{"title":"exhibition catalogs","description":"","products":[{"product_id":"philip-corner-sonate-visive-2000-2001-cinquanta-disegni","title":"Corner, Philip - Sonate Visive (2000-2001): Cinquanta Disegni","description":"\u003cdiv style=\"text-align: left;\"\u003ePhilip Corner.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSonate Visive (2000-2001):\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ecinquanta disegni, 29 ott - 20 nov 2004,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ealla galleria del pensionato\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSan Saverio di Palermo.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePalermo, Galleria Del Pensionato San Saverio.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover. 60 pages.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThree fold outs. 49 color illustrations.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNear Fine.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":39576232591539,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_4557.jpg?v=1622681852"},{"product_id":"ulises-carrion-lilia-prado-superstar-filmfestival","title":"Carrión, Ulises - Lilia Prado: Superstar Filmfestival","description":"\u003cdiv style=\"text-align: left;\"\u003eUlises Carrión.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eLilia Prado: Superstar Filmfestival\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eAmsterdam: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eStichting de Appel,\u003c\/span\u003e 1984. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFirst Edition. Staplebound softcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e18 pages. 8 1\/4\" x 6\".\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMostly in Dutch, One article appears in English as well. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery Good. \u003cbr\u003eLight edge wear and minor wear to spine.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStapled binding secure.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCovers and inside clean and unmarked. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eContents include: Introduction by curator Saskia Bos, Explanatory text about each film to be shown as part of the festival, Ulises Carrión interview Lilia Prado in \u003cspan\u003eMexico DF, \u003c\/span\u003e\u003cspan\u003eOn \u003c\/span\u003e\u003cspan\u003ethe Tracks of Ulises Carrión and \u003c\/span\u003eUlises Carrión's Curriculum Vitae. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cbr\u003eProgram for Ulises Carrión's film festival celebrating his favorite actor from his childhood, Lilia Prado. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePrado (1928-2006) starred in a number of Mexican films as well as several directed by Luis Buñuel in the 1950s.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\"Under the motto \u003ci\u003eLilia Prado Superstar\u003c\/i\u003e a unique film event is being organized, to be held first in Amsterdam, then in Groningen, Arnhem and Rotterdam. Five Mexican films from the early fifties will be shown in a single day in the presence of the star who plays the leading role: Lilia Prado. She is coming to the Netherlands from Mexico especially for this occasion. The extraordinary thing about the event is not only that the initiative came from De Appel art centre rather than from the film world, but also that this ‘superstar’ is totally unknown in the Netherlands!\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eThe event is a project of the artist Ulises Carrión, who travelled to Mexico for this purpose and, after a long search, selected five films from the period 1950-1952. He also ran into the star of the five films, Lilia Prado, now in her fifties, who is still active in film, television and on the stage. With a project like \u003ci\u003eLilia Prado Superstar\u003c\/i\u003e Carrión attempts to recall his own culture – his past – and place it in the present, his goal being to share that culture with the society in which he now finds himself.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eWednesday July 4, 1984: Amsterdam, Kriterion, Roetersstraat 170\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThursday July 5, 1984: Rotterdam, Venster I, Gouvernestraat 133\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFriday July 6, 1984: Groningen, Liga ’68, Poelestraat 30\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSaturday July 7, 1984: Arnhem, Filmhuis, Korenmarkt 42\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eProgramme: (the films will be shown consecutively)\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ci\u003e     Rumba Caliente\u003c\/i\u003e, Gilberto Martinez Solares, 1952\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ci\u003e     Subida al Cielo\u003c\/i\u003e, Luis Buñuel, 1952\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003elive-interview with Lilia Prado \u003ci\u003eLas Mujeres de mi General\u003c\/i\u003e, Ismael Rodríquez, 1950\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ci\u003e     Las 3 Alegres Comadres\u003c\/i\u003e, Tito Davison, 1952\"\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e- De Appel, https:\/\/deappel.nl\/en\/events\/ulises-carrion-lilia-prado-superstar\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":39641215336627,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/5BB54B35-8BD3-414E-BC56-AC7B9B1E1FBB.jpg?v=1669061845"},{"product_id":"pendleton-adam","title":"Pendleton, Adam - Pasts, Futures, and Aftermaths: Revisiting the Black Dada Reader","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePasts, Futures, and Aftermaths: Revisiting the Black Dada Reader \u003cbr data-mce-fragment=\"1\"\u003eBy Adam Pendleton\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e448 pages.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 2011, artist Adam Pendleton assembled \u003cem data-mce-fragment=\"1\"\u003eBlack Dada Reader\u003c\/em\u003e, a compendium of texts, documents and positions that elucidated a practice and ethos of “Black Dada.” Resembling a school course reader, the book was a spiral-bound series of photocopies and collages, originally intended only for personal reference, and eventually distributed informally to friends and colleagues. The contents—an unlikely mix of Hugo Ball, W.E.B. Du Bois, Adrian Piper, Gertrude Stein, Sun Ra, Stokely Carmichael, Gilles Deleuze—formed a kind of experimental canon, realized through what Pendleton calls “radical juxtaposition.” In 2017, Koenig Books published the \u003cem data-mce-fragment=\"1\"\u003eReader\u003c\/em\u003e in a hardcover edition, with newly commissioned essays and additional writings by the artist.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA decade later, Pendleton has composed another reader, building upon the constellation of writers, artists, filmmakers, philosophers and critics that emerged in the first volume, and sketching out new potential forms and vectors for Black Dada. Along with new source texts—from Toni Cade Bambara to Piet Mondrian to Clarice Lispector to Achille Mbembe—Pendleton has included conversations with some of the figures whose writing and work were featured in the earlier Reader: Thomas Hirschhorn, Ishmael Houston-Jones, Joan Jonas, Lorraine O’Grady, and Joan Retallack.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntroduction by Adam Pendleton. Interviews with Thomas Hirschhorn, Ishmael Houston-Jones, Joan Jonas, Lorraine O’Grady, and Joan Retallack.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSource texts by Sara Ahmed, Mikhail Bakhtin, Toni Cade Bambara, Amiri Baraka, Augusto de Campos, Hardoldo de Campos, and Décio Pignatari, Angela Davis, Gilles Deleuze, Julius Eastman, Adrienne Edwards, Clarice Lispector, Achille Mbembe, Philippe-Alain Michaud, Charles Mingus, Piet Mondrian, Leslie Scalapino, Leonard Schwartz and Michael Hardt, Juliana Spahr, Cecil Taylor, and Malcolm X.\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":40641674215603,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/60EC5CA9-2AA3-45D0-9DB3-4E48D01C9502.jpg?v=1632575634"},{"product_id":"frankenthaler-helen-recent-paintings","title":"Frankenthaler, Helen - Recent Paintings","description":"\u003cdiv style=\"text-align: left;\"\u003eHelen Frankenthaler.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eRecent Paintings. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eHouston: Janie C. Lee Gallery, 1982. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e12 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e7 color plates. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNear fine, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ebut for slight edgewear\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand rubbing to covers. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":40735393054899,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7510.jpg?v=1634050544"},{"product_id":"rolo-jane-walwin-jennifer-book-works","title":"Rolo, Jane \u0026 Walwin, Jennifer - Book Works","description":"\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJane Rolo \u0026amp; Jennifer Walwin.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBook Works. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eBracknell, UK: South Hills Arts Centre, 1981.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e35 pages. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfusely illustrated in black \u0026amp; white. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle page \"pop-up\" by Ron King. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eVery good. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMinor edge wear, corner bumping and creasing. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSlight bend at left and right bottom corners. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue List \u003cbr\u003ewith some corner bumping, creasing \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand a small tear top middle, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eerrata sheet and \"With Compliments\" laid in. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eA presentable copy of this rarely found stateside \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ebook arts exhibition catalog. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eForeward by Gavin Henderson. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePreface by Jane Rolo and Jennifer Walwin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'The Book as Object\/Subject' by Jacki Apple. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Contemporary Binder by Ian Bennett.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Artists and Books in the 20th Century' by Pat Gilmour.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eFeatured\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNikki Bell and Ben Langlands,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eDerek Boshier, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Brockman, \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarc Camille Chaimowicz, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eCircle Press, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eNatalia d'Arbeloff, \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003ePella Erskine-Tulloch, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohn Latham, \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eBruce McLean, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChris Northall, \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDee Odell-Foster, Nicholas Philips, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid Sellars, Philip Smith,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand Richard Wilson. