{"title":"frontpage","description":"","products":[{"product_id":"beau-geste-press-poster","title":"Beau Geste Press - Books and Anthologies of Art by: 1976 exhibition at the Galerie S:t Petri - Archive of Experimental and Marginal Art poster","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBeau Geste Press. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eBooks and Anthologies of Art by: \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003ePoster for \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e1976 exhibition at\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ethe Galerie S:t Petri - Archive of Experimental and Marginal Art\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eLund, Sweden: Beau Geste Press, 1976.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLarge single sheet, poster.  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 10\/16\" x 16 6\/16\" unfolded.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eColor. \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 500.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery good. \u003cbr\u003eUneven center fold. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eUnobtrusive faint slight rippling \u003c\/span\u003eto paper on right side.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eUnobtrusive tiny tears left side near bottom of red text \u003cbr\u003e\u003c\/span\u003eand at either side of fold at opening. \u003cbr\u003eLight creasing.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eNone of these imperfections distract \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003efrom the beautiful design of this scarce poster. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eThe poster was designed by Jean Sellem, founder of Galerie S:t Petri, \u0026amp; David Mayor.\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":39684502880435,"sku":"","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_4046.jpg?v=1706043323"},{"product_id":"coolidge-clark-to-the-cold-heart","title":"Coolidge, Clark - To The Cold Heart (2021)","description":"\u003cdiv style=\"text-align: left;\"\u003eClark Coolidge. \u003cbr\u003eTo The Cold Heart. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Fenrick Books, 2021. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003ePerfect bound softcover with letter press covers, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eprinted and bound by the Circadian Press.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e112 pages. 6\" x 9\". \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCover Art by Maya Strauss\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eIn Clark's own words,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e“a retranslation,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ein the loosest sense, of the Han Shan Cold Mountain Poems, all three hundred and\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewhatever of them.”\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eWritten in 1990, only a small excerpt has ever appeared in print.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003eThere is also a special edition of 50 numbered 1-50 with hand altered covers by artist Maya Strauss, and signed by the poet and artist.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003eClark Coolidge is an American poet and musician associated with L=A=N=G=U=A=G=E Poetry and the New York School. His work, often concerned with the musical and rhythmic qualities of language to the exclusion of literal meaning, can be both beautiful and opaque. The author of a dizzyingly large number of books, Clark does not use the internet. He is a resident of Petaluma, California.\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eCharles Bernstein\u003c\/strong\u003e on To The Cold Heart:\u003c\/p\u003e\n\u003cp\u003e“Clark Coolidge’s To the Cold Heart is an adventure of mind’s reassociative play with words, tipsily tripping on tongue with an improvisatory exuberance the age demands. Like Parmenides doing a polka, Coolidge blows the tune at every turn.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Gizzi\u003c\/strong\u003e on To The Cold Heart:\u003c\/p\u003e\n\"In these wonderfully concise poems, inspired by Hanshan, the Cold Mountain poet, there is a delicacy to be discovered from line to line, poem to poem. There are also enigmas questing for meaning to be found. This may be Clark Coolidge’s most quiet and intimate book where the reader finds space in small things, vitality in wonder.\"\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThurston Moore\u003c\/strong\u003e on To The Cold Heart:\u003c\/p\u003e\n\u003cp\u003e\"Regardless of when, Clark’s poetry is always in the moment of timelessness—like the scurrying bop keys of Horace Silver, the vocabulary is centered in rhythm, in music at play with thoughts derived from the spaces between the notes. New every spin.\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/denniscooperblog.com\/mine-for-yours-my-favorite-fiction-poetry-non-fiction-film-art-and-internet-of-2021-so-far\/?fbclid=IwAR0G6htwDYZsUKm0Ra6WDXv171T3qILn2gPl6r_tm3Hip59pBQMZceSOpYk\"\u003e\u003cspan\u003eAppears on Dennis Cooper's \u003c\/span\u003efavorite fiction, poetry, non-fiction, film, art, and internet of 2021 so far\u003c\/a\u003e\u003cspan\u003e list\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/bombmagazine.org\/articles\/clark-coolidge-interviewed\/\"\u003eClark Coolidge interviewed by Parker Menzimer in Bomb Magazine \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":39700849950899,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_46822.jpg?v=1622958318"},{"product_id":"copy-of-coolidge-clark-to-the-cold-heart-special-edition","title":"Coolidge, Clark - To The Cold Heart Special Edition (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eClark Coolidge.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eTo The Cold Heart.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eRidgewood, New York; Fenrick Books, 2021.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003ePerfect bound softcover with letter press covers, \u003c\/div\u003e\n\u003cdiv\u003eprinted and bound by the Circadian Press.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e112 pages. 6\" x 9\". \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCover Art by Maya Strauss.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIn Clark's own words,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e“a retranslation, in the loosest sense, of the Han Shan Cold Mountain Poems, all three hundred and whatever of them.”\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eWritten in 1990, only a small excerpt has ever appeared in print.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eSpecial edition of 50 numbered 1-50 with hand altered covers by artist Maya Strauss, signed by the poet and artist.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eClark Coolidge is an American poet and musician associated with L=A=N=G=U=A=G=E Poetry and the New York School. His work, often concerned with the musical and rhythmic qualities of language to the exclusion of literal meaning, can be both beautiful and opaque. The author of a dizzyingly large number  of books, Clark does not use the internet. He is a resident of Petaluma, California.\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cbr\u003e\n\u003cp style=\"text-align: left;\"\u003eCharles Bernstein on To The Cold Heart: \u003cbr\u003e\u003cbr\u003e“Clark Coolidge’s To the Cold Heart is an adventure of mind’s reassociative play with words, tipsily tripping on tongue with an improvisatory exuberance the age demands. Like Parmenides doing a polka, Coolidge blows the tune at every turn\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003ePeter Gizzi on To The Cold Heart:\u003cbr\u003e\u003cbr\u003e\"In these wonderfully concise poems, inspired by Hanshan, the Cold Mountain poet, there is a delicacy to be discovered from line to line, poem to poem. There are also enigmas questing for meaning to be found. This may be Clark Coolidge’s most quiet and intimate book where the reader finds space in small things, vitality in wonder.\"\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eThurston Moore on To The Cold Heart: \u003cbr\u003e\u003cbr\u003e\"Regardless of when, Clark’s poetry is always in the moment of timelessness—like the scurrying bop keys of Horace Silver, the vocabulary is centered in rhythm, in music at play with thoughts derived from the spaces between the notes. New every spin.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/denniscooperblog.com\/mine-for-yours-my-favorite-fiction-poetry-non-fiction-film-art-and-internet-of-2021-so-far\/?fbclid=IwAR0G6htwDYZsUKm0Ra6WDXv171T3qILn2gPl6r_tm3Hip59pBQMZceSOpYk\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAppears on Dennis Cooper's \u003c\/span\u003efavorite fiction, poetry, non-fiction, film, art, and internet of 2021 so far\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e list\u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/bombmagazine.org\/articles\/clark-coolidge-interviewed\/\"\u003eClark Coolidge interviewed by Parker Menzimer in Bomb Magazine \u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":39700850737331,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_6294.jpg?v=1781193598"},{"product_id":"fluke-mail-art","title":"Fluke 19 - The Mail Art Issue","description":"\u003cdiv style=\"text-align: left;\"\u003eFluke 19. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe Mail Art Issue. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003ePhoenix: Fluke, 2021. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e76 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ci\u003e\u003cbr\u003eFluke\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e19 is an exploration into the\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eworld of the pioneers of Mail Art.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eWe traveled far and wide for interviews with\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ebuZ blurr, John Held, Jr, Anna Banana, Leslie Caldera,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEF Higgins III, Ryosuke Cohen, Noriko Shimizu,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHenry Denander and more.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eBonus interview from 1977 with the Father of Mail Art, Ray Johnson.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe stalwarts of Mail Art who have been active in the movement\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003esince the '70s and '80s are all here at your fingertips!\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":40719121776819,"sku":"","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/2E42317C-7564-46CA-982C-72D95D6D84B1.jpg?v=1633793390"},{"product_id":"ruhe-harry-editor-a-fluxus-story-1981-aki-fluxfest-2021","title":"Ruhé, Harry (Editor) - A Fluxus Story 1981 - Aki Fluxfest 2021","description":"\u003cdiv style=\"text-align: left;\"\u003eHarry Ruhé (Editor) \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eA Fluxus Story 1981 - Aki Fluxfest 2021.\u003c\/div\u003e\n\u003cdiv class=\"p1\" style=\"text-align: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cbr\u003eAmsterdam: CultClub, 2021.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003eSoftcover.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e84 pages.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003eProfusely illustrated.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eNew “festival program” with text by Harry Ruhé, Peter Van Beveren \u0026amp; Irma Boom. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eIn September 1981, artists from home and abroad travelled to Enschede to join the AKI Fluxus Festival.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eParticipating artists: Ben Vautier, Ludwig Gosewitz, Giuseppe Chiari, Bob Lens, Dick Higgins, Misha Mengelberg, Eric Andersen, Willem de Ridder, Takako Saito, Wolf Vostell.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eOnce the dust had settled, it became clear there were no funds left to produce the promised ‘catalogue at the end of the event’.