\u003e36 pages including covers. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003eFifteen Works by David Hammons + 1 photograph. \u003cspan\u003eA laid-in original, unique digital C-print of the Hammons' work \u003cem\u003eFree Nelson Mandela\u003c\/em\u003e. Page count is larger than the 18 pages cited by Printed Matter for their sold out listing of the third edition of this publication. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScarce in any edition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by former BlackMass Publishers collaborator Kwamé Sorrell.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e“Named after Amiri Baraka’s 1966 play \u003c\/span\u003e\u003ci\u003eA Black Mass\u003c\/i\u003e\u003cspan\u003e, this independent publishing venture was founded by Yusuf Hassan in 2018 with \u003c\/span\u003e\u003ci\u003eProject BlackMass\u003c\/i\u003e\u003cspan\u003e, a spiral-bound publication with contributions from artists Arthur Jafa, Devin B. Johnson, Jacob Mason-Macklin, Frida Orupabo, Kwamé Sorrell, and others. Hassan and Sorrell, who continue as BlackMass’s publishers today, have produced dozens of zines both separately and together…”–\u003c\/span\u003e\u003ci\u003eCopy Machine Manifestos, Artists Who Make Zines\u003c\/i\u003e\u003cspan\u003e (2023).\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":48469453144289,"sku":null,"price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_6301.jpg?v=1781210503"}],"url":"https:\/\/fenrickbooks.com\/collections\/african-american.oembed?page=4","provider":"Fenrick Books LLC","version":"1.0","type":"link"}