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":40736373964979,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/26169A7C-BC3B-41E7-B5E1-9D293EB1462A.jpg?v=1634052537"},{"product_id":"ruhe-harry-editor-a-fluxus-story-1981-aki-fluxfest-2021","title":"Ruhé, Harry (Editor) - A Fluxus Story 1981 - Aki Fluxfest 2021","description":"\u003cdiv style=\"text-align: left;\"\u003eHarry Ruhé (Editor) \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eA Fluxus Story 1981 - Aki Fluxfest 2021.\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cbr\u003eAmsterdam: CultClub, 2021.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003eSoftcover.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e84 pages.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003eProfusely illustrated.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eNew “festival program” with text by Harry Ruhé, Peter Van Beveren \u0026amp; Irma Boom. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eIn September 1981, artists from home and abroad travelled to Enschede to join the AKI Fluxus Festival.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eParticipating artists: Ben Vautier, Ludwig Gosewitz, Giuseppe Chiari, Bob Lens, Dick Higgins, Misha Mengelberg, Eric Andersen, Willem de Ridder, Takako Saito, Wolf Vostell.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eOnce the dust had settled, it became clear there were no funds left to produce the promised ‘catalogue at the end of the event’.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eExactly forty years later it has finally been published.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eThe story of a legendary event.\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42022026346721,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/D8578A92-2044-4E74-B70E-D1B14CC0545E.jpg?v=1636382227"},{"product_id":"hambleton-richard-6-juni-bis-20-juli-1985-zellermayer-galerie","title":"Hambleton, Richard - 6. Juni bis 20. Juli 1985, Zellermayer Galerie","description":"\u003cdiv style=\"text-align: left;\"\u003eRichard Hambleton. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e6. Juni bis 20. Juli 1985.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eBerlin, Germany: Zellermayer Galerie, 1985. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e36 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e12 color plates and 1 black\/white. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEdition of 1200. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNear fine, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ebut for small tears at top\/bottom of spine.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eRichard Hambleton interviewed by Mette Madsen\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ein German \u0026amp; English.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eRichard Hambleton, often referred to as the “godfather of street art,”\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003epioneered New York’s downtown art scene alongside Jean-Michel Basquiat \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand Keith Haring. He is best known for his menacing “Shadowmen”\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand “Horse and Rider” figures—grisly black silhouettes that appear\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eto have been painted mid-explosion. He tagged across the U.S.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand Canada before settling in New York in 1979.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHe tagged Lower Manhattan alleyways through the 1980s,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ethen shifted his attention from the street to the studio,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewhere he made works on canvas and paper. Hambleton showed\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eat the Venice Biennale in the 1980s, yet he was largely forgotten in the ’90s\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand early 2000s, when his personal battles with illness and addiction                \u003cbr\u003ealienated him from the art world.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42108089106657,"sku":"","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/Unknown-5.jpg?v=1638141089"},{"product_id":"hammons-david-basketball-kool-aid","title":"Hammons, David - Basketball \u0026 Kool-Aid","description":"\u003cdiv style=\"text-align: left;\"\u003eDavid Hammons.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eBasketball \u0026amp; Kool-Aid.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Nahmad Contemporary, 2021.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHardcover. \u003cbr\u003e128 pages. \u003cbr\u003e10 1\/2” x 12 1\/4”. \u003cbr\u003e\u003cbr\u003eNear fine,\u003cbr\u003elight corner bumping. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eText by Ayanna Dozier \u0026amp; Alex Kitnick. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42163089801441,"sku":"","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5534.jpg?v=1716403810"},{"product_id":"conner-bruce-1","title":"Conner, Bruce - Drawings, Volume 1: 1960-1968","description":"\u003cp style=\"text-align: left;\"\u003eBruce Conner.\u003cbr\u003e\u003cspan\u003eDrawings, Volume 1: 1960-1968.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eLos Angeles: Kohn Gallery, 1999.\u003cbr\u003eSoftcover.\u003cbr\u003e38 pages.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eEssay by Barry Schwabsky.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eExhibition catalog accompanying Looking for Mushrooms: Bruce Conner Drawings 1960 to 1968', held at Kohn Turner Gallery, March - May 1999.\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42209544339681,"sku":"","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2634.heic?v=1760634102"},{"product_id":"kelley-mike-memory-ware-wood-grain-carpet","title":"Kelley, Mike - Memory Ware Wood Grain Carpet","description":"\u003cdiv style=\"text-align: left;\"\u003eMike Kelley.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMemory Ware Wood Grain Carpet.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eMilan: Galleria Emi Fontana, 2004.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHardcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e48 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003cbr\u003eMinor edge wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eScarce hardcover 2004 exhibition catalog published\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eby the Milanese Galleria Emi Fontana. \u003cbr\u003e\u003cbr\u003eOver 40 photographs of work from the\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMemory Ware, Wood Grain \u0026amp; Carpet series\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eas well as two installation shots\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42421344534753,"sku":"","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/2DDB5D1D-F314-442C-87FF-6E44465E4143.jpg?v=1644503066"},{"product_id":"image-bank","title":"Image Bank 1969 – 1977","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"book-title\" style=\"text-align: left;\"\u003eImage Bank 1969 – 1977.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eMorris \u0026amp; Helen Belkin Art Gallery \/\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eUniversity of British Columbia, Vancouver \/\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eKW Institute for Contemporary Art, Berlin,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e2019.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e320 pages.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e311 illustrations.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eNew, sealed.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003e\u003cbr\u003eContributions by AA Bronson, Krist Gruijthuijsen, Angie Kiefer, Maxine Kopsa, Hadrien Laroche, Michael Morris, Felicity Tayler, Vincent Trasov, Scott Watson, \u0026amp; Zanna Gilbert.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cbr\u003eThe first survey of the Canadian Image Bank collective, protagonists of mail art in the tradition of Ray Johnson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eImage Bank was founded in 1970 in Vancouver, Canada, by artists Michael Morris (born 1942), Vincent Trasov (born 1947) and Gary Lee-Nova (born 1943). A model for a utopian, alternative system of art distribution operating outside institutions like the museum and the market, Image Bank engaged in an international exchange of images and correspondence by mail.\u003cbr\u003e\u003cbr\u003eAmong the artists participating in the network of exchange with Image Bank were Dana Atchley, Robert Cumming, Dick Higgins, Geoff Hendricks, Glenn Lewis, Eric Metcalfe, Kate Craig, Willoughby Sharp, General Idea and Ant Farm. Image Bank also maintained close ties with Ray Johnson's New York Correspondence School as well as Robert Filliou and his concept of the Eternal Network. Using frequently changing Duchampian, gender-crossing aliases, and appropriating and reworking images and texts from mainstream media was a subversive take on postwar individualism and consumer culture. Image Bank's interest in the idea of the fetish―which it shared with General Idea in Toronto―in rituals, and in archives shaped the collective's manifold activities until 1978, when, due to a copyright challenge, it was renamed the Morris\/Trasov Archive.\u003cbr\u003e\u003cbr\u003eThis volume offers the most comprehensive retrospective of Image Bank to date.\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42657472708833,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/B51F2985-7F70-4747-B211-63D5813E9D8F.jpg?v=1650770789"},{"product_id":"art-for-the-future-artists-call-and-central-american-solidarities","title":"Duganne, Erina \u0026 Satinsky, Abigail (Editors) - Art for the Future: Artists Call and Central American Solidarities","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eErina Duganne \u0026amp; Abigail Satinsky (Editors).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eArt for the Future: Artists Call\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eand Central American Solidarities.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eInventory Press, 2022. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e288 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eEnglish \u0026amp; Spanish. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eNew. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eEssay contributors include exhibition curators\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eErina Duganne \u0026amp; Abigail Satinsky as well as\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eKency Cornejo, Lucy Lippard, Yansi Pérez, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eand Josh Rios. Interviews with Artists Call\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eparticipants Doug Ashford, Fatima Bercht, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eJosely Carvalho, Daniel Flores y Ascencio, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eKimiko Hahn, Jerry Kearns, Sabra Moore, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eand Juan Sancheza, alongside historical \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003etexts by Jerri Allyn, Maria Thereza Alves, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eand Hans Haacke, are also featured. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eA collective history of the 1980s anti-imperialist campaign\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eIn the early 1980s, a group of artists, writers and activists came together in New York City to form Artists Call Against US Intervention in Central America, a creative campaign that mobilized nationwide in an effort to bring attention to the US government’s violent involvement in Latin American nations such as Nicaragua and El Salvador. Together the group staged over 200 exhibitions, concerts and other public events in a single year, raising awareness and funds for those disenfranchised by such political crises.\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cbr\u003eArt for the Future\u003c\/i\u003e illuminates the history of Artists Call with archival pieces and newly commissioned work in the spirit of the group’s message. In Spanish and English, a wide selection of artists and organizers examine the group’s history as well as the issues that were as urgent to Artists Call in 1984 as they are now: decolonization, Indigeneity, collectivity, human rights and self-determination.\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr\u003eArtists include\u003c\/b\u003e: Antena Aire, Benvenuto Chavajay, Leon Golub, Hans Haacke, Fredman Barahona \u0026amp; Christian Dietkus Lord, Sandra Monterroso, Carlos Motta, Claes Oldenburg, Gregory Sholette and Coosje van Bruggen, Maria Thereza Alves, Sabra Moore, Jerri Allyn, Dona Ann McAdams, Rudolf Baranik, Susan Meiselas, Alfredo Jaar, Martha Rosler, Jesús Romeo Galdámez and Jimmie Durham.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42657508819169,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/D0E8BBE4-7B26-4056-96F8-3534C86CB78E.jpg?v=1649134930"},{"product_id":"dear-reader-don-t-read-with-cd","title":"Carrión, Ulises - Dear Reader. Don’t Read (with CD)","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eUlises Carrión. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDear Reader. Don't Read. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eMadrid: Museo Reina Sofía, 2016.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e272 pages with CD. \u003cbr\u003eEnglish language. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eNew and sealed. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eKey figure in Mexican conceptual art, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eUlises Carrión\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e was an artist, editor, curator, and theorist of the post-1960s international artistic avant-garde. \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eDear Reader. Don't Read\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an A4-size, 272-page book with CD, issued in collaboration with the Museum Reina Sofia in Madrid within the context of Carrion large retrospective, is focused on Ulises Carrión's personal and groundbreaking approach, managing to illustrate all aspects of his artistic and intellectual work. This includes books, magazines, videos, films, sound pieces, mail art, public projects, and performances, along with Carrión's initiatives as curator, editor, distributor, lecturer, archivist, art theorist, and writer. It is a significant body of original work structured to place a spotlight on every facet of his production. Without losing sight of the unclassifiable nature of his oeuvre, this book emphasizes Ulises Carrión's constant search for new cultural strategies and the extent to which his projects were determined by two fundamental themes: structure and language. These represent artistic guidelines influenced by a literary education, which he invariably struggled against, and are pervasive in his work. This duality corresponds to the exhibition title \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eDear Reader. Don't Read\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e which illustrates his ambiguous relation to literature, a recurring theme in his work. Due to his interest in new art forms and innovative trends, Carrión actively participated in most of the artistic disciplines of his time. He co-founded the independent artist-run space In-Out Center in Amsterdam and founded the legendary bookshop-gallery Other Books and So (1975-79), the first of its kind dedicated to the presentation, production, and distribution of publications that were no longer literary texts nor about art, but rather books that were art or, as Carrión himself called them, \"non-books, anti-books, pseudo books, quasi books, concrete books, visual books, conceptual books, structural books, project books, statement books, instruction books\". Along with his artistic activities, Ulises Carrión developed a wide range of theoretical work having a great influence on young visual artists. It is fascinating to see that Ulises Carrión's theories are seemingly precursors to more recent art theories of the twenty-first-century digital world. During his most creative artistic period, he participated in the international mail art network which Carrión considered a kind of guerilla strategy.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42726786072801,"sku":"","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/65FAFC0A-00D4-47E9-8C07-138A9357536A.jpg?v=1650546966"},{"product_id":"nannucci-maurizio-detterer-gabrielle-concrete-poetry","title":"Nannucci, Maurizio; Detterer, Gabrielle - Concrete Poetry","description":"\u003cdiv style=\"text-align: left;\"\u003eMaurizio Nannucci\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u0026amp; Gabrielle \u003cspan data-mce-fragment=\"1\"\u003eDetterer.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eConcrete Poetry.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eMamco, 2022.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e96 pages.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew and Sealed. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eText by Paul Bernard, Gabriele Detterer, Maurizio Nannucci.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eThe concrete poetry collection of the legendary Bay Area book dealer and collector Steven Leiber—with rare gems from the De Campos brothers, Ian Hamilton Finlay, Bob Cobbing and more.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eMAMCO has devoted a semipermanent exhibition space to concrete poetry since 2016, resulting in the acquisition of a significant group of works falling under this label. This includes the purchase of the Steven Leiber collection. Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the “dematerialized” art of the 1960s and 1970s and the ephemera and documentation spawned by Conceptual art and other postwar movements. The collection features important figures such as Ian Hamilton Finlay, Augusto and Haroldo de Campos, Dom Sylvester Houédard, John Furnival, Maurizio Nannucci, Franz Mon, Ruth Wolf-Rehfeldt, Natalie Czech, Julien Blaine, Jean-François Bory, Pierre and Isle Garnier, Bob Cobbing and Richard Kostelanetz.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42803973914849,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/6F2E7580-E5CB-440B-897B-B0DC340BCBD6.jpg?v=1652319926"},{"product_id":"alison-knowles","title":"Knowles, Alison - By Alison Knowles: A Retrospective (1960–2022)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" class=\"booktitlebigred\" itemprop=\"name\"\u003eBy Alison Knowles: A Retrospective (1960–2022).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eKaren Moss (Editor). \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"catanno\"\u003e\n\u003cbr\u003eForeword by Julie Rodrigues Widholm. Contributions by Hannah B Higgins, Lucia Fabio, Lauren Fulton, Maud Jacquin and Sébastien Pluot, Nicole L. Woods. Reprinted texts by Benjamin H.D. Buchloh, George Quasha, Julia Robinson, Kristine Stiles.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"redstrong\"\u003eThe first survey of the Fluxus cofounder’s prolific avant-garde output, from eight-foot-tall books to make-a-salad performances\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eUniversity of California, 2022.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e300 pages.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e220 color, 30 b \u0026amp; w. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e8.75 x 12.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eNew. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eThe American artist Alison Knowles’ (born 1933) groundbreaking experiments—from painting and printmaking to sculpture and installation, sound works, poetry and artist’s books—have influenced art and artists for more than 50 years but remain relatively unknown among mainstream audiences. The first comprehensive volume on the artist, \u003ci\u003eBy Alison Knowles: A Retrospective\u003c\/i\u003e presents more than 200 objects that span the entire breadth of her career, from her intermedia works of the 1960s to forms of participatory and relational art in the 2000s.\u003cbr\u003e \u003cbr\u003eThe accompanying catalog features contributions by international Fluxus curators, historians and scholars, including lead essays by organizer Karen Moss, Hannah B. Higgins and Nicole Woods, and short contributions by Lucia Fabio, Lauren Fulton, Maud Jacquin and Sébastien Pluot. It also includes reprints of key articles by Benjamin Buchloh, Julia Robinson and Kristine Stiles, as well as a conversation between Alison Knowles and poet George Quasha. Richly illustrated with more than 250 images, the full-color catalog, designed by Kimberly Varella, includes a softcover lay-flat binding, special colored papers for each section, die-cut section dividers and a chronology. The cover of the book is a makeready (press sheets gathered from printing the interior of the book) produced during the printing of the interior pages. Each cover in the edition is unique.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43370381312225,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_3674.jpg?v=1664506494"},{"product_id":"shiraga-kazuo-kazuo-shiraga-paintings-and-watercolors-1954-2007","title":"Shiraga, Kazuo - Kazuo Shiraga: Paintings and Watercolors 1954-2007","description":"\u003cdiv style=\"text-align: left;\"\u003eKazuo Shiraga: Paintings and Watercolors 1954-2007.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eLondon: Annely Juda Fine Art, 2007.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e56 pages, with 5 foldouts. \u003cbr\u003e\u003cbr\u003eVery good,\u003cbr\u003eMinor edge wear.\u003cbr\u003eQuite small closed tear back cover top right. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sidebar clearwithin visible\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"image  lazyload_wrapper lazyload_initialized loaded\" data-width=\"1984\" data-height=\"1323\" data-mce-fragment=\"1\"\u003eKazuo Shiraga, one of Japan's most famous painters, creates dramatic oil paintings using his feet by swinging from a rope hung from the ceiling of his studio. He is still working at the age of 83.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content_module clearwithin\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\"\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis exhibition at Annely Juda Fine Art is his second one-person show in the UK - the first was at Annely Juda Fine Art in 2001. The exhibition includes over 15 of his dynamic action paintings from the period 1954 - 2005.