Atlanta: Spelman College Museum of Fine Art, 2016.
Softcover in dust jacket.
Minor wear and soiling, mostly to text block of book.
First monograph devoted to Hassinger's work.
MAREN HASSINGER (b. 1947) has built an expansive practice that articulates the relationship between nature and humanity. Carefully choosing materials for their innate characteristics, Hassinger has explored the subject of movement, family, love, nature, environment, consumerism, identity, and race. Wire rope has played a prominent role in Maren Hassinger’s artistic practice since the early 1970s when, as a sculptor placed in the Fiber Arts program at UCLA, Hassinger used the material to bridge the gap between the two disciplines. The artist often takes a biomimetic approach to her material, whether bundling it to resemble a monolithic sheaf of wheat or planting it in cement to create an industrial garden. Within the past five years, Hassinger has been commissioned to make work for Sculpture Milwaukee (curated by Ugo Rondinone), Dia Bridgehampton, Socrates Sculpture Park, the Hirshhorn Museum and Sculpture Garden, the Rockefeller Foundation, and the Aspen Art Museum. She is the recipient of a Lifetime Achievement Award from the Women's Caucus for the Arts. Her work can be found at the Art Institute of Chicago; Baltimore Museum of Art; Los Angeles County Museum of Art; Museum of Modern Art, NYC; the Smithsonian's Hirshhorn Museum; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, NYC, among others.