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eExactly forty years later it has finally been published.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"p2\" style=\"text-align: left;\"\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003eThe story of a legendary event.\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42022026346721,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/D8578A92-2044-4E74-B70E-D1B14CC0545E.jpg?v=1636382227"},{"product_id":"rush-loren-dans-le-sable-lp","title":"Rush, Loren - Dans Le Sable LP","description":"\u003cdiv style=\"text-align: left;\"\u003eLoren Rush.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eDans Le Sable.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eRecital, 2021.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eLP. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eDans Le Sable is Loren Rush’s first new album in over 40 years.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eActive in the Bay Area since the late 1950s alongside\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePauline Oliveros, Terry Riley, etc. A co-founder of Stanford University’s\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCenter for Computer Research in Music and Acoustics in 1975.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThis record is a melange of opera, orchestra and digital synthesis.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42062430765281,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/8713F516-E15A-4630-9ECB-490A29AF7561.jpg?v=1637079740"},{"product_id":"hambleton-richard-6-juni-bis-20-juli-1985-zellermayer-galerie","title":"Hambleton, Richard - 6. Juni bis 20. Juli 1985, Zellermayer Galerie","description":"\u003cdiv style=\"text-align: left;\"\u003eRichard Hambleton. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e6. Juni bis 20. Juli 1985.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eBerlin, Germany: Zellermayer Galerie, 1985. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e36 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e12 color plates and 1 black\/white. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEdition of 1200. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNear fine, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ebut for small tears at top\/bottom of spine.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eRichard Hambleton interviewed by Mette Madsen\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ein German \u0026amp; English.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eRichard Hambleton, often referred to as the “godfather of street art,”\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003epioneered New York’s downtown art scene alongside Jean-Michel Basquiat \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand Keith Haring. He is best known for his menacing “Shadowmen”\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand “Horse and Rider” figures—grisly black silhouettes that appear\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eto have been painted mid-explosion. He tagged across the U.S.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand Canada before settling in New York in 1979.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHe tagged Lower Manhattan alleyways through the 1980s,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ethen shifted his attention from the street to the studio,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewhere he made works on canvas and paper. Hambleton showed\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eat the Venice Biennale in the 1980s, yet he was largely forgotten in the ’90s\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand early 2000s, when his personal battles with illness and addiction                \u003cbr\u003ealienated him from the art world.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42108089106657,"sku":"","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/Unknown-5.jpg?v=1638141089"},{"product_id":"hammons-david-basketball-kool-aid","title":"Hammons, David - Basketball \u0026 Kool-Aid","description":"\u003cdiv style=\"text-align: left;\"\u003eDavid Hammons.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eBasketball \u0026amp; Kool-Aid.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Nahmad Contemporary, 2021.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHardcover. \u003cbr\u003e128 pages. \u003cbr\u003e10 1\/2” x 12 1\/4”. \u003cbr\u003e\u003cbr\u003eNear fine,\u003cbr\u003elight corner bumping. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eText by Ayanna Dozier \u0026amp; Alex Kitnick. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42163089801441,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_5534.jpg?v=1716403810"},{"product_id":"leiber-3","title":"Leiber, Steven - Catalog 51: 3 Days","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003eSteven Leiber. \u003cbr data-mce-fragment=\"1\"\u003eCatalog 51: 3 Days. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSan Francisco: Steven Leiber, 2010. \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003ePoster.\u003cbr data-mce-fragment=\"1\"\u003e37\" x 24\".\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003eEdition of 350. \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003eCatalog folded in eight sections as issued,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003ewith light wear to center fold and corners, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003eotherwise near fine.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\n\u003cbr\u003eSteven Leiber’s scarce 51st catalog is modeled \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003eafter the event flyer for 9 Evenings: Theatre \u0026amp; Engineering, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003ea series of performances that took place October 13-23, 1966\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003eat the 69th Regiment Armory in New York. The Series was the\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003einaugural program of the Experiments in Art \u0026amp; Technology (E.A.T.) \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003eorganization and involved a collaboration between invited artists\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003eand engineers from Bell Laboratories. Also refers to artist Dave Muller's\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003eexhibition\/event series Three Day Weekend. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eSharp copy of rare dealer catalog that engages\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003ewith art history in an uncommon and creative way\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003edirectly\u003cspan data-mce-fragment=\"1\"\u003e acquired \u003c\/span\u003efrom a mail art participant and publisher\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewho likely received this in the mail from Leiber in 2010. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42381222117601,"sku":"","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/C092A20F-7726-4E4C-91A3-6A52847DB1C0.jpg?v=1648428887"},{"product_id":"leiber-hein","title":"Leiber, Steven - Catalog 52: Buckwerke Bookforms","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eSteven Leiber. \u003cbr data-mce-fragment=\"1\"\u003eCatalog 52: Buckwerke Bookforms. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSan Francisco: Steven Leiber, 2010.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eCardboard covers, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eperfect-bound by hand with linen tape. \u003cbr data-mce-fragment=\"1\"\u003e11\" X 8.5\".\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e34 pages.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eEdition of 150. \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eCatalog has slight unobtrusive edge wear\/ bumping\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eotherwise near fine.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eSteven Leiber’s scarce 52nd catalog offered fourteen\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eunique artists' books by Barbara and Gabrielle \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eSchmidt-Heins and included fourteen reproductions \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eof page spreads from their books. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eModeled after Buchwerke. Barbara Schmidt-Heins.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eGabrielle Schmidt-Heins. Original-Bucher 1972 bis 1976. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003epublished by the Kunstraum München \u0026amp; the Institut für\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eModerne Kunst in 1976. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eSharp copy of rare dealer catalog that engages\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003ewith art history in an uncommon and creative way directly\u003cspan data-mce-fragment=\"1\"\u003e acquired \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003efrom a mail art participant and publisher \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewho received this in the mail from Leiber in 2010. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42381238763745,"sku":"","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7415.jpg?v=1673941290"},{"product_id":"leiber-miami","title":"Leiber, Steven - Catalog 40: Primarily Books From A Miami Beach Private Collection","description":"\u003cdiv style=\"text-align: left;\"\u003eSteven Leiber.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCatalog 40: Primarily Books From A Miami Beach Private Collection.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eSan Francisco: Steven Leiber, 2002. \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eSpiral-bound softcover.\u003cbr data-mce-fragment=\"1\"\u003e11\" x 9\".\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e51 pages.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eEdition of 100. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eCatalog has light unobtrusive soiling to covers\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eand faint creasing to back cover. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eBack cover has a tiny less than a quarter of an inch tear \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eto top middle left. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eOtherwise, a presentable and handsome copy of this\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003escarce catalog. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eSteven Leiber’s scarce 40th catalog primarily\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003econtains duplicates from the Ruth \u0026amp; Marvin Sackner\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003eArchive of Concrete and Visual Poetry. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eSharp copy of rare dealer catalog that engages\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003ewith art history in an uncommon and creative way\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003edirectly\u003cspan data-mce-fragment=\"1\"\u003e acquired \u003c\/span\u003efrom a mail art participant and publisher\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewho received this in the mail from Leiber in 2002. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42381239091425,"sku":"","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7406.jpg?v=1673938070"},{"product_id":"image-bank","title":"Image Bank 1969 – 1977","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"book-title\" style=\"text-align: left;\"\u003eImage Bank 1969 – 1977.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eMorris \u0026amp; Helen Belkin Art Gallery \/\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eUniversity of British Columbia, Vancouver \/\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eKW Institute for Contemporary Art, Berlin,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e2019.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e320 pages.