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e Kazuo Shiraga was a member of the highly influential Japanese avant garde group, Gutai, formed in 1954, which aimed to create art that \"combined human creative ability with the characteristics of the material\". This human creativity for the Gutai artists was dynamic, vital and physical and strongly linked to spiritualism. They were the precursors of today's installation and performance artists. These characteristics are prominent in Shiraga's works which are bold and gestural with thick swathes of vibrant paint covering the canvas.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e In 1971 Shiraga became an esoteric Buddhist priest. Esoteric Buddhism employs trance-like states for spiritual reasons and Shiraga saw a connection between this and the mental state he achieved whilst painting. His paintings are thus a combination of conscious and unconscious, a union of spontaneity and formalism.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e The 25 works in this exhibition range over 50 years from 1954 to 2007 including six large paintings more than 250 cm length. This exhibition of one of the great masters of Japanese Art sustains the West's increased interest in contemporary Japanese work and helps to place it in an important historical context.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43770574143713,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8467.jpg?v=1677557384"},{"product_id":"hammons-david-curator-clark-ed-whitney-stanley-thomasos-denyse-quiet-as-its-kept-pictoribus-atque-poetis-quidlibet-audendi-semper-fuit-aequa-potestas-signed","title":"Hammons, David (Curator); Clark, Ed; Whitney, Stanley; Thomasos, Denyse - Quiet As Its Kept: Pictoribus atque poetis \/ quidlibet audendi semper fuit aequa potestas (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eDavid Hammons (Curator).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEd Clark, Stanley Whitney, Denyse Thomasos.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eGeoffrey Jacques (Essay). \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHaf-Fa-Rool (Afterword).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eQuiet As Its Kept: Pictoribus atque poetis \/ quidlibet audendi semper fuit aequa potestas.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eChristine König Galerie, 2002. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e76 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThree color plates. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEnglish\/German. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003cbr\u003eWear to top \u0026amp; bottom near spine.\u003cbr\u003eLight corner wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSigned by Ed Clark. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eA unique exhibition curated by the artist David Hammons, \u003cem data-mce-fragment=\"1\"\u003e\u003cbr\u003eQuiet as it's Kept,\u003c\/em\u003e an exhibition featuring three painters based in New York, seeks to challenge the comforting discourse surrounding the presumed transnational identity of abstract painting.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003ePainters ED CLARK, STANLEY WHITNEY, and DENYSE THOMASOS are all abstract artists who are also African Americans. Each one works in New York City. While none of this seems remarkable in itself, this exhibition seeks to challenge the commonplace identification the art public often makes between black artists and what might be called facile narratives surrounding \"African American art.\"\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eSuch narratives often fail to take into account, suggests curator Hammons, the fact that there might be a unique \"and hitherto little examined\" approach to abstract painting that derives from the African American experience. Each of the artists in \u003cem data-mce-fragment=\"1\"\u003eQuiet as it's Kept\u003c\/em\u003e has spent his or her career attempting to evade the gaze of those who would police the definitions of \"black\" art.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eClark's luminous canvases live in an environment of absolute freedom. The paintings are often created using a push broom, and carry within them not only an intimation of a reversal of status embodied in that tool, but the paintings also suggest an obscure sense of unrestricted play. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eWhitney creates paintings in which color, randomness, and architecture are all constituent elements. The apparently random patterning of color in his canvases recall those patterns that can sometimes be seen in the cloth and quilt making artists of the African American south. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eOn the other hand, Thomasos is concerned with the abstract patterns that draw their dynamism from those structures that have hitherto been considered as signs of restriction, such as jails and slave transport vessels.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\"The identity of black culture,\" writes New York independent critic Geoffrey Jacques, who contributed an essay to the exhibition's catalogue, \"is deeply rooted in experiment practice.\" That aspect of black identity, which is widely recognized in music and is beginning to be recognized in literature, has rarely been recognized in the visual arts. With this exhibition, curator Hammons seeks to sharpen a discourse that will focus attention on the experimental nature of African American visual culture as well.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43859845677281,"sku":"","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_96722.jpg?v=1682990432"},{"product_id":"chamberlain-john-ileana-sonnabend-1964-exhibition-catalog","title":"Chamberlain, John - Ileana Sonnabend 1964 exhibition catalog","description":"\u003cdiv style=\"text-align: left;\"\u003eJohn Chamberlain.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eBarbara Rose (Essay).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIleana Sonnabend 1964 exhibition catalog.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eParis, Ileana Sonnabend, 1964.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e16 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFrench.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCover has toning primarily to top,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eslight corner wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eSix black and white plates.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePhotographs by (Rudy) Burckhardt, Rustam,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eWaggamam \u0026amp; G. Girard. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43859997098209,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_9568.jpg?v=1682135027"},{"product_id":"kelley-mike-viewpoints-towards-the-90s-three-artists-from-metro-pictures-part-ii","title":"Kelley, Mike - Viewpoints Towards the 90's: Three Artists from Metro Pictures Part II","description":"Jennifer Bolande, Mike Kelley, \u0026amp; John Miller.\u003cbr\u003e Viewpoints Towards the 90's: Three Artists from Metro Pictures Part II.\u003cbr\u003e\u003cbr\u003eJapan: The Contemporary Art Gallery, Seibu Department Stores, 1990.\u003cbr\u003eStaple-bound softcover.\u003cbr\u003e20 pages.\u003cbr\u003e\u003cbr\u003eVery good. \u003cbr\u003eLight rubbing and edge wear to covers. \u003cbr\u003e\u003cbr\u003eCatalogue for 1990 exhibition in Japan featuring three artists represented by trailblazing, now defunct Pictures Generation focused gallery Metro Pictures. Introduction by Ronald Jones in Japanese and English. Profusely illustrated in black \u0026amp; white + color.","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43913679569121,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1502.heic?v=1755055666"},{"product_id":"marden-brice-and-etc-recent-drawings-exhibition-catalog","title":"Marden, Brice and etc - Recent Drawings Exhibition Catalog","description":"\u003cdiv style=\"text-align: left;\"\u003eRecent Drawings Exhibition Catalog. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: \u003cspan data-mce-fragment=\"1\"\u003eThe American Federation of Arts\u003c\/span\u003e, 1975. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e48 pages. \u003cbr\u003e\u003cbr\u003eVery good. \u003cbr\u003eMinor wear to covers. \u003cbr\u003eScuff to back bottom left. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003ePreface by Wilder Green, introduction by Elke M. Solomon. \u003cbr\u003eArtist bios, exhibition histories and select bibliography. \u003cbr\u003e\u003cbr\u003eFeaturing William Allan, James Bishop, Vija Celmins, Brice Marden, Jim Nutt, \u003cbr\u003eAlan Saret, Pat Steir, and Richard Tuttle. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44145065459937,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2620.jpg?v=1697831281"},{"product_id":"marden-brice-recent-paintings-and-drawings-september-23rd-21st-october-1978-pace-exhibition-catalog","title":"Marden, Brice - Recent Paintings and Drawings September 23rd - 21st October 1978 Pace exhibition catalog","description":"\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eBrice Marden. \u003cbr\u003eRecent Paintings and Drawings \u003cbr\u003eSeptember 23rd - 21st October 1978 Pace exhibition catalog.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew York:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Pace Gallery\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 1978.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoft cover. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e32 pages. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery good. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMinor edgewear. \u003cbr\u003e\u003c\/span\u003eToning to covers. \u003cbr\u003e\u003cbr\u003eColor and black \u0026amp; white plates. \u003cbr\u003eEssay \"From\" by Jean-Claude Lebensztejn. \u003cbr\u003eList of Solo shows, group exhibitions \u0026amp; public collections. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44145350476001,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2652.jpg?v=1697831078"},{"product_id":"sherman-cindy-photographs-from-an-exhibition-of-portraits","title":"Sherman, Cindy - Photographs from an Exhibition of Portraits","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCindy Sherman.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePhotographs from an Exhibition of Portraits.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eBuffalo: CEPA Gallery, 1981.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eStapled softcover. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eFour pages.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eNear fine. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eLightly toned at edges of cover with minor staple impressions to front cover.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cbr\u003ePublished on the occasion of the exhibition Portrait Show at CEPA Gallery in Buffalo, June 5 - 30, 1981, which featured work by Eileen Cowin, William Coupon, Peter Reiss, and Cindy Sherman. \u003c\/span\u003e\u003cspan\u003eBooklet consists of four pages, with one black-and-white portrait by each photographer.  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44148499710177,"sku":null,"price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2624_f7bd4419-bad4-49d0-b9fd-4b13f9dfe59a.jpg?v=1697858579"},{"product_id":"kippenberger-martin-jacqueline-the-paintings-pablo-couldn-t-paint-anymore-exhibition-catalog","title":"Kippenberger, Martin - Jacqueline: The Paintings Pablo Couldn’t Paint Anymore exhibition catalog","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eMartin Kippenberger.\u003cbr\u003eJacqueline: The Paintings Pablo Couldn’t Paint Anymore.\u003c\/p\u003e\n\u003cp\u003eNew York: Metro Pictures, 2000.\u003cbr\u003eSoftcover.\u003cbr\u003e34 pages.\u003c\/p\u003e\n\u003cp\u003eVery good. \u003cbr\u003eMinor wear \u0026amp; rubbing to covers.\u003cbr\u003eNo internal marks.\u003c\/p\u003e\n\u003cp\u003eEssay by Jan Avigkos.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44238474117345,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/s-l1600.jpg?v=1700192134"},{"product_id":"emin-tracey-i-can-feel-your-smile-1","title":"Emin, Tracey - I Can Feel Your Smile","description":"\u003cdiv style=\"text-align: left;\"\u003eTracy Emin. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eI Can Feel Your Smile.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eLehmann Maupin, 2005. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e20 pages. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNear fine, but for slight corner wear.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr\u003eLehmann Maupin is pleased to present \"I Can Feel Your Smile,\" an exhibition of new work by Tracey Emin. Well-known for her confessional art, Emin reveals intimate details from her life to engage the viewer with her expressions of universal emotions. This will be Emin's third exhibition in New York with Lehmann Maupin and will include film, mixed media sculpture, embroidery, painting and drawing among other media.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr\u003eTracey Emin lives and works in London. She has exhibited extensively worldwide. Emin was short-listed for the Turner Prize in 1999 and had a retrospective at the Stedelijk Museum in Amsterdam in 2002. The Tate Britain recently opened a room devoted entirely to Emin's work in their collection and her work may also be seen in the Centre Georges Pompidou in Paris, at the Walker Art Center in Minneapolis, the Hamburger Kunsthalle in Hamburg, and the Museum of Contemporary Art in San Diego.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44238603124961,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_3054_1c7dfadb-0853-45f6-abbe-5e8487a2e61c.jpg?v=1700196111"},{"product_id":"katz-alex-1980-marlborough-gallery-exhibition-catalog","title":"Katz, Alex - 1980 Marlborough Gallery exhibition catalog","description":"\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eAlex Katz.\u003cbr\u003e1980 Marlborough Gallery exhibition catalog.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew York: Marlborough Gallery, 1980.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStaple-bound soft cover. \u003cbr\u003e20 pages. \u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery good. \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWear to glossy covers .\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eSlim catalog for 1980 Marlborough Gallery exhibition with 16 plates \u003cbr\u003eincluding the gorgeous albeit worn cover. \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44265526427873,"sku":null,"price":12.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_3218_1345f705-f849-434c-b6ee-d15efa117687.jpg?v=1700976136"},{"product_id":"lives-liberation-love-the-don-kelly-research-collection-of-gay-literature-and-culture-exhibition-catalog","title":"Lives. Liberation. Love: The Don Kelly Research Collection of Gay Literature and Culture exhibition catalog","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan dir=\"ltr\" data-mce-fragment=\"1\"\u003eLauren E. Schiller \u0026amp;\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" data-mce-fragment=\"1\"\u003ePilar Baskett (Editors).\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eLives. Liberation. Love: The Don Kelly Research Collection \u003cbr\u003eof Gay Literature and Culture\u003c\/span\u003e.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eCollege Station: Cushing Memorial Library and Archives, \u003cbr\u003eTexas A\u0026amp;M University Libraries, 2015.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e69 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery Good.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMinor wear and soiling to covers. \u003cbr\u003e\u003cbr\u003eForewards by David Carlson, Dr. Francesca Marini, Rebecca Hankins, C.A. \u003cbr\u003e\u0026amp; an introduction by Don Kelly. \u003cbr\u003e\u003cbr\u003eCatalog published to accompany the exhibition of this collection \u003cbr\u003ewith photographs and text describing scarce books, ephemera and periodicals \u003cbr\u003erelating to the gay, lesbian, bisexual and transgender experience. \u003cbr\u003e\u003cbr\u003e\"\u003cbr\u003eA retired civil servant of 36 years and an openly gay man all of his life, Kelly has always been a lover of books. He was initially inspired to start his collection after discovering author Anthony Slide’s book \u003cem data-mce-fragment=\"1\"\u003eThe Lost Gay Novels\u003c\/em\u003e, which discussed 50 novels from the early 20th century that told stories with gay themes and characters. “I thought by collecting the listed titles, I would have a fun and interesting project which would allow me to reflect on the gay condition, and maybe tell me something about myself,” Kelly says. Over the next year, he collected first editions of 48 of the 50 books listed.\n\u003cdiv class=\"stream-item stream-item-in-post stream-item-inline-post aligncenter\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eOne thing led to another, and soon Kelly was collecting everything from campy pulp fiction to AIDS literature to some of the first gay periodicals. In reference to the latter, Kelly laughs and adds, “They’re so sleazy.” What started out as a strictly gay male collection has since expanded to include lesbian, bisexual, and transgender literature as well. When asked how he finds and purchases each new acquisition for his collection, Kelly laughs again and says, “I had to learn to use eBay. I’m a technological dinosaur.”\u003cbr\u003e\"\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44402258378977,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_3974.jpg?v=1705104852"},{"product_id":"becker-seth-a-boys-head-exhibition-catalog","title":"Becker, Seth - A Boy's Head exhibition catalog","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eSeth Becker.\u003cbr\u003e A Boy's Head. \u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eNew York: Venus Over Manhattan, 2024\u003cbr\u003eSoftcover. \u003cbr\u003e80 pages. \u003cbr\u003e8 1\/4\" x 7\".\u003cbr\u003eEdition of 350.\u003cbr\u003e\u003cbr\u003eNew and sealed. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePoem by Miroslav Holub.\u003cbr data-mce-fragment=\"1\"\u003eTranslated by Ian Milner.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned by Zachary Fischman.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSeth Becker: A Boy’s Head\u003cbr\u003eFebruary 1 – March 9, 2024\u003cbr\u003e\u003cbr\u003e\u003cu\u003eVenus Over Manhattan\u003c\/u\u003e is pleased to present A Boy’s Head, an exhibition of new paintings by \u003cu\u003eSeth Becker\u003c\/u\u003e. The presentation marks the artist’s debut solo exhibition in New York City, and the gallery’s inaugural solo presentation of his work. Borrowing its title from a poem by Miroslav Holub, A Boy's Head  follows Becker’s participation in the gallery’s 2022 exhibition \u003cu\u003eSmall Paintings\u003c\/u\u003e. Venus Over Manhattan will publish a small catalogue in conjunction with the exhibition, which will be on view from February 1st through March 9th at 39 Great Jones Street.\u003c\/p\u003e\n\u003cp\u003eMiroslav Holub’s poem catalogues a rich collection of images in a young mind and extols the sense of wonder that their diversity evokes. Echoing this feeling, Seth Becker’s exhibition assembles some twenty-five paintings that feature a similarly broad range of subjects, with figures, animals, and landscapes depicted in both real and imagined contexts. The variety of his subjects reflects the diversity of his creative approaches, which include transforming existing imagery, engaging in traditional observation, and conjuring wholly imagined situations.\u003c\/p\u003e\n\u003cp\u003eIn their willingness to pursue an unrestrained imagination, Becker’s works mount a quiet argument on behalf of wonder. This point is quietly echoed in The Horse that Spells, which depicts a horse named “Lady Wonder,” famous for her purported psychic abilities and capacity to communicate. Becker’s paintings work to recapture the sense of mystery and joy found in the exploration of the strange and inexplicable, embodying the delight of encountering the strange, the old, and the unknown.\u003c\/p\u003e\n\u003cp\u003eThe exhibition also includes several works that address the same subject in different scenarios. For instance, Antoine’s Tiger is one of two works that depict a tiger, and two paintings feature images of Batman. Other works are linked by recurring motifs, as seen in a set of three paintings that initially appear unconnected. In Acrobat, a figure clad in a Tiffany blue dress contorts herself into an enchanting pose, spot lit as if for a performance. This figure reappears in The Acrobat Reveals Her Birthmark in the Shape of a Rabbit, where a view of her back reveals a unique birthmark in the shape of a leaping hare. Becker reintroduces this image in Weathervane, a stormy landscape featuring a barn topped by a weathervane in the shape of the same leaping hare. These repeated images foster a sense of connection between otherwise unrelated images, transforming seemingly autonomous works into key elements of a cohesive and richly imagined world.\u003c\/p\u003e\n\u003cp\u003eBecker’s paintings engage with various forms of image making. An avid collector of “real photo postcards”—a type of vintage postcard that reproduces vernacular and often unexpected snapshot photography on postcard stock—Becker’s collecting habits often bleed into his painting practice, and these images occasionally provide the architecture for his compositions. In some instances, Becker directly references works by other artists, as in Watteau’s Skull, where the main figure echoes the odalisque from Jean-Antoine Watteau’s Reclining Figure (c. 1713-1717), a small painting held by the Norton Simon Museum in Pasadena.\u003c\/p\u003e\n\u003cp\u003eMore frequently, Becker explores the theme of artistic production by depicting artists at work. Painting by Moonlightportrays an artist painting a model under the eerie light of the moon, while Poet at Work shows a poet at his typewriter, apparently unaware of the fox standing nearby, jaws agape. Both works reinterpret the genre of the “studio painting,” transforming the site of creative production into a realm where the boundary between reality and imagination no longer obtains. These otherworldly settings cast the artist as a creator of worlds, wherein a poet may conjure a fox into his study, or the moonlight might illuminate a painter’s subject. Taken together, Becker’s paintings fuse reality and fantasy to evoke a feeling of youthful enchantment, where the boundary between the real and the imagined is fluid and permeable.