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e311 illustrations.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003eNew, sealed.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003e\u003cbr\u003eContributions by AA Bronson, Krist Gruijthuijsen, Angie Kiefer, Maxine Kopsa, Hadrien Laroche, Michael Morris, Felicity Tayler, Vincent Trasov, Scott Watson, \u0026amp; Zanna Gilbert.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cbr\u003eThe first survey of the Canadian Image Bank collective, protagonists of mail art in the tradition of Ray Johnson\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eImage Bank was founded in 1970 in Vancouver, Canada, by artists Michael Morris (born 1942), Vincent Trasov (born 1947) and Gary Lee-Nova (born 1943). A model for a utopian, alternative system of art distribution operating outside institutions like the museum and the market, Image Bank engaged in an international exchange of images and correspondence by mail.\u003cbr\u003e\u003cbr\u003eAmong the artists participating in the network of exchange with Image Bank were Dana Atchley, Robert Cumming, Dick Higgins, Geoff Hendricks, Glenn Lewis, Eric Metcalfe, Kate Craig, Willoughby Sharp, General Idea and Ant Farm. Image Bank also maintained close ties with Ray Johnson's New York Correspondence School as well as Robert Filliou and his concept of the Eternal Network. Using frequently changing Duchampian, gender-crossing aliases, and appropriating and reworking images and texts from mainstream media was a subversive take on postwar individualism and consumer culture. Image Bank's interest in the idea of the fetish―which it shared with General Idea in Toronto―in rituals, and in archives shaped the collective's manifold activities until 1978, when, due to a copyright challenge, it was renamed the Morris\/Trasov Archive.\u003cbr\u003e\u003cbr\u003eThis volume offers the most comprehensive retrospective of Image Bank to date.\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42657472708833,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/B51F2985-7F70-4747-B211-63D5813E9D8F.jpg?v=1650770789"},{"product_id":"detterer-gabrielle-nannucci-maurizio-artist-run-soacez","title":"Detterer, Gabrielle \u0026 Nannucci, Maurizio - Artist-Run Spaces: Non Profit Collective Organizations in the 1960s \u0026 1970s","description":"\u003cdiv style=\"text-align: left;\"\u003eGabrielle Detterer\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u0026amp; Maurizio Nannucci.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eArtist-Run Spaces: \u003cmeta charset=\"UTF-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"a-size-medium\" style=\"text-align: left;\"\u003eNon Profit Collective Oraganizations in the 1960s \u0026amp; 1970s\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eJRP Ringier, 2013. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover. \u003cbr\u003e230 pages.\u003cbr\u003e\u003cbr\u003eNew, sealed. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eThis volume was developed in collaboration with founders of important and exemplary artist-run spaces of the 1960s-1970s. It represents the first extensive research on this subject and introduces spaces such as Art Metropole in Toronto, Artpool in Budapest, Ecart in Geneva, Franklin Furnace in New York, MOCA in San Francisco, La Mamelle in San Francisco, Printed Matter in New York, Western Front in Vancouver, and Zona in Florence, whose founders include Carl Andre, John Armleder, AA Bronson, Sol LeWitt, Lucy Lippard, Tom Marioni, and Maurizio Nannucci. At a time of transition to new aesthetic approaches, these artists promoted community spirit and organizational skills, pioneering a revaluation of traditional art concepts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eThe book documents not only the activities of these spaces, but also maps the artistic strategies and positions that took currency during this period. It thus shows how the inner life of collective self-organization and the exchange between like-minded artist-run spaces developed dynamically.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eWith contributions by Julie Ault, Fern Bayer, Lionel Bovier, AA Bronson, Christophe Cherix, Gabriele Detterer, Terry Fox, Peggy Gale, Julia Klaniczay, Lucy Lippard, Carl Loeffler, Tom Marioni, Maurizio Nannucci, Toni Sant, Darlene \u003c\/span\u003eTong, Michael Turner, Keith Wallace and Martha Wilson.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42657480704225,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/F1F34F1E-AF0F-46EA-A34D-1AA7F6C6C5D1.jpg?v=1652365075"},{"product_id":"audiographika","title":"Monterde, Javier Cinca - Audiographika: Once Upon... 1989","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJavier Cinca Monterde. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudiographika: Once Upon... 1989.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eSpain: CincaMonterdeEditor, 2020. \u003cbr\u003eSoftcover. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e228 pages. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 100, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e50 have an original signed collage by Arrigo Lora-Totino laid in\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand 50 feature a flexi-disc by Pedro Bericat. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eNew.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eIntroductory essay by Juan Vacas: Pre-Internet Postal Networks. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\"This book is intended to repay a debt with all those authors who mailed\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etheir collaborations to any of the different projects from my organization \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(S.T.I) before its abrupt end in 1990.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eFeaturing Henri Chopin, Josef-Anton Riedl, Bernard Heidsieck, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eValeri Scherstjanoi, Serge Segay, Rea Nikanova, Ivan Sladek, Vittore Baroni, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eGiovanni Strada, Ruggero Maggi, Luis Mesa, Das Synthetische Mischgewebe, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eYeast Culture, Rod Summers, Eric Hurtado, Pierre Dourthe, Francisco Felipe, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eLlorenç Barber, Fernando Aguiar, Bartolomé Ferrando, Adriano Spatola,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eChristian Scholz, Juan Monreal, Paco Ve, Phillipe Bille, Franz De Waard, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eGermán Arratia, Xavier Sabater, Stephan Barron, Sol Podre, Serge Peirat, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eGhemma Quiroga, Francesc Vidal, M. Valls, Sindicato de Trabajos Imaginarios, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eArrigo Lora Totino and Pedro Bericat.\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":42754652242145,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/AF96C417-2279-49D2-A0DE-D4B1376109AB.jpg?v=1675898241"},{"product_id":"kudo-tori-tori-kudo-ceramics","title":"Kudo, Tori - Ceramics","description":"\u003cdiv\u003eTori Kudo: Ceramics.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eBrooklyn: Blank Forms Editions, 2022.\u003c\/div\u003e\n\u003cdiv\u003eHardcover without dust jacket as issued. \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e44 pages.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9.5 x 11.25 inches.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cdiv class=\"clearfix text-formatted field field--name-field-body field--type-text-with-summary field--label-hidden field__item\"\u003e\n\u003cp\u003eFollowing last year’s presentation of Tori Kudo’s ceramics at our Brooklyn gallery space, Blank Forms publishes the exhibition’s accompanying limited-edition catalog. With images captured on film by musician and photographer Lary 7, \u003cem\u003eTori Kudo: Ceramics \u003c\/em\u003edocuments the work displayed in the artist’s first exhibition in the United States. Designed by Alec Mapes-Frances and available exclusively at Blank Forms, this hardcover art book features thirty color photographs of the vessels with Kudo’s commentary on their forms and functions. \u003c\/p\u003e\n\u003cp\u003eCeramics, Tori Kudo says, is a “half-guaranteed chance operation.” Kudo, who once described himself as the “king of error,” regards relinquishing all expectations for his work as the foundation of his artistic output. For the past five decades, he has eschewed any pretense of control in his highly-improvisational music—assembling ragtag groups of untrained musicians to perform as his Maher Shalal Hash Baz ensemble, playing in a series of blink-and-you-miss-them psych-punk and noise bands in the ’70s and ’80s, and, he says, borrowing instruments for gigs from anyone who happens to be near the venue. In many ways, Kudo’s improvisations are controlled chaos, and this modus operandi stems, certainly, from his radical anarchist roots. But it is from this chaos that Kudo finds form, in both his sound and ceramics. \u003c\/p\u003e\n\u003cp\u003eKudo came of age in the ceramics workshop of his father, an art informel painter-turned-working-craftsman who practiced in the Tobe ware manner. Tobe ware, also known as \u003cem\u003eTobe-yaki\u003c\/em\u003e, has been produced in Kudo’s native Ehime prefecture since the end of the eighteenth century and is known for its distinctive indigo designs set against brilliant white porcelain. In Kudo’s hand, this tradition is honored, warped, and expanded. His loose and playful forms are decorated with gestural brushstrokes and swirling, organic designs. When asked if, in his experimental style, he still regards his practice as part of the Tobe ware tradition, Kudo responded: “I dare say I am Tobe ware.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"columns\"\u003e\n\u003cdiv class=\"clearfix text-formatted field field--name-field-bios-column-1 field--type-text-long field--label-hidden field__item\"\u003e\n\u003cp\u003eTori Kudo is a ceramicist, filmmaker, anarchist, and cult icon of Japanese underground music. A skilled pianist and self-taught guitarist, Kudo first trained on a Yamaha pump organ at the age of two-and-a-half before studying jazz piano in his later years. In the 1970s and ’80s, Kudo played with a slew of noise, drone, and psych-punk units, including Guys \u0026amp; Dolls, Noise, Snickers, Sweet Inspirations, and Tokyo Suicide. He is the ringleader of the loosely formed collective Maher Shalal Hash Baz, which he began in 1984 with his wife and longtime collaborator Reiku Kudo and the euphonium player Hiro Nakazaki. With a freeform sound and a fluid ensemble of primarily untrained musicians, the collective has produced more than two dozen records. Kudo studied design and pottery in London in the late ’90s and has produced ceramics for the past two decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43448348213473,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/298FB74E-814D-4594-A216-15CB25BBC336.jpg?v=1666105670"},{"product_id":"maidan-noemi-soft-art-press-11-special-japon","title":"Maidan, Noemi - Soft Art Press # 11: Special Japon","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"shopify-section\" id=\"shopify-section-product-template\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-enable-history-state=\"true\" data-cart-enable-ajax=\"true\" data-extra-tab-content=\"\" data-show-extra-tab=\"false\" data-image-zoom-type=\"lightbox\" data-section-type=\"product-template\" data-section-id=\"product-template\" id=\"ProductSection\" itemtype=\"http:\/\/schema.org\/Product\" itemscope=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"product-single__description rte\" itemprop=\"description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Soft Art Press # 11\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Japon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNoemi Maidan (Editor). \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLausanne, 1977. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStaple-bound softcover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e16 pages including covers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVery good,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewith light creasing,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand faint toning\/soiling. \u003cbr data-mce-fragment=\"1\"\u003eHandsome and presentable copy of scarce \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eassembling periodical. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKeigo Yamamoto, Chizuko Konishi, Jun Imanishi, Jun Mizukami, Norio Imai, Masami Yamamoto, Misao Kusumoto, Yohko Sawai, Mitsuhiko Ohyama, Tatsuo Yamamoto, S. Shimamoto\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"shopify-section\" id=\"shopify-section-product-recommendations\"\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43471546351841,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/ACA8588E-F287-4026-A423-58C37A023D86.jpg?v=1668014690"},{"product_id":"cristobal-ricardo-editor-orgon-experimental-art-1974","title":"Cristobal, Ricardo (Editor) - Orgon Experimental Art 1974","description":"\u003cp\u003eRicardo Cristobal (Editor).\u003cbr\u003eOrgon Experimental Art 1974.\u003c\/p\u003e\n\u003cp\u003eMadrid: Orgon, 1974.\u003cbr\u003eSoftcover. \u003cbr\u003e89 pages. \u003cbr\u003eEnglish, French, Spanish, German, Italian. \u003c\/p\u003e\n\u003cp\u003eVery good. \u003cbr\u003eMinor edge wear. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eScarce Spanish assembling featuring Annalisa Alloatti, Oreste Amato, Eric Andersen, Georges Badin, Neil Baldwin, Centro Documentazione Trento, Ricardo Cristobal, Robin Crozier, Davi Dei Hampson, Irene Dogmatic, Antonio Ferro, Luigi Ferro, Ignacio Gomez de Liano, Haroldo Gonzalez, Klaus Groh, Bernard Heidsieck, José m. Iglesias, Françoise Janicot, Henry James Korn, Richard Kostelanetz, Kaveli Lappalainen, Jacques Lepage, Arrigo Lora Totino, Les Gorands, Raul Marroquin, Lucia Marucci, David Mayor, Friederike Mayrocker, Eugenio Miccini, Cyril Miles, Luciano Ori, Mariano H. Ossorno, Maurizio Osti, Clemente Padin, Alan Riddell, Alain Roussell, Siegfried J. Schmidt, Maurizio Spatola, Petr Stembera, Christian Tobas, Akihiro Tsukatani, Wolf Vostell, and Horacio Zabala.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43478043230433,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/C8691655-9A43-4C3B-8534-DB684936CEC0.jpg?v=1668014979"},{"product_id":"gaglione-bill-bill-gaglione-1940-2040-postcard-signed","title":"Gaglione, Bill - Bill Gaglione 1940-2040 Postcard (signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eBill Gaglione. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eBill Gaglione 1940-2040.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eSan Francisco: Bill Gaglione, 1982.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePostcard. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePin hole at top middle \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand m\u003cspan data-mce-fragment=\"1\"\u003einor corner wear \/ creasing. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eSharp copy of rare mail art postcard \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ehand-addressed to Lynn Charles Foster \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eby Bill Gaglione. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eFront is hand-color xeroxed\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewith typical 80s raised feel\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ea la Tod's Copy Shop. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eBack shows two of Gaglione's hand-made\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ehand-stamped rubber stamps\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eas well as hand-written note and address\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewith typical postage markings. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43550556029153,"sku":"","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_48422.jpg?v=1668811989"},{"product_id":"perneczky-geza-mail-art-action-marx-test","title":"Perneczky, Geza - Mail Art Action Marx-Test","description":"\u003cdiv style=\"text-align: left;\"\u003e Geza \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ePerneczky.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eMail Art Action Marx-Test.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eKoln: Geza \u003cmeta charset=\"utf-8\"\u003e Perneczky, 1983.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eStaple-bound softcover. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e16 pages. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003eFront free endpaper \u003c\/span\u003e\u003cspan\u003eblind stamped\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\"By Geza Perneczky with one's own hand\".\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003eNear fine, \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ebut for slight edgewear. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003e16 page \"catalog\" published to accompany a \"Marxist Cell\" mail art project organized \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003eby Perneczky in 1983 with list of artists \u003c\/span\u003e\u003cspan\u003eand their addresses. Essay by \u003cmeta charset=\"utf-8\"\u003e Perneczky.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eReproductions of Artists' Stamps and postcards by Nenad Bogdanovic, Robert Rockola, etc.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43550780948705,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/2295460C-0B54-4087-A7C9-698BCD79965A.jpg?v=1668827961"},{"product_id":"johnson-ray-dollar-bill-show-sealed-envelope-with-flyer-inside","title":"Johnson, Ray - Dollar Bill Show sealed envelope with flyer inside","description":"\u003cp\u003eRay Johnson. \u003cbr\u003eDollar Bill Show. \u003c\/p\u003e\n\u003cp\u003eNew York: Richard Feigen Gallery, 1971.\u003cbr\u003eSealed printed envelope with flyer inside.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEnvelope: Very good.\u003cbr\u003e\u003c\/span\u003eMinor toning and bumping at edges. \u003cbr\u003eFlyer: Presumably near fine.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43550850220257,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_48442.jpg?v=1668833761"},{"product_id":"perneczky-geza-linear-pictures-and-large-pieces-signed","title":"Perneczky, Geza - Linear Pictures and Large Pieces (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eGeza Perneczky.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eLinear Pictures and Large Pieces.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eCologne: Geza Perneczky, 1985.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e22 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEdition of 200. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNear fine,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ebut for minor corner wear to covers. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eHandpainted covers with Soft Geometry stamp on front. Contains 5 original handpainted sheets all signed and dated by the artist, plus 15 black \u0026amp; white sheets with images and text, some with additional Soft Geometry stamps and 2 pinks sheets in front and rear of the artists’ book. \u003cbr\u003e\u003cbr\u003eAs stated on the first page: ‘This book has been made with attributed original paintings\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ein the size of Din A3 (29.5 x 42 cm) in 200 copies. This copy is number 95’.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eThe book presents a text by Perneczky on ‘Soft Geometry’, a term he uses as a trademark for his work. The images depict Soft Geometry installations including ‘Cézanne plays a piano’, ‘Malevich plays a piano’ and ‘Secret Life of the Cologne cathedral’.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eScarce especially in this condition. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43551536414945,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_48682.jpg?v=1668832188"},{"product_id":"perneczky-geza-the-story-of-the-colourful-ribbons-theory-and-practice-signed","title":"Perneczky, Geza - The Story of the Colourful Ribbons: Theory and Practice (Signed)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eGeza Perneczky.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eThe Story of the Colourful Ribbons: Theory and Practice.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eCologne: Geza Perneczky, 1987.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eStaple-bound softcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e30 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eEdition unknown. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eNear fine,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003ebut for minor corner wear to covers. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"volumes\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003eTan stiff staple-bound paper covers\u003c\/div\u003e\n\u003cdiv class=\"volumes\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003ewith white, yellow and red ribbons incorporated into the bindings.\u003c\/div\u003e\n\u003cdiv class=\"volumes\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePerneczky's signature and personal blind stamp\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"By Geza Perneczky with one's own hand\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eis on the first page while the rubber stamped address\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eof Perneczky is on the back cover.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eA color photograph of the 19th volume\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eof the \u003cspan data-mce-fragment=\"1\"\u003eThe Story of the Colourful Ribbons is pasted on to the last page. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"price\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\"The Story of the Colourful Ribbons is a series of books\u003c\/p\u003e\n\u003cp class=\"price\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003edesigned not the same as Gutenberg\".  \u003c\/p\u003e\n\u003cp class=\"price\" style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eThe publication documents the bookmaking project\u003cbr\u003e‘The Story of the Colourful Ribbons’ which consisted\u003cbr\u003eof a series of 24 conceptual book objects made from wood,\u003cbr\u003ecardboard and ribbons, created from 1987 to 1994.\u003cbr\u003eInstead of text various ribbons are threaded through the book\u003cbr\u003ein different rhytmic patterns and structures, thus spinning a kind of story.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43552303644897,"sku":"","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_49262.jpg?v=1668835544"},{"product_id":"richard-c-to-ken-friedman","title":"Richard C (Craven \/ Canard) - Original Mail Art \"Poem by Richard C\" envelope with collage (Signed)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eRichard C (Craven \/ Canard). \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003ePoem by Richard C.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThomasville: Self Published, \u003c\/span\u003e1973 (?).\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eEnvelope with collage. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e 4 3\/16\" x 9 1\/16\".\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eVery good. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eEnvelope with one torn side\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eand neat masking tape on the other.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eLight soiling and edge wear. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003ePostal markings, a stamp and hand-written addresses. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eOriginal Mail Art Envelope and collage\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003emade by Richard C\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eand mailed to fellow mail (and Fluxus) artist Ken Friedman. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eEnvelope has \"Poem by Richard C\" rubber-stamped\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eon verso above a pasted picture of Mick and Bianca Jagger with\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003epasted text about Mr. \u0026amp; Mrs. Lennon. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eEnclosed is a twice-folded piece of paper\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003ewith a picture of Yoko Ono\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eand John Lennon on one side. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Poem by Richard C\" is rubber-stamped between them and \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etowards bottom is a pasted caption \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Rolling Stone Mick Jagger and wife, Bianca.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eA joke about the interchangeability of then contemporary rock stars? \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43555210199265,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_49662.jpg?v=1669000703"},{"product_id":"k","title":"Darling, Lowell - my fVORITE ATORY: two type-written sheets with hand-written marginal insertions (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eLowell Darling \/ Dudley Finds. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003emy fVORITE ATORY. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eLowell Darling, date unknown (likely mid-seventies). \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eTwo type-written sheets \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewith hand-written marginal insertions\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand signature. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e8.5\" x 11\". \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNear fine, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ebut for center fold. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eManuscript pages or final product? \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eThese two sheets appear to be poetry, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewritten by one Lowell Darling and Dudley Finds. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eOne, because \u003cbr\u003eLowell Darling and Dudley Finds, are in fact the same person. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eLowell Darling is a California-based conceptual and performance artist. He established the unaccredited Fat City School of Finds Art, granting Masters Degrees to art students. Other notable projects include a collaboration with Ilene Segalove and the Cauliflower Alley Club of prizefighters in Los Angeles, and his work with found film clips for Hollywood Archaeology . Darling also ran for Governor of California in 1978 and published a book, One Hand Shaking , based on his notes from the campaign.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eFrom the collection of Fluxus collector Tjeerd Deelstra. \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43558702153953,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_49732.jpg?v=1669087404"},{"product_id":"prince-richard-zach-sebastian-they-started-it-and-we-ll-finish-it","title":"Prince, Richard \u0026 Zach Sebastian - They Started It… and We’ll Finish It","description":"\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eRichard Prince \u0026amp; Zach Sebastian\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eThey Started It… and We’ll Finish It.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eZürich, Switzerland: \u003c\/span\u003eInnen, 2018.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eStaple-bound softcover.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e24 pages.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eSecond edition,\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eEdition of 500.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eSecond extended edition. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43639793516769,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/DC365CFA-41B7-4CA7-859A-85505B5F1D72.jpg?v=1671577783"},{"product_id":"pozzi-lucio-and-david-shapiro-rudy-burckhardt-a-song-for-lynn-umlauf-the-poetry-mailing-list-vol-vi-no-1","title":"Pozzi, Lucio and David Shapiro, Rudy Burckhardt - A Song For Lynn Umlauf (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eLucio Pozzi, David Shapiro \u0026amp; Rudy Burckhardt. \u003cbr\u003eA Song For Lynn Umlauf (The Poetry Mailing List Vol. VI No. 1).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: The Mailer's Press, 1979. \u003cbr\u003eUnbound sheets,\u003cbr\u003ein folder and envelope. \u003cbr\u003e14 pages + unique handmade linen piece. \u003cbr\u003e\u003cspan\u003eFolder: \u003c\/span\u003e\u003cspan\u003e7.125\" by 5.5\".\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eVery good. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003eLight unobtrusive toning and soiling. \u003cbr\u003eDavid Shapiro's signature on the folder is lightly smeared. \u003cbr\u003eThe envelope shows remnants of glue where it was sealed \u003cbr\u003eand has a couple small tears and creasing. \u003cbr\u003e\u003cbr\u003eOverall, a handsome copy of this scarce publication \u003c\/span\u003e\u003cspan\u003ewith a unique addition \u003c\/span\u003e\u003cspan\u003eand signed by David Shapiro and Lucio Pozzi.  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eA copy of A Song by David Shapiro and Rudy Burckhardt also known as \u003cbr\u003e\u003cspan\u003eThe Poetry Mailing List Vol. VI No. 1 commandeered by artist Lucio Pozzi \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eas a birthday present for the late painter Lynn Umlauf complete with a unique\u003cbr\u003einscribed piece of linen. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cbr\u003eA single poem by David Shapiro across 6 pages \u003cbr\u003e(two copies of the first page present) \u003cbr\u003ewith 8 accompanying printed photographs by Rudy Burckhardt. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLaid in is a piece of linen folded twice, with one side stapled to itself. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eWritten on it in pen \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003e\"Completing the line \u003cbr\u003eA twin-gift for Umlauf \u003cbr\u003eand Shapiro \u003cbr\u003eFor Birthday \u003cbr\u003eLucio 1-7 Jan 1978\".\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cbr\u003eThe line is, indeed, drawn with two different hands and, seemingly, pens. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe small manila envelope is signed by David Shapiro and Rudy Burckhardt\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ewith the title \"A Song for Lynn Umlauf\" unlike other copies which are simply \u003cbr\u003etitled \"A Song\". \u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003eThe manila envelope fits inside a yellow envelope on which is written\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cbr\u003e\"Lucio Pozzi\u003cbr\u003eDavid Shapiro\u003cbr\u003eRudy Burchart (sic)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003efor Lynn Umlauf's B'Day 1978\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43646554800353,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7002_f8522aef-8d53-432a-867a-7440201a43d1.jpg?v=1671770308"},{"product_id":"higgins-dick-three-things","title":"Higgins, Dick - Three Things","description":"\u003cdiv style=\"text-align: left;\"\u003eDick Higgins. \u003cbr\u003eThree Things. \u003cbr\u003e\u003cbr\u003eNew York: Richard C. Higgins, 1965.\u003cbr data-mce-fragment=\"1\"\u003e1 sheet. \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlack offset on glossy paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e6 1\/2″ x 12\". \u003cbr\u003e\u003cbr\u003eNear fine, \u003cbr\u003ebut for slight corner wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\"Celestials (for Bengt af Klintberg),\" \"Graphis No. 131,\" and \"Long constellation (Number 10) (for my father)\".\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43711299485921,"sku":"","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7603.jpg?v=1788555742"},{"product_id":"mccarthy-cavan-editor-tlaloc-13","title":"McCarthy, Cavan (Editor) - Tlaloc # 13","description":"\u003cdiv style=\"text-align: left;\"\u003eCavan McCarthy (Editor). \u003cbr\u003eTlaloc #13. \u003cbr\u003e\u003cbr\u003eLeeds: Location Press, 1967. \u003cbr\u003eStaple-bound softcover. \u003cbr\u003e8\" x 10\". \u003cbr\u003e14 pages. \u003cbr\u003eMimeograph printed. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNear fine with light wear from handling and old horizontal folds. \u003cbr\u003eLight toning front cover at staples. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cbr\u003eContributors include: bp nichol, Peter Jones, d.a. levy, E.R. Baxter, \u003cbr\u003eThomas Clark, Eric Thacker, Raoul Hausmann, Angela Carter. \u003cbr\u003eBack cover prints levy's The Para-Concrete Manifesto.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43711366594785,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7607_55ea8772-c3b7-47fe-a968-851026d5df23.jpg?v=1674710931"},{"product_id":"maciunas-george-fluxmanifesto-on-fluxamusement-fluxshop-fluxorchestra","title":"Maciunas, George - Fluxus HQ \/ Fluxmanifesto on Fluxamusement \/ Fluxshop \/ Fluxorchestra poster","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGeorge Maciunas. \u003cbr\u003e\u003c\/span\u003e\u003cspan itemprop=\"name\"\u003eFluxus HQ \/ Fluxmanifesto on Fluxamusement \/ Fluxshop \/ Fluxorchestra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eNew York: Fluxus Editions, 1965. \u003cbr\u003eSingle sheet.\u003cbr\u003eBlack offset on olive green paper. \u003cbr\u003e6 2\/16\" x 18 1\/2\".\u003cbr\u003e\u003cbr\u003eVery Good. \u003cbr\u003eTwo horizontal folds. \u003cbr\u003eSmall unobtrusive less than 2\/16ths of an inch scratch to Fluxshop panel,\u003cbr\u003efaint wear at folds, \u003cbr\u003egeneral slight evidence of handling.\u003cbr\u003eFolded slightly off. \u003cbr\u003eA truly well preserved copy of this scarce George Maciunas designed Fluxus document. \u003cbr\u003e\u003cbr\u003ePoster issued to promote Fluxshop where multiples, editions, games \u003cbr\u003eand more made by Fluxus artists were available in unlimited editions \u003cbr\u003eand sold at affordable prices. \u003cbr\u003e\u003cbr\u003eArtists include George Maciunas, Genpei Akasegawa, Eric Andersen, Ay-o, George Brecht, Stanley Brouwn, Anthony Cox, Giuseppe Chiari, Philip Corner, Walter de Maria, Willem de Ridder, Robert Filliou, Dick Higgins, Hi Red Center, Joe Jones, Alison Knowles, Jiri Kolar, Arthur Kopcke, Takehisa Kosugi, Shigeko Kubota, Frederic Lieberman, Gyorgi Ligeti, Jackson Mac Low, Jonas Mekas, Barbara Moore, Robert Morris, Ladislav Novak, Yoko Ono, Nam June Paik, Benjamin Patterson, James Riddle, Diter Rot (Dieter Roth), Takako Saito, Willem Schippers, Tomas Schmit, Chieko (Mieko) Shiomi, Daniel Spoerri, Ben Vautier, Robert M. Watts, Emmett Williams, La Monte Young, and others.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43738133332193,"sku":"","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7922.jpg?v=1675925063"},{"product_id":"maciunas-george-tomas-schmit-fluxus-card","title":"Maciunas, George - Tomas Schmit Fluxus Card","description":"\u003cdiv style=\"text-align: left;\"\u003eGeorgia Maciunas.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eTomas Schmit Fluxus Card. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Fluxus Editions, 1963 (Circa).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSingle sheet.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e2 6\/16 x 2 7\/16\". \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFaint soiling and edgewear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHandsome, suitable for framing, piece of vintage Fluxus design. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eThese cards, designed by Maciunas, \u003cbr\u003ewere used in various publications such as Fluxus 1.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43738322534625,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7915.jpg?v=1682028869"},{"product_id":"maciunas-george-philip-corner-fluxus-card","title":"Maciunas, George - Philip Corner Fluxus Card","description":"\u003cdiv style=\"text-align: left;\"\u003eGeorgia Maciunas.