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eABOUT THE ARTIST\u003c\/p\u003e\n\u003cp\u003eSeth Becker was born in 1987 in New York. He received his BFA from Marymount Manhattan College, his BFA from the New York Studio School, and his MLS from Queens College. His work has been the subject of solo exhibitions at numerous galleries, including recent presentations at Pamela Salisbury Gallery, Hudson, and Castle Gallery, Los Angeles. Becker’s work frequently features in group exhibitions both stateside and abroad, including recent presentations at Lévy, Gorvy, Dayan, Rohatyn; Helena Anrather, New York; Cob Gallery, London, Sibyl Gallery, New Orleans; Pamela Salisbury Gallery, Hudson; Venus Over Manhattan, New York; Sykes Gallery, Millersville University; and the Susquehanna Art Museum, Harrisburg. Becker lives and works in Wappingers Falls, New York.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eISBN: 9798218344504\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44504853577953,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_4319_92efcba0-a80c-4a17-931e-34c45afbb95e.jpg?v=1761623586"},{"product_id":"flavin-dan-the-1964-green-gallery-exhibition-exhibition-catalog","title":"Flavin, Dan - The 1964 Green Gallery Exhibition exhibition catalog","description":"\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eDan Flavin.\u003c\/div\u003e\n\u003cdiv class=\"booktitlebigred\" style=\"text-align: left;\" itemprop=\"name\" data-mce-style=\"text-align: left;\"\u003eThe 1964 Green Gallery Exhibition.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew York: David Zwirner, 2008\u003c\/span\u003e. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eHardcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e72 Pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cspan\u003e\u003cbr\u003eVery good. \u003cbr\u003eSlight wear to covers. \u003cbr\u003e \u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003eThis publication documents a 2008 exhibition held at Zwirner \u0026amp; Wirth in which the gallery restaged the seminal exhibition of Dan Flavin’s fluorescent light sculptures that took place in 1964 at Richard Bellamy’s influential Green Gallery on West 57th Street, New York (\u003ci\u003edan flavin: fluorescent light\u003c\/i\u003e, November 18 – December 12, 1964).\u003c\/p\u003e\n\u003cp\u003eThe Green Gallery exhibition was groundbreaking not only in terms of its presentation of radically innovative work that used commercially-available, colored fluorescent light, but also because it marked a turning-point in Flavin’s career. While the artist had previously exhibited a series of hand-made, painted wood constructions with lighting elements affixed to them (known as the “icons”), he began creating works made with fluorescent light alone in 1963. The Green Gallery show was the first exhibition composed entirely of fluorescent lights, and thus marked the development of the minimalist language of illumination that would characterize Flavin’s work until his death in 1996.\u003c\/p\u003e\n\u003cp\u003eThis catalogue includes 13 plates and features an essay by scholar and curator Jeffrey Weiss; statements by Sonja Flavin, Dan Graham, Dorothea Rockburne, Barbara Rose, James Rosenquist, and Brydon Smith; excerpts from Flavin’s journals; and archival photographs and reviews of the original Green Gallery exhibition.\u003c\/p\u003e\n\u003cspan\u003eISBN: 9783865216793\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44521866985697,"sku":null,"price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_4441_56036b82-8f40-40b3-985e-57eaec81b07b.jpg?v=1708313725"},{"product_id":"fabbri-cesare-the-flying-carpet-signed-with-small-drawing","title":"Fabbri, Cesare - The Flying Carpet (Signed with small drawing)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eCesare Fabbri\u003c\/span\u003e.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eThe Flying Carpet. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eMACK, 2017.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eHardcover.\u003cbr\u003e80 pages.\u003cbr\u003eFirst Edition.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eNear fine,\u003cbr\u003ebut for light bumping to corners.\u003cbr\u003e\u003cbr\u003eSigned and dated + small drawing by artist to front free endpaper. \u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cem\u003eThe Flying Carpet\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an enchanting collection of colour and black-and-white photographs taken in and around Cesare Fabbri’s native Emilia-Romagna and Sardinia between 2005–2015. Under Fabbri’s lens we encounter a silent world roused from its slumber, where objects are animated and personified. Fabbri nods to the photographic practice of Luigi Ghirri, bringing to mind the Italian master’s words:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“the camera is a magical toy capable of bringing together the great and the small, illusion and reality, our adult awareness and the fairy-tale world of childhood.”\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eIndeed, in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Flying Carpet\u003c\/em\u003e, we encounter scenes that might derive from comics – a rural hut with painted questioning eyes, a plant uprooted and hovering mid-air, and an embroidered carpet lifting up in the breeze. \u003c\/p\u003e\n\u003cp\u003eCesare Fabbri (b. 1971 in Ravenna, Italy) studied photography and urban planning at the IUAV in Venice. In 2007 he took part in the Stuttgart Biennale of Photography and Architecture and was shortlisted for the prize Atlante Italiano 007 organised by Museo MAXXI, Roma. With Silvia Loddo he founded in 2009 \u003cem\u003eosservatorio fotografico\u003c\/em\u003e, an experimental platform for research on photography. This is his first book.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eISBN: 9781910164587 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44534324822241,"sku":null,"price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_4489.jpg?v=1708540208"},{"product_id":"hantai-simon-simon-hantai","title":"Hantaï, Simon - Simon Hantaï","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003eSimon Hantaï. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eCentre Pompidou\u003c\/span\u003e, 2013.\u003cbr\u003eHardcover.\u003cbr\u003e319 pages.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eNear fine, \u003cbr\u003ebut for light bumping to back cover top right at spine. \u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by Dominique Fourcade, Isabelle Monod-Fontaine, and Alfred Pacquement. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eEssays by Daniel Buren, Jean-Michel Meurice, Pierre Buraglio, François Rouan, etc. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003ePublished on the occasion of the first Simon Hantaï retrospective, presented at Centre Pompidou, Paris, five years after his death. Considered as one of the greatest painters of the first half of the 20th century, he is mostly known for his prolific, multi-coloured \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMeuns\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e series.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cbr\u003eISBN: 9782844265999\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44534438920417,"sku":null,"price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_4485.jpg?v=1708540498"},{"product_id":"shechet-arlene-arlene-shechet","title":"Shechet, Arlene - Meissen Recast","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003eArlene Shechet. \u003cbr\u003eMeissen Recast.\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003eGregory R. Miller \u0026amp; Co., 2015.\u003cbr\u003eHardcover.\u003cbr\u003e176 pages.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eNear fine.\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Dominic Molon, Maureen Cassidy-Geiger, Elizabeth A. Williams. \u003cbr\u003eInterview by Judith Tannenbaum.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003eArlene Shechet: Meissen Recast\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an exploration of the acclaimed sculptor's recent residency at the world-renowned German porcelain factory. The first porcelain manufacturers in Europe, the Meissen Porcelain Manufactory has attracted artists and artisans from around the world since its establishment in the early 1700s. During her residency, Shechet gained access to all areas of the factory's production, learning their techniques, using their tools and familiarizing herself with their traditions. The astounding body of work that emerged from her time at Meissen, including adaptations and combinations of the original molds, both celebrates this history and subverts our very ideas of craftsmanship in porcelain.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cbr\u003eMeissen Recast\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e stunningly captures a groundbreaking project. This book will change the way you view the traditions and future possibilities of decorative arts and their intersection with the realms of contemporary art.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eISBN: \u003cspan data-mce-fragment=\"1\"\u003e9781941366059\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":44534465757409,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_4484.jpg?v=1708540841"},{"product_id":"claire-fontaine-human-strike-has-already-begun-exhibition-pamphlet","title":"Claire Fontaine - Human strike has already begun exhibition pamphlet","description":"\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eClaire Fontaine.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eHuman strike has already begun exhibition pamphlet.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003ePortland Institute for Contemporary Art, 2011.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eSingle sheet, folded in fourths. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eNear fine, but for slight edge wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cspan\u003ePamphlet published by Portland Institute for Contemporary Art on the occasion of the exhibition Evidence of Bricks, curated by Kristan Kennedy for the Time-Based Art Festival in 2011. Die-cut front page with short essay by Claire Fontaine from 2009. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45231511306465,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5503.jpg?v=1716404124"},{"product_id":"claire-fontaine-foreigners-everywhere-exhibition-catalogue","title":"Claire Fontaine - Foreigners Everywhere exhibition catalogue","description":"\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eClaire Fontaine.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eForeigners Everywhere exhibition catalogue\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eWalther König, 2012. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e166 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eText in German and English. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eVery good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eBumping to corners, front top right extending inward for some pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eMinor edgewear and creasing. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eBorrowing its name from a French stationary manufacturer, the artist collective Claire Fontaine was formed in Paris in 2004. Its works analyze the crisis of individuality in contemporary culture using video, installation, sculpture and text. This publication presents various works that combat the poverty and passivity of contemporary politics. Introduction by Letizia Ragalia. Text by Bernard Blistène, Nicolas Liucci-Goutnikov, John Kelsey, Hal Foster.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45231520743649,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5502.jpg?v=1716404143"},{"product_id":"sherman-cindy-1983-musee-dart-et-dindustrie-saint-etienne-exhibition-catalogue","title":"Sherman, Cindy -  1983 Musée d'Art et d'Industrie, Saint Etienne exhibition catalogue","description":"\u003cdiv style=\"text-align: left;\"\u003eCindy Sherman. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e1983 Musée d'Art et d'Industrie, Saint Etienne exhibition catalogue. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eMusée d'Art et d'Industrie Saint Etienne, 1983.\u003cbr\u003eStaple-bound softcover.\u003cbr\u003e32 pages.\u003c\/p\u003e\n\u003cp\u003eText in French. \u003c\/p\u003e\n\u003cp\u003eVery good. \u003cbr\u003eToning to covers as well as minor edgewear and soiling.  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eExhibition catalogue published in conjunction with show held December, 1983 - January, 1984. Essay by Christian Caujolle. Includes a biography and exhibition history. \u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45231549677793,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2813.heic?v=1761617171"},{"product_id":"sherman-cindy-1985-photograhien-exhibition-catalogue","title":"Sherman, Cindy -  1985 Photograhien exhibition catalogue","description":"\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eCindy Sherman. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e1985 Photograhien exhibition catalogue. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eWestfälischer Kunstverein Münster, 1985.\u003cbr\u003eStaple-bound softcover with dust jacket. \u003cbr\u003e39 pages.\u003c\/p\u003e\n\u003cp\u003eText in German \u0026amp; English. . \u003c\/p\u003e\n\u003cp\u003eVery good. \u003cbr\u003eMinor wear and toning to covers. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cspan\u003eExhibition catalog for a show that ran December 7, 1985 through January 26, 1986. Text in German with a foreword and essay by Marianne Stockenbrand and with a statement by Sherman from 1982 in English and German. Includes 17 color, 4 black and white images and a chronology.\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45231552856289,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5491.jpg?v=1716403854"},{"product_id":"sherman-cindy-kunstler-kritisches-lexikon-der-gegenwartskunst-ausgabe-18","title":"Sherman, Cindy -  Kunstler: Kritisches Lexikon der Gegenwartskunst, Ausgabe 18","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eCindy Sherman.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eKunstler: Kritisches Lexikon der Gegenwartskunst, Ausgabe 18\u003c\/span\u003e. \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eMunich:\u003cspan\u003eVerlag Weltkunst und Bruckmann,\u003c\/span\u003e 1992.\u003cbr\u003eStaple-bound softcover. \u003cbr\u003e16 pages.\u003c\/p\u003e\n\u003cp\u003eText in German.\u003c\/p\u003e\n\u003cp\u003eVery good. \u003cbr\u003eMinor wear to covers. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eEssay by Ivo Kranzfelder.\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45231646081249,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_2811.heic?v=1761613559"},{"product_id":"lawler-louise-monochrome-exhibition-brochure","title":"Lawler, Louise - Monochrome exhibition brochure","description":"\u003cdiv style=\"text-align: left;\"\u003eLouise Lawler.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMonochrome exhibition brochure. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eWashington: Hirshhorn Museum and Sculpture Garden, 1997\u003c\/span\u003e.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eDouble-sided single sheet, six panels. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eVery good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eLight wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eExhibition brochure that unfolds to 3 panels, each 8 x 11 inches. \u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45231651553505,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5489.jpg?v=1716403574"},{"product_id":"barboza-anthony-introspect-the-photography-of-anthony-barboza","title":"Barboza, Anthony - Introspect: The Photography of Anthony Barboza","description":"\u003cp style=\"text-align: left;\"\u003eAnthony Barboza.\u003cbr\u003eIntrospect: The Photography of Anthony Barboza.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNew York: The Studio Museum in Harlem, 1982.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStaple-bound softcover.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e32 pages. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eNear fine, but for light edge wear. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eText by Terrie S. Rouse, C. Daniel Dawson, Deborah Willis-Thomas and Anthony Barboza.\u003cbr\u003e\u003cbr\u003e17 black and white illustrations. \u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45415352008929,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_6408.jpg?v=1719885082"},{"product_id":"acker-kathy-low-good-evil-in-the-work-of-nayland-blake","title":"Acker, Kathy - Low: Good \u0026 Evil In The Work of Nayland Blake","description":"\u003cdiv style=\"text-align: left;\"\u003eKathy Acker.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eLow: Good \u0026amp; Evil In The Work of Nayland Blake\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNew York: Petersburg, 1990.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHardcover, no dust jacket as issued.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e39 pages.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e5 x 7\".\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e12 black and white plates.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDesign by Hansjorg Mayer. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEdition of 2000.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNear Fine. Unread.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003ePublished to accompany an exhibition of Nayland Blake's work, includes Kathy Acker's reworking of Hansel \u0026amp; Gretel. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":45546784719073,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_4133.jpg?v=1721938695"},{"product_id":"schmidt-heins-barbara-gabriele-bookworks-exhibition-catalog","title":"Schmidt-Heins, Barbara \u0026 Gabriele - Bookworks: Original Books from 1972-1976 exhibition catalog","description":"\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eBarbara \u0026amp; Gabriele Schmidt-Heins.\u003cbr\u003eBookworks.\u003cbr\u003e\u003cbr\u003eMunich: Kunstraum München \u0026amp; the Institut für moderne Kunst, Nuremberg, 1976. \u003cbr\u003eSoftcover. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e27 pages. \u003cbr\u003eEdition of 800. \u003cbr\u003e\u003cbr\u003eText by Hermann Kern. \u003cbr\u003e\u003cbr\u003eDescriptions of the artists' books with materials and techniques made by Barbara \u0026amp; Gabriele Schmidt-Heins.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46113307295969,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_9380.jpg?v=1738204391"},{"product_id":"winningham-geoff-friday-night-in-the-coliseum","title":"Winningham, Geoff - Friday Night in the Coliseum (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eGeoff Winningham. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFriday Night in the Coliseum.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eRochester: \u003cspan\u003eAllison Press, 1971.\u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e144 Pages. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery Good.\u003cbr\u003eEdgewear to covers, especially to spine. \u003cbr\u003eLast two leaves and inside back cover unobtrusive small semi circle of discoloration. \u003cbr\u003e\u003cbr\u003eInscribed inside back cover \u003cbr\u003e\"For Eve \u003cbr\u003eGeoff Winningham\". \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eFriday Night in the Coliseum established a sort of paradigm for many of Winningham's later books, as it combines his original photographs of professional wrestling, arranged in a cinematic flow, his text drawn from interviews with participants, and a brief history of pro wrestling in Houston.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46626842968289,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1096.jpg?v=1752025576"},{"product_id":"clark-larry-the-perfect-childhood","title":"Clark, Larry - The Perfect Childhood","description":"\u003cdiv style=\"text-align: left;\"\u003eLarry Clark. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe Perfect Childhood.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: \u003cspan\u003eScalo, 1995.\u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHardcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e175 Pages. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNear fine, but for light edgewear to spine and unobtrusive slight soiling to last page. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eIncludes Clark's controversial black and white photographs from the \"Tulsa\" and Teenage Lust\" work, as well as previously unpublished color and black and white images.\u003cbr\u003e\u003cbr\u003eFrom the publisher: \"Larry Clark's work has always obsessively circled around adolescent boys, their awakening sexual drives, the enormous energies they have to harness. Clark offers the viewer a cultural anthropology of this transitory period that oscillates between painful pleasure and exuberant self-destruction. Clark is spellbound with the vital, unruly, and destructive force teen boys exude. Clark confronts us with lucid images of male sexuality and its equally creative and destructive impulses. He combines pop-culture imagery with his own photographs to evoke a myth ingrained in the heart of our culture.\u003cbr\u003e\u003cbr\u003eThe Perfect Childhood combines an overview of Clark's work-ranging from collages and found images to photographs from his native Oklahoma in the late 1960's-with a new series of tender and erotic portraits of a skater boy-the latest incarnation of the mythical eternal youth Clark investigates and idolizes in his work. Material from the past 30 years is combined to create one new work of art-overwhelming proof of the consistency of Clark's artistic vision. The book is as raunchy and brutally straightforward as it is melancholy and affectionate. Its attitude will confound all those thinking in comfortable and complacent opposites-gay and straight, creative and destructive, tenderness and violence, good and evil. Clark's work is a mirror for those strong enough to face the truth about growing up as a boy.\"\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003eISBN \u003cspan\u003e9783931141127.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46626862072033,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1098.jpg?v=1752025407"},{"product_id":"pictures-exhibition-catalog-1977","title":"Wong, Martin - Malicious Mischief exhibition catalog","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003eKrist Gruijthuijsen, Agustín Pérez Rubio (Editors). \u003c\/span\u003e\u003cbr\u003eMartin Wong: Malicious Mischief.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\u003cspan\u003eWalther König, 2023.