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePhilip Corner Fluxus Card. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Fluxus Editions, 1963 (Circa).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSingle sheet.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e2 7\/16 x 2 7\/16\". \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFaint soiling and edgewear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHandsome, suitable for framing, piece of vintage Fluxus design. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eThese cards, designed by Maciunas, \u003cbr\u003ewere used in various publications such as Fluxus 1.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43738324107489,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8066.jpg?v=1676269729"},{"product_id":"maciunas-george-flux-mass-flux-sports-flux-show-poster","title":"Maciunas, George - Flux-mass, Flux-sports, Flux-Show poster","description":"\u003cdiv style=\"text-align: left;\"\u003eGeorge Maciunas. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFlux-mass, Flux-sports, Flux-Show poster.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eDouglass College, Rutgers University, New Brunswick, New Jersey,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFebruary 16 – 17, 1970.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cbr\u003eNew Brunswick: Douglass College, Rutgers University, 1970.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSingle sheet, machine folded twice as issued. 17 1\/2\" x 23\". \u003cbr\u003e\u003cbr\u003eNear fine, but for faint wear and small unobtrusive staining to blank side.\u003cbr\u003e\u003cbr\u003eScarce one sided poster designed by Maciunas illustrated throughout with appropriated vintage images and wonderful Maciunas typography.\u003cbr\u003e\u003cbr\u003eLiturgy Variations by George Maciunas with Yoshimasa Wada officiating, \u003cbr\u003eVestments by Hala Pietkiewicz, Peter van Riper, \u0026amp; George Maciunas, \u003cbr\u003eMusic and Mechanical Dove by Joe Jones. \u003cbr\u003eBadminton and Table Tennis by Maciunas, Stilt Soccer by Bici Hendricks etc.\u003cbr\u003e\u003cbr\u003eA-Yo, Eric Andersen, George Brecht, Willem De Ridder, Robert Filliou, \u003cbr\u003eAlbert Fine, Ken Friedman, Joe Jones, Geoff \u0026amp; Bici Hendricks (Nye Ffarrabas), \u003cbr\u003eAlice Hutchins, Milan Knizak, Per Kirkeby, Alison Knowles, Shigeko Kubota, \u003cbr\u003eCarla Liss, George Maciunas, Ben Patterson, Farmer's Cooperative \/ Jock Reynolds, \u003cbr\u003eJames Riddle, Takako Saito, Paul Sharits, Mieko Shiomi, Yoshimasa Wada, \u003cbr\u003eDave Det Hompson, Ben Vautier, Bob Watts, etc. \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43738388365537,"sku":"","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7927.jpg?v=1675925403"},{"product_id":"filliou-robert-williams-emmett-rosaroten-ohrenpfroppen-performance-announcment","title":"Filliou, Robert \/ Williams, Emmett - ROSAROTEN OHRENPFROPPEN performance announcment","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"group span_2_of_2\"\u003e\n\u003cp style=\"text-align: left;\"\u003eEmmett Williams \u0026amp; Robert Filliou.\u003cbr\u003eROSAROTEN OHRENPFROPPEN.\u003cbr\u003e\u003cbr\u003eParis: Self-Published, 1963. \u003cbr\u003eSingle sheet,\u003cbr\u003esilk-screened. \u003cbr\u003e\u003cbr\u003eNear fine, \u003cbr\u003ebut for quite faint creasing. \u003cbr\u003eWell preserved scarce Fluxus relic. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"group span_2_of_2 mt20\"\u003e\n\u003cdiv class=\"col span_5_of_8 text\"\u003e\n\u003cp style=\"text-align: left;\"\u003eFondazione Bonotto describes this sheet as a performance announcement for \"Galerie Raymond Cordier, Paris 5 June 1963 and Workshop de la Libre Expression, Centre Americain des Artistes, Paris 30 May 1963\" however, I think this is actually an announcement for the 1964 performance\u003cspan\u003e  that took place as part of \"Actions, Agit-Prop, De-Collage, Happenings, Events, l'Autrisme, Art Totale, Re-Fluxus\" in Aachen, Technische Hochschule.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eThe list of performances on Williams' website \u003cbr\u003e(\u003ca href=\"http:\/\/www.emmett-williams.com\/biography\/performances.html\"\u003ehttp:\/\/www.emmett-williams.com\/biography\/performances.html\u003c\/a\u003e) \u003cbr\u003elists \u003cspan\u003eROSAROTEN OHRENPFROPPEN as performed at the Technische Hochschule,\u003cbr\u003e\u003c\/span\u003enot at \u003cspan\u003eGalerie Raymond Cordier or Workshop de la Libre Expression.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eAccording to Google Translate:\u003cbr\u003e\u003cbr\u003e\"Emmet Williams and Robert Filliou, Co-Inventors of the Spaghetti-Sandwich +,\u003cbr\u003eoffer\u003cbr\u003eyour\u003cbr\u003ePINK EARPLUGS ++\u003cbr\u003ein the rooms of the TH for the price of 1 DM\u003cbr\u003efor sale.\u003cbr\u003eContact the inventors personally!\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43740077719777,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7959.jpg?v=1676009271"},{"product_id":"williams-emmett-untitled-mimeographed-sheets","title":"Williams, Emmett - Untitled Mimeographed Sheets","description":"\u003cdiv style=\"text-align: left;\"\u003eEmmett Williams. \u003cbr\u003eUntitled Mimeographed Sheets\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNo publisher stated: likely self published, circa mid-sixties. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStapled top left, three sheets. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSingle horizontal fold at center. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMinor creasing. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\"Paik 458 W. 25th May, 5. WA5 4703\" written in pen \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003e\u0026amp; minor soiling to back of last page. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eScarce mimeographed sheets likely from mid-sixties with no information \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eregarding author, publisher, or date besides the evidence contained \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewithin the writing about various Fluxus pieces: \"Ten Counting Songs\", \"The Alphabet Symphony\", \"White for Governor Wallace\", \"Four-Directional Song of Doubt for Five Voices\", \"Litany and Response (For Alison Knowles\"), and \"Yes, It Was Still There: An Opera\", all authored by Emmett Williams and spoken about in the first person perspective. \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43740107833569,"sku":"","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7963.jpg?v=1676009208"},{"product_id":"banana-anna-gaglione-bill-futurist-sound-performance-program","title":"Banana, Anna \u0026 Gaglione, Bill - Futurist Sound Performance Program","description":"\u003cdiv style=\"text-align: left;\"\u003eAnna Banana \u0026amp; Bill Gaglione. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFuturist Sound Performance Program.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eStudio Galerie Mike Steiner: Berlin, 1978.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eUnbound, four pages including covers. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMinor soiling and slight edge wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eScarce remnant of Anna Banana \u0026amp; Bill Gaglione's 1978 Futurist Sound Poetry\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003etour of Europe. \u003cbr\u003e\u003cbr\u003ePerformed: \u003cbr\u003e\u003cbr\u003eSounds by Francesco Canguillo. \u003cbr\u003eA Landscape Heard by F.T. Marinetti. \u003cbr\u003eVowel Refrains by \u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eFrancesco Canguillo. \u003c\/span\u003e\u003cbr\u003eSilences Speak Among Themselves by \u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eF.T. Marinetti.\u003cbr\u003eDisconcerted States of Mind by Giacomo Balla. \u003cbr\u003eStates of Mind by Mario Cari.\u003cbr\u003eTo Understand Weeping \u003cmeta charset=\"UTF-8\"\u003eby Giacomo Balla. \u003cbr\u003eColors by Fortunato De Pero. \u003cbr\u003eAlternation of Character by Gina \u0026amp; Bruno Corra. \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43740112290017,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_7960.jpg?v=1676009298"},{"product_id":"dr-ecolaris-cabinet-het-fluxux-sic-fluxus-archief-van-tjeerd-deelstra-exhibition-card","title":"Deelstra, Tjeerd - Dr. Ecolari's Cabinet Het Fluxux (sic) Archief van Tjeerd Deelstra exhibition card","description":"\u003cdiv style=\"text-align: left;\"\u003eDr. Ecolari's Cabinet Het Fluxux Archief van Tjeerd Deelstra.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eEindhoven: Het Apollohuis, 1983.\u003cbr\u003ePostcard. \u003cbr\u003e\u003cbr\u003eVery good.\u003cbr\u003eFaint corner wear and ink to text side. \u003cbr\u003e\u003cbr\u003eExhibition card for showing of Tjeerd Deelstra's Fluxus collection. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eFrom the collection of Mail Art \/ Artist's Book maker \u0026amp; organizer Klaus Groh. \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43743459016929,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8046.jpg?v=1676270119"},{"product_id":"andersen-eric-manifesto","title":"Andersen, Eric - Manifesto","description":"Eric Andersen. \u003cbr\u003eManifesto. \u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eNo publisher: self-published, no date (Circa mid 1960s).\u003c\/span\u003e\u003cbr\u003eStapled top left, two mimeographed sheets.\u003cbr\u003e\u003cbr\u003eNear fine, \u003cbr\u003ebut for light edge wear and creasing.\u003cbr\u003eFront top right written in pencil \"CA 1965\".\u003cbr\u003eThree corrections to text in red pen. \u003cbr\u003e\u003cbr\u003eScarce two page mimeographed manifesto circa mid sixties \u003cbr\u003efrom Danish Fluxus artist Eric Andersen.\u003cbr\u003e\u003cbr\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43743534285025,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8048.jpg?v=1676270470"},{"product_id":"andersen-eric-envelope-addressed-to-fluxus-collector-tjeerd-deelstra-bearing-martha-salonens-return-address-containing-text-pieces-and-ephemera-by-eric-andersen","title":"Andersen, Eric - Envelope addressed to Fluxus Collector Tjeerd Deelstra bearing Martha Salonen's return address containing text pieces and ephemera by Eric Andersen","description":"\u003cdiv style=\"text-align: left;\"\u003eEric Andersen.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEnvelope addressed to Fluxus Collector Tjeerd Deelstra\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ebearing Martha Salonen's return address containing\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003etext pieces and ephemera by Eric Andersen\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNo Publisher, self-published \/ Edition Hundertmark, various dates. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMailing envelope with three sheets of various sizes. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNear fine - Very good. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMinor edge wear and creasing. \u003cbr\u003eSmall roughly 1\/4th of an inch tear \u003cbr\u003eto flap of envelop at either side. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e6 6\/16\" x 9 1\/2\" Envelope with a type-written address sticker \u003cbr\u003ebearing Tjeed (Sic) Deelstra's name and address, \u003cbr\u003eMartha Salonen's return address, \u003cbr\u003eand postal markings \u0026amp; stamps. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eA 5 5\/16\" x 7 1\/2\" mimeographed excerpt \u003cbr\u003efrom Andersen's Opus 44 \"In Denmark...\"\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewhich was published in 1961 according to Fondazione Bonotto,\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ebut 1964 is a more likely date. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eAn offset printed 4 2\/16\" x 5 12\/16\" 1971 \u003cbr\u003eEdition Hundertmark announcement card\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003efor Eric Andersen's 8. box. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eA photocopied (?) 8 1\/2\" x 11\" sheet with a single horizontal center fold \u003cbr\u003eentitled \"Do You Need 8,000 Dollars Free With No Obligation?\" \u003cbr\u003ewith the addresses of Felipe Ehrenberg, David Mayor \u0026amp; Eric Andersen \u003cbr\u003eon the bottom.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eLikely published 1972\/1973. \u003cbr\u003e\u003cbr\u003eSmall collection of scarce ephemera and art by Danish Fluxus artist\u003cbr\u003eEric Andersen sent to Fluxus Collector Tjeerd Deelstra by \u003cbr\u003eAndersen's then girlfriend Martha Salonen who was, at one point, \u003cbr\u003ethe proprietor of a \u003cspan data-mce-fragment=\"1\"\u003elibrary of avant garde and Fluxus material in Copenhagen \u003cbr\u003eat this same address. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eFrom the collection of Fluxus collector Tjeerd Deelstra. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e \u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43743601754337,"sku":"","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8043.jpg?v=1676270079"},{"product_id":"andersen-eric-seated-passers-by-exhibition-flyer","title":"Andersen, Eric - Seated Passers-by exhibition flyer","description":"\u003cdiv style=\"text-align: left;\"\u003eEric Andersen. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSeated Passers-by exhibition flyer.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eCopenhagen: Huset Magstraede, 1977.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eOffset printed Single sheet. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e8 1\/2\" x 11\". \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good, \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eminor creasing and edge wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eOpus realized at Huset Magstræde in 1977.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43743628198113,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8040.jpg?v=1676270544"},{"product_id":"hendricks-geoffrey-wolkenobjekte-zum-meditieren-1974-exhibition-invitation-with-inscription-by-artist-and-mailing-envelope-to-fluxus-collector-tjeerd-deelstra-signed","title":"Hendricks, Geoffrey - Wolkenobjekte Zum Meditieren 1974 exhibition invitation with inscription by artist and mailing envelope to Fluxus Collector Tjeerd Deelstra (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eGeoffrey Hendricks. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eWolkenobjekte Zum Meditieren 1974 exhibition invitation\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ewith inscription by artist\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eand mailing envelope to Fluxus Collector Tjeerd Deelstra.\u003cbr\u003eBochum, Germany: \u003cspan data-mce-fragment=\"1\"\u003eGalerie Inge Baecker, 1974. \u003cbr\u003eFolding exhibition invitation in envelope. \u003cbr\u003e4 5\/16\" x 8 10\/16\". \u003cbr\u003e\u003cbr\u003eInvitation: Near fine.\u003cbr\u003eEnvelope: Very good. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eEnvelope hand addressed to Tjeerd Deelstra. \u003cbr data-mce-fragment=\"1\"\u003ePostal stamps and markings.\u003cbr data-mce-fragment=\"1\"\u003eTearing to back from opening. \u003cbr\u003e\u003cbr\u003eA friendly message to Fluxus Collector Tjeerd Deelstra: \u003cbr\u003e\u003cbr\u003e\"A show of sky in Germany — And now to gather family roots \u003cbr\u003ein Norway. So good to get to know you in New York and at Jean Browns. \u003cbr\u003eGeoff.\"\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eFrom the collection of Fluxus collector Tjeerd Deelstra. \u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43743702155489,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8038.jpg?v=1676269626"},{"product_id":"hendricks-geoff-buczak-brian-money-for-food-press-spring-catalog-1980","title":"Hendricks, Geoff \u0026 Buczak, Brian - Money for Food Press: Spring Catalog 1980","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003eGeoff Hendricks \u0026amp; Brian Buczak.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMoney for Food Press: Spring Catalog 1980.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Money for Food Press, 1980.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStaple-bound softcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e16 pages with 2 blind stamped \"Hell Bank\" notes\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003efolded and inserted between covers and text.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e10 11\/16\" x 4 1\/8″.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCovers have slight fading at spine. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\"Hell Bank\" notes have caused offsetting to adjacent pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eOtherwise, a clean copy of this scarce catalogue. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eMoney for Food Press was founded by Brian Buczak and Geoffrey Hendricks. Introduction by Dick Higgins. \u003cbr\u003eFeaturing artists' books by Buczak and Hendricks \u003cbr\u003ewith contributions by Allison Knowles and Dick Higgins.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e24 illustrations.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eDesigned by Brian Buczak\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43743887491297,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8050.jpg?v=1676269294"},{"product_id":"hendricks-geoff-buczak-brian-money-for-food-press-xerox-books-available-from-the-money-for-food-press","title":"Hendricks, Geoff \u0026 Buczak, Brian - Money for Food Press: Xerox books available from the Money for Food Press","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003eGeoff Hendricks \u0026amp; Brian Buczak.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMoney for Food Press: Xerox books available from the Money for Food Press.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew York: Money for Food Press, 1981-1982 (?).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eStapled top left.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThree sheets.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e8 1\/2″ x \u003c\/span\u003e11\".\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good.\u003cbr\u003eTiny closed tear front page left.\u003cbr\u003eLast bottom bottom right chipped. \u003cbr\u003eMinor creasing, otherwise, a clean copy of this scarce catalogue. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eMoney for Food Press was founded by Brian Buczak and Geoffrey Hendricks. \u003cbr\u003eFeaturing artists' books by Buczak and Hendricks \u003cbr\u003ewith contributions by Allison Knowles, Ray Johnson and Guy Veryzer.\u003cbr\u003eCatalogue, checklist \u0026amp; order form. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43743897092321,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8053.jpg?v=1688852637"},{"product_id":"mitchell-roscoe-keeper-of-the-code-paintings-1963-2022","title":"Mitchell, Roscoe - Keeper of the Code: Paintings 1963–2022","description":"\u003cdiv style=\"text-align: left;\"\u003eRoscoe Mitchell. \u003cbr\u003eText by \u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eRoscoe Mitchell \u0026amp; \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohn Corbett.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eKeeper of the Code: Paintings 1963–2022. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003e\u003cbr\u003eChicago: Corbett Vs Dempsey, 2023.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eSoftcover.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e140 pages. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eEdition of 1000.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThis catalog was produced on the occasion of the exhibition\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003eRoscoe Mitchell\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eKeeper of the Code: Paintings 1963–2022\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003eJanuary 20–March 11, 2023\u003cbr data-mce-fragment=\"1\"\u003eCorbett vs. Dempsey\u003cbr data-mce-fragment=\"1\"\u003e2156 West Fulton Street\u003cbr data-mce-fragment=\"1\"\u003eChicago, IL 60612\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eRoscoe Mitchell (b. 1940) has been a leading figure in the performing arts for over 50 years. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eKeeper of the Code\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first solo exhibition to spotlight his work in the visual arts. Born and raised in Chicago, Mitchell formed the Roscoe Mitchell Art Ensemble in 1966, featuring Lester Bowie and Malachi Favors. Three years later, adding Joseph Jarman, upon their departure to Paris for a two-year sojourn the group transformed into the collective interdisciplinary troupe called the Art Ensemble of Chicago. By that time Mitchell had already recorded the first LP of music affiliated with the Association for the Advancement of Creative Musicians (AACM), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSound\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Delmark, 1966), and he had joined forces with St. Louis trumpeter Bowie for \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNumbers 1 \u0026amp; 2\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Nessa, 1967), which featured a painting by Mitchell on its cover. Indeed, Mitchell had been painting since 1963, and he continued on and off into the heyday of the Art Ensemble and through a hyperproductive sequence of decades of solo music, improvised encounters, and music for Mitchell-led ensembles. The pandemic afforded Mitchell time off-road in which he began painting very avidly again. This exhibition surveys his work from the most recent canvases—including a series of compositionally complex four-by-four foot works—all the way back to the beginning, when Mitchell was a promising young saxophonist and ambitious autodidact painter. A large selection of recent works, executed since 2018, includes the painting “The Code 3,” its diamond-mosaic pattern surrounded by hip glyphic figures including the titular keeper. These delightfully playful, jubilantly colorful canvases sport various repeated motifs and themes—custodians of codes and keys, time keepers and ticket takers, figures known as “floaters” and “wavers,” and another persona called “the watcher.” Alongside these imagistic works, interpenetrating them as well, are all sorts of approaches to abstraction, from organic masses of circles that might recall Aboriginal art and warped checkerboards to more rigidly structured geometry and color sequences. In the gallery’s north space, CvsD has gathered Mitchell’s historical works dating back to 1963, including the cover painting from \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNumbers 1 \u0026amp; 2\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and the riveting piece that graced the Art Ensemble’s 1985 LP \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Third Decade\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. In addition to the paintings, Mitchell is installing a new incarnation of his legendary percussion set-up known as “The Cage,” which directly bridges the musical and visual in his capacious artistic imagination.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43759405433057,"sku":"","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/F3B9A02D-6A57-41D8-BE64-38AA74FA9D4E.png?v=1676964344"},{"product_id":"shiraga-kazuo-kazuo-shiraga-paintings-and-watercolors-1954-2007","title":"Shiraga, Kazuo - Kazuo Shiraga: Paintings and Watercolors 1954-2007","description":"\u003cdiv style=\"text-align: left;\"\u003eKazuo Shiraga: Paintings and Watercolors 1954-2007.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eLondon: Annely Juda Fine Art, 2007.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e56 pages, with 5 foldouts. \u003cbr\u003e\u003cbr\u003eVery good,\u003cbr\u003eMinor edge wear.\u003cbr\u003eQuite small closed tear back cover top right. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sidebar clearwithin visible\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"image  lazyload_wrapper lazyload_initialized loaded\" data-width=\"1984\" data-height=\"1323\" data-mce-fragment=\"1\"\u003eKazuo Shiraga, one of Japan's most famous painters, creates dramatic oil paintings using his feet by swinging from a rope hung from the ceiling of his studio. He is still working at the age of 83.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content_module clearwithin\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cdiv class=\"description\" data-mce-fragment=\"1\"\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis exhibition at Annely Juda Fine Art is his second one-person show in the UK - the first was at Annely Juda Fine Art in 2001. The exhibition includes over 15 of his dynamic action paintings from the period 1954 - 2005.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e Kazuo Shiraga was a member of the highly influential Japanese avant garde group, Gutai, formed in 1954, which aimed to create art that \"combined human creative ability with the characteristics of the material\". This human creativity for the Gutai artists was dynamic, vital and physical and strongly linked to spiritualism. They were the precursors of today's installation and performance artists. These characteristics are prominent in Shiraga's works which are bold and gestural with thick swathes of vibrant paint covering the canvas.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e In 1971 Shiraga became an esoteric Buddhist priest. Esoteric Buddhism employs trance-like states for spiritual reasons and Shiraga saw a connection between this and the mental state he achieved whilst painting. His paintings are thus a combination of conscious and unconscious, a union of spontaneity and formalism.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e The 25 works in this exhibition range over 50 years from 1954 to 2007 including six large paintings more than 250 cm length. This exhibition of one of the great masters of Japanese Art sustains the West's increased interest in contemporary Japanese work and helps to place it in an important historical context.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43770574143713,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_8467.jpg?v=1677557384"},{"product_id":"something-else-press-inc-checking-account-deposit-ticket-sheet-of-three","title":"Higgins, Dick - Something Else Press, Inc. Checking Account Deposit Ticket, sheet of three","description":"\u003cdiv style=\"text-align: left;\"\u003eSomething Else Press, Inc. Checking Account Deposit Ticket, sheet of three.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eBarton, Vermont: The Howard Bank, likely 1971-1974.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSingle sheet with two perforated lines between deposit tickets. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e8 1\/4.\" x 9 1\/4\".\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eNew and unused. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eA scarce piece of ephemera from Dick Higgins' Something Else Press.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003eThe West Glover address dates it as from 1971-1974.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43810194587873,"sku":"","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/IMG_9030.jpg?v=1679367272"},{"product_id":"hijrah-truly-free-time-2xlp","title":"Hijrah - Truly Free \/ Time 2xLP","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eHijrah. \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"trackTitle\" style=\"text-align: left;\"\u003eTruly Free \/ Time.\u003cbr\u003e\u003cbr\u003eKey System Recordings, 2023. \u003cbr\u003e2xLP.\u003cbr\u003e\u003cbr\u003eNew, sealed. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eOakland CA, 1981: Hijrah, a vocal group formed from a small Sunni Muslim community in East Oakland, independently releases an album called Truly Free. Locally successful but without distribution it quickly goes out of print, falling into obscurity. Now rare, prized and sought-after for its beautiful combination of multipart harmonies, soul-jazz backing and uplifting spiritual message, we are proud to present this first-ever reissue, licensed directly from the group, and coupled with their 1985 follow-up Time - a funky and eclectic update of the Hijrah sound which sadly never saw the light of day. Mastered by Jessica Thompson, with exhaustive historical listening notes by John Morrison, pressed at Gotta Groove in Ohio and limited to 500 copies, Truly Free \/ Time is a revelation.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43823230550241,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/products\/a1150157236_10_1100x_jpg.webp?v=1680065576"},{"product_id":"hammons-david-curator-clark-ed-whitney-stanley-thomasos-denyse-quiet-as-its-kept-pictoribus-atque-poetis-quidlibet-audendi-semper-fuit-aequa-potestas-signed","title":"Hammons, David (Curator); Clark, Ed; Whitney, Stanley; Thomasos, Denyse - Quiet As Its Kept: Pictoribus atque poetis \/ quidlibet audendi semper fuit aequa potestas (Signed)","description":"\u003cdiv style=\"text-align: left;\"\u003eDavid Hammons (Curator).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEd Clark, Stanley Whitney, Denyse Thomasos.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eGeoffrey Jacques (Essay). \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eHaf-Fa-Rool (Afterword).\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eQuiet As Its Kept: Pictoribus atque poetis \/ quidlibet audendi semper fuit aequa potestas.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eChristine König Galerie, 2002. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSoftcover. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e76 pages. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThree color plates. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEnglish\/German. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVery good. \u003cbr\u003eWear to top \u0026amp; bottom near spine.\u003cbr\u003eLight corner wear. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSigned by Ed Clark. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eA unique exhibition curated by the artist David Hammons, \u003cem data-mce-fragment=\"1\"\u003e\u003cbr\u003eQuiet as it's Kept,\u003c\/em\u003e an exhibition featuring three painters based in New York, seeks to challenge the comforting discourse surrounding the presumed transnational identity of abstract painting.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003ePainters ED CLARK, STANLEY WHITNEY, and DENYSE THOMASOS are all abstract artists who are also African Americans. Each one works in New York City. While none of this seems remarkable in itself, this exhibition seeks to challenge the commonplace identification the art public often makes between black artists and what might be called facile narratives surrounding \"African American art.\"\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eSuch narratives often fail to take into account, suggests curator Hammons, the fact that there might be a unique \"and hitherto little examined\" approach to abstract painting that derives from the African American experience. Each of the artists in \u003cem data-mce-fragment=\"1\"\u003eQuiet as it's Kept\u003c\/em\u003e has spent his or her career attempting to evade the gaze of those who would police the definitions of \"black\" art.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eClark's luminous canvases live in an environment of absolute freedom. The paintings are often created using a push broom, and carry within them not only an intimation of a reversal of status embodied in that tool, but the paintings also suggest an obscure sense of unrestricted play. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eWhitney creates paintings in which color, randomness, and architecture are all constituent elements. The apparently random patterning of color in his canvases recall those patterns that can sometimes be seen in the cloth and quilt making artists of the African American south. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eOn the other hand, Thomasos is concerned with the abstract patterns that draw their dynamism from those structures that have hitherto been considered as signs of restriction, such as jails and slave transport vessels.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\"The identity of black culture,\" writes New York independent critic Geoffrey Jacques, who contributed an essay to the exhibition's catalogue, \"is deeply rooted in experiment practice.\" That aspect of black identity, which is widely recognized in music and is beginning to be recognized in literature, has rarely been recognized in the visual arts. With this exhibition, curator Hammons seeks to sharpen a discourse that will focus attention on the experimental nature of African American visual culture as well.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43859845677281,"sku":"","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_96722.jpg?v=1682990432"},{"product_id":"below-peter-mixed-media-edition-postcard","title":"Below, Peter - Untitled postcard","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003ePeter Below. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUntitled. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKitzingen, Germany: Mixed Media Edition, 1978.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePostcard. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 2\/16” x 5 13\/16”.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNear fine. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eScarce original Peter Below postcard. \u003c\/span\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43870186537185,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_9603.jpg?v=1682833079"},{"product_id":"bonalumi-agostino-clark-lydia-cruz-diez-carlos-galerie-m-e-thelen-1969-exhibition-invitation-postcard","title":"Bonalumi, Agostino; Clark, Lygia \u0026 Cruz-Diez, Carlos - Galerie M.E. Thelen 1969 exhibition invitation postcard","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eAgostino Bonalumi, Lygia Clark \u0026amp; Carlos Cruz-Diez. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGalerie M.E. Thelen 1969 exhibition invitation. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKöln, Germany: Galerie M.E. Thelen, 1969.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePostcard. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 2\/16” x 5 13\/16”.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVery good. \u003cbr\u003e\u003c\/span\u003eMinor corner wear and creasing, unobtrusive foxing.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePostal marks and stamps + typewritten address. \u003cbr\u003eAddressed to “T. Deelstra”. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003eScarce exhibition invitation. \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43870187946209,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_9624.jpg?v=1682832446"},{"product_id":"tavenner-patricia-original-postcard","title":"Tavenner, Patricia - Original postcard","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003ePatricia Tavenner.\u003cbr\u003e\u003cspan\u003eWishing You Were Here — Greece. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOakland: Self-Published, 1979.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePostcard. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4” x 5 15\/16”.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVery good. \u003cbr\u003e\u003c\/span\u003eMinor corner wear \/ creasing. \u003cbr\u003eSlight foxing to back. \u003cbr\u003eUnobtrusive pin hole top right. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003eScarce artists’ postcard.\u003c\/span\u003e\u003c\/div\u003e","brand":"Fenrick Books","offers":[{"title":"Default Title","offer_id":43870219469025,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0532\/3787\/4867\/files\/IMG_9619.jpg?v=1682832375"}],"url":"https:\/\/fenrickbooks.com\/collections\/frontpage.oembed?page=31","provider":"Fenrick Books LLC","version":"1.0","type":"link"}