\u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e352 Pages. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eSealed in original publishers shrink-wrap. \u003cbr\u003eNear fine, but for light corner wear. \u003cbr\u003e\u003cbr\u003eText by Marci Kwon, Sofie Krogh Christensen, Agustín Pérez Rubio, David J. Getsy, Julie Ault, Heinz Peter Knes, Danh Vo.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eThe definitive monograph on the irreverent transcultural painter of queerness and urban life.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStraddling East and West Coast postwar art cultures from the late 1960s until his death, Martin Wong (1946–99) painted narratives of queer existence, marginal communities and gentrification in a visual vocabulary that merged Chinese iconography, urban poetry, graffiti and sign language. Wong took a thrillingly irreverent stance on sexual and political topics that were rarely given recognition within the art discourses of the time.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe most substantial volume on the artist yet published, and the result of exhaustive research, Martin Wong: Malicious Mischief situates Wong’s exhilarating painterly explorations within his era and his complex cultural position, reproducing an abundance of paintings from across his career.\u003cbr\u003e\u003cbr\u003eISBN 9783753303406.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46674524602593,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_0886_cec7c76d-296d-4fac-9c34-4e4688a312b3.jpg?v=1752790359"},{"product_id":"guyton-wade-zeichnungen-fur-ein-kleines-zimmer-exhibition-catalog","title":"Guyton, Wade - Zeichnungen für ein kleines Zimmer exhibition catalog","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eWade Guyton. \u003cbr\u003e\u003cbr\u003eZeichnungen für ein kleines Zimmer. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eWalther König, 2011.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e130 Pages. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eSealed in original publishers shrink-wrap. \u003cbr\u003eNear fine but for minor corner wear. \u003cbr\u003e\u003cbr\u003eA collection of pages taken from catalogues or magazines and overprinted with simple geometric shapes. Guyton photographs these pages as a pile on his kitchen floor ... Every time the reader turns the page, she sees that Guyton has removed one drawing from the stack, thereby connecting the reader directly with the artist's production phase.\u003cbr\u003e\u003cbr\u003eISBN 9783865609885.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46674549375201,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1190.heic?v=1752790761"},{"product_id":"guyton-wade-zeichnungen-fur-ein-lange-bilde-exhibition-catalog","title":"Guyton, Wade - Zeichnungen für ein lange Bilde exhibition catalog","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eWade Guyton. \u003cbr\u003e\u003cbr\u003eZeichnungen für ein lange Bilde. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eWalther König, 2013.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e128 Pages. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cbr\u003eSealed in original publishers shrink-wrap. \u003cbr\u003eNear fine but for minor corner wear. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003c\/span\u003e\n\u003cdiv class=\"product-lightbox__column product-lightbox__column--last\"\u003e\n\u003cdiv class=\"lightbox__description p\"\u003eIn his yellow-tiled studio kitchen, New York-based artist Wade Guyton photographed magazine pages overprinted with geometric shapes and reproduced these on the same yellow tile in the exhibition, connecting the two spaces. This publication documents his installation. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003cbr\u003eISBN 9783863354237.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46674558157025,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1189.heic?v=1752790889"},{"product_id":"speculations-on-anonymous-material-nature-after-nature-inhuman-exhibition-catalog","title":"Speculations on Anonymous Material, Nature After Nature, Inhuman exhibition catalog","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e (editor). \u003c\/span\u003e\u003cbr\u003eSpeculations on Anonymous Material, Nature After Nature, Inhuman.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan\u003eKoenig Books, 2019.\u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv\u003e502 Pages. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003eVery good. \u003cbr\u003eMinor edgewear and creasing. \u003cbr\u003eFairly unobtrusive tear top spine at back. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cmeta charset=\"UTF-8\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eISBN 978-3863357320.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46674699288801,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_0879_2a9a8d09-e334-4cdf-aefa-1a3178eadb99.jpg?v=1752792756"},{"product_id":"pindell-howardena-curator-autobiography-in-her-own-image-group-exhibition-catalog-1988","title":"Pindell, Howardena (Curator) - Autobiography: In Her Own Image group exhibition catalog ( 1988)","description":"\u003cdiv style=\"text-align: left;\"\u003eHowardena Pindell (Curator).\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eAutobiography: In Her Own Image. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIntar Latin American Gallery, 1988.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover.\u003cbr\u003e36 pages.\u003cbr\u003eFirst Edition.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eVery good. \u003cbr\u003eMinor rubbing and creasing to covers. \u003cbr\u003e\u003cbr\u003eScarce catalog for Howardena Pindell curated group exhibition of work by Women of color at Inter Latin American Gallery in 1988 which travels to Atlanta, Oakland, Boca Raton, and Austin. \u003cbr\u003e\u003cbr\u003eEssays by Judith Wilson and Moira Roth. \u003cbr\u003ePreface by Inverna Lockpez. \u003cbr\u003eIntroduction by Howardena Pindell. \u003cbr\u003e\u003cbr\u003eArtists featured: \u003cbr\u003eCandida Alvarez, Emma Amos, Camille Billops, Pena Bonita, Vivian E. Brown, Theresa Hak Kyung Cha, Marina Gutierrez, Janet Olivia Henry, Nina Kuo, Margo Machida, Ana Mendieta, Yong Soon Min, Adrian Piper, Sophie Rivera, Alison Saar, Lorna Simpson, Clarissa T. Singh, Asiba Tupahache, Kay Walking Stick, and Pat Ward Williams. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46678919282913,"sku":null,"price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_0866_1604d7d8-3b0d-45b9-bbf8-0b63036d4ce3.jpg?v=1752874598"},{"product_id":"apple-jacki-curator-alternatives-in-retrospect-an-historical-overview-1969-1975-gain-ground-apple-98-greene-street-112-greene-street-workshop-idea-warehouse-3-mercer","title":"Apple, Jacki  (Curator) - Alternatives in Retrospect : An Historical Overview 1969 - 1975 \/ Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, Idea Warehouse, 3 Mercer","description":"\u003cdiv style=\"text-align: left;\"\u003eJacki Apple (Curator).\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eAlternatives in Retrospect : An Historical Overview 1969 - 1975 \/ Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, Idea Warehouse, 3 Mercer. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe New Museum, 1981.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover.\u003cbr\u003e52 pages.\u003cbr\u003eFirst Edition.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eVery good. \u003cbr\u003eMinor edgewear and creasing to covers. \u003cbr\u003e\u003cbr\u003ePreface by Marcia Tucker. \u003cbr\u003eIntroduction by Jacki Apple. \u003cbr\u003eEssay by Mary Delahoyd. \u003cbr\u003eExhibition Chronologies, \u003cbr\u003eDirectors' and Artists' Statements. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExhibition catalogue published in conjunction with show held May 9 - July 16, 1981. Exhibition examines the social, cultural, and political elements of the sixties that birthed the \"alternative\" movement -- specifically Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, Idea Warehouse, 3 Mercer -- and charts the effects it had on the art world. \u003cbr\u003e\u003cbr\u003eArtists include Vito Acconci, John Perreault, Robert Newman, Eleanor Antin, Billy Apple, Geoff Hendricks, Jerry Vis, Davi Det Hompson, Artwiser \/ Artweiser, Roger Welch, Bill Beckley, Susan Hall, Robert Kushner, Brad Davis, Gordon Matta-Clark, Suzanne Harris, Tina Girouard, Larry Miller, Richard Nonas, Jeffrey Lew, Jene Highstein, Nancy Holt, Cecile Abish, Peter Downsbrough, Douglas Davis, Virginia Piersol, Stefan Eins, Christopher McNeur, Dieter Froese, Stuart Sherman, Jaime Davidovich, and Bill Bierne. Includes images of selected works.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46679864082657,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1235.heic?v=1752892746"},{"product_id":"grove-nancy-isamu-noguchi-a-study-of-the-sculpture","title":"Grove, Nancy - Isamu Noguchi: A Study of the Sculpture (1985)","description":"\u003cdiv style=\"text-align: left;\"\u003eNancy Grove. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIsamu Noguchi: A Study of the Sculpture. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York \/ London: Garland, 1985. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHardcover without dust jacket as issued. \u003cbr\u003e202 pages + 195 black \u0026amp; white illustrations. \u003cmeta charset=\"UTF-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSlight edge wear and National Gallery of Art sticker to back cover and inside back cover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eA dissertation on this American artist, furniture designer and landscape architect whose career spanned six decades from the 1920s. Chapters include \"Metaphor and Meaning\", \"Figural Sculpture: Portraits to Presences\", \"Nonfigural Sculpture: Energy, Gravity and Weightlessness\", and \"Environments: Sets, Fountains, Horizontals, Verticals, and Integral Spaces.\" \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003eScarce.\u003cbr\u003e\u003cbr\u003eISBN 10: 0824068661 \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46766784807137,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1507.heic?v=1755057751"},{"product_id":"walker-kara-certain-types","title":"Walker, Kara - Certain Types","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv id=\":1rs\" class=\"Am aiL Al editable LW-avf tS-tW tS-tY\" aria-label=\"Message Body\" role=\"textbox\" aria-multiline=\"true\" spellcheck=\"false\" aria-owns=\":2po\" aria-controls=\":2po\" aria-expanded=\"false\" tabindex=\"1\"\u003eKara Walker.\u003cbr\u003eCertain Types.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNew York: Sikkema Jenkins \u0026amp; Co., 2011.\u003c\/span\u003e\u003cbr\u003eBlank envelope with seven index cards.\u003cbr\u003e\u003cbr\u003eNear fine.\u003cbr\u003eEnvelope has slight creasing.\u003cbr\u003e\u003cbr\u003eThese index cards form an unbound artists' book with the kind of upsetting, yet thought provoking texts that one can expect to find in Kara Walker's work. Issued as a handout accompanying the exhibition \"Fall Frum Grace, Miss Pipi's Blue Tale\", 21 April - 25 June 2011, at Sikkema Jenkins \u0026amp; Co., New York.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":46805629796577,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_1638.heic?v=1756182108"}],"url":"https:\/\/fenrickbooks.com\/collections\/exhibition-catalogs.oembed?page=8","provider":"Fenrick Books LLC","version":"1.0